Every time they got a call from the leper hospital to pick up a body Jack Delaney would feel himself coming down with the flu or something. Leo Mullen, his boss, was finally calling it to Jack’s attention. “You notice that? They phone, usually it’s one of the sisters, and a while later you get kind of a moan in your voice. ‘Oh, man, I don’t know what’s the matter with me. I feel kind of punk.’”

Jack said, “Punk, I never used the work punk in my life. When was the last time? I mean they called. Wait a minute. How many times since I’ve been here have they called, twice?”

Leo Mullen looked up from the body on the prep table. “You want me to tell you exactly?” This is the fourth time I’ve asked you in the past almost three years now.” Leo wore latex gloves and a plastic-coated disposable apron over his vest, shirt, and tie. He looked like a man all dressed up doing the dishes.

Touch (1987)

A Michigan woman was blind and now she can see, after being touched by a young man who calls himself Juvenal. Maybe it was just coincidence, but Bill Hill — who used to run the spectacular Uni-Faith Ministry in Dalton, Georgia, and now sells RVs — can see dollar signs when he looks at this kid with the magic “touch.” The trouble is that others see them also, including a wacko fundamentalist fascist with his own private army of the faithful and an assortment of media leeches. But everyone who’s looking to put the touch on the healer is in for a big surprise — because Juvenal’s got a trick or two up his sleeve that nobody sees coming.

Chicago Tribune: “Thoroughly entertaining.... Its twisty plot, curt characterization, and brilliant dialogue are all typical Leonard.”

From the novel:

Bill Hill moved to the front windows of the reception room and looked out at the brewery that was across the Chrysler Freeway, but seemed as near as the next door. Above the red-brick complex was a giant sign that lit up red at night and said Stroh’s Beer for all the alcoholics to see, it could make them thirsty, he bet. Or it could remind them of gutters and weeds and cold vacant buildings. Bill Hill was wearing a yellow outfit today. Yellow-and-white- striped sport shirt, cream yellow slacks, white belt, and white loafers. It was hot in here with no air conditioning. A dim, depressing place.

Freaky Deaky (1988)

Way back when revolution was the thing, bombs were Robin Abbott and Skip Gibbs’s bag — until their explosive “freedom of expression” was curtailed by some considerable prison time. Now the ex-SDSers are back out in the material world and looking to put their pyrotechnic skills to more profitable use. Their target is Woody Ricks, dope-addled Detroit “rich kid” and aging former fellow radical who Robin thinks ratted them out to the Feds. But Motown cop Chris Mankowski also has his eye on Woody — albeit for another matter entirely — and until his recent switch to Sex Crimes, Chris was the Bomb Squad’s golden boy. So it’s only fitting that he’ll be around when the really nasty stuff starts going down ... or blowing up.

Washington Post Book World: “Quite remarkable ... right on target and it is extremely funny.”

From the novel:

Chris Mankowski’s last day on the job, two in the afternoon, he got a call to dispose of a bomb.

What happen, a guy by the name of Booker, a twentyfive-year-old super-dude twice-convicted felon, was in his Jacuzzi when the phone rang. He yelled for his bodyguard Juicy Mouth to take it. “Hey, Juicy?” His bodyguard, his driver and his houseman were around somewhere. “Will somebody get the phone?” The phone kept ringing. The phone must have rung fifteen times before Booker got out of the Jacuzzi, put on his green satin robe that matched the emerald pinned to his left earlobe and picked up the phone. Booker said, “Who’s this?” A woman’s voice said, “You sitting down?” The phone was on a table next to a green leather wingback chair. Booker loved green. He said, “Baby, is that you? It sounded like his woman, Moselle. Her voice said, “Are you sitting down? You have to be sitting down for when I tell you something.” Booker said, “Baby you sound different. What’s wrong?” He sat down in the green leather chair frowning, working his butt around to get comfortable. The woman’s voice said, “Are you sitting down?” Booker said, “I am. I have sat the fuck down. Now you gonna talk to me, what?” Moselle’s voice said, “I’m suppose to tell you that when you get yo, honey, what’s left of your ass is going to go clear through the ceiling.”

Killshot (1989)

It’s not Carmen Colson and her ironworker husband Wayne’s fault that they were in the real estate office when a pair of thugs walked in with extortion on their minds. But as far as aging Ojibway Indian hit man Armand Degas is concerned, the Colsons are going to have to pay dearly for seeing too much ... and for the damage Wayne inflicted on Armand and his sicko partner Richie Nix with a tire iron. The cops here in middle-of-nowhere Michigan can’t help Carmen and Wayne out, and the best the Feds can offer is the Witness Protection Program. So ultimately it’s going to have to come down to one wife, one husband, two killers ... and one lethal shot.

Seattle Times: “Nerve-wracking.... The tightest, best-written thriller of the year.”

From the novel:

Richie Nix bought a T-shirt at Henry’s restaurant in Algonac that had IT’S NICE TO BE NICE written across the front. He changed in the men’s room: took off his old T-shirt and threw it away, put on the new one looking at himself in the mirror, but then didn’t know what to do with his gun. If he put his denim jacket back on to hide the nickel-plate .38 revolver stuck in his jeans, you couldn’t read the T-shirt. What he did was roll the .38 up inside the jacket and carried it into the dining area.

There was a big IT’S NICE TO BE NICE wood-carved sign on the shellacked knotty-pine wall in the main room, over past the salad bar. It had been the restaurant’s slogan for fifty years. Most people who came to Henry’s liked a table by the front windows, so they could watch the freighters and ore carriers if they wanted, though he was more interested this evening in keeping an eye on the restaurant parking lot. He needed a car for a new business he was getting into.

Get Shorty (1990)

Mob-connected loanshark Chili Palmer is sick of the Miami grind — plus his “friends” have a bad habit of dying there. So when he chases a deadbeat client out to Hollywood, Chili figures he might like to stay. This town with its dreammakers, glitter, hucksters, and liars — plus gorgeous, partially clad would-be starlets everywhere you look — seems ideal for an enterprising criminal with a taste for the cinematic. Besides, Chili’s got an idea for a killer movie — though it could very possibly kill him to get it made.

The Wall Street Journal: “The funniest crime thriller ever set among the hustlers and con artists of the movie colony.”

Detroit News: “A Hollywood hit.... Bound to knock the socks off a lot of people.... Taut, inimitable prose and characters who could have only sprung from the mind of Elmore Leonard.”

From the novel:

When Chili first came to Miami Beach twelve years ago they were having one of their off-and-on cold winters: thirty-four degrees the day he met Tommy Carlo for lunch at Vesuvio’s on South Collins and had his leather jacket ripped off. One his wife had given him for Christmas a year ago. before they moved down here.

Chili and Tommy were both from Bay Ridge, Brooklyn, old buddies now in business together. Tommy Carlo was connected to a Brooklyn crew through his uncle, a guy named Momo, Tommy keeping his books and picking up betting slips till Momo sent him to Miami, with a hundred thousand to put on the street as loan money. Chili was connected through some people on his mother’s side, the Manzara brothers. He worked usually for Manzara Moving & Storage in Bensonhurst, finding high volume customers for items such as cigarettes, TVs, VCRs, stepladders, dresses, frozen orange juice.... But he never could be a made guy himself because of tainted blood, some Sunset Park Puerto Rican on his father’s side, even though he was raised Italian. Chili didn’t care to be made anyway, get into all that bullshit having to do with respect.

Maximum Bob (1991)

Hard-ass Palm Beach County judge Bob Isom Gibbs enjoys sending even petty offenders away to do hard time — which has made the list of miscreants who want him dead longer than a fully grown Florida gator’s tail. And a good number of his illwishers are probation officer Kathy Baker’s clients, including young Dale Crowe and his psycho uncle Elvin. Now, Kathy’s got an even more daunting task than keeping BIG’s horny hands off her: keeping “Maximum Bob” alive. Because Gibbs’s many enemies seem to be willing to go to any lengths — be it death by amphibian or some more tried-andtrue method — to permanently end the career of an oversexed, racist jurist who’s more interested in scoring than in saving his own red neck.

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