models. He is using his hands to measure Joey’s body and then squeezing
or pulling apart the model sections accordingly.
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A seamstress comes up with a tape measure and takes some measures of
Joey - across his shoulders, around his chest, from neck to waist, and
from waist to crotch. She brings up a swath of fine woolen cloth and
holds it up to Finegan and Joey for approval.
______________________________
Finegan is loading a couple tarps onto the rusty child’s wagon he uses
to cart goods. The gangplank is now level with the shore, the tide
having risen. He sets out toward the hilltop, toward the mill complex.
As Finegan is coming up over the top of the hill he pauses to catch his breath and looks out over the hills. The deafmute is coming to meet
him.
There is smoke rising from the mainland here and there. The deafmute
glances at Finegan, slicing his hand under his chin indicating much
danger there. The deafmute points at the water, then pats his hand
down, indicating the time when the water was low, then pulls his hand
under his chin again.
He motions to Finegan to follow him, and goes to a cleft in the rock
nearby, showing Finegan a hidden bunker with a metal door. The door is
in the shadows so blends in with the rock. Pulling this door open, the
deafmute steps in, Finegan following.
Finegan nods, indicating he understands what the man is saying. The
group hid here if any danger from looters was a threat. They emerge
from the bunker and return to the hilltop where they stare at the fires
on the mainland. Finegan suddenly remembers he has a pair of binoculars
at the houseboat, and raises his hand to the deafmute, pushing against
him, indicating “wait here”, then takes off running toward the
houseboat.
Moments later, Finegan is returning with the binoculars, puffing up the
hill. He holds them high so the deafmute can see what he was after.
Finegan stands at the crest of the hill, holding the binoculars to his
eyes, scanning. There are fires in the background, people dashing back
and forth, throwing rocks at each other.
Finegan hands the binoculars to the deafmute who takes a look. When the
deafmute tries to return them to Finegan he pushes his palm in the
direction of the deafmute, indicating he should keep them. The deafmute
looks at Finegan’s face for a moment, then nods and returns to using
them, not arguing and accepting the gift. They need to know when danger
is approaching.
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______________________________
Finegan has brought Joey to the fitting room of the Mill complex, where
the models and sewing machine are housed. They are standing in the
dimming light. Joey has the new pants and shirt on, and they fit
perfectly. The pants are of heavier material than the shirt, and a
lighter color of brown.
The seamstress has squatted down while she checks her work. She tugs at
the shoulder and waist, and is satisfied with the fit. She has her
yellow cloth tape measure around her neck. She rises and faces Finegan,
then pulling her tape measure from around her neck moves as though to
measure Finegan’s shoulders. Pressing against him, and taking his face
in her hands, she suddenly gives him a long, lingering kiss.
Finegan stands shock still, not expecting this. As she pulls back,
looking into his eyes, he raises an eyebrow, indicating something else
has arisen. Giving up the booze has its benefits. Then with a smile, he
folds her in his arms, leans her backwards, and gives her a long
passionate kiss.
______________________________
Joey is sitting forlornly in the door of the house on the houseboat
with Barney. Both are missing Finegan, who has not yet returned. Joey
takes the picture of his parents from his pocket and looks at it in the
dim light, then tucks the photo back into his pocket. He puts his arm
around Barney, who is leaning against him, and sighs. Finegan comes
into view in the dim light, dragging his rusty wagon.
Joey has scrambled to his feet, trying to act nonchalant by fussing
with some rope at the side, as though Finegan’s whereabouts had been
the last thing on his mind.
Finegan replies,
Finegan is lively and smiling. He gazes up toward the mill complex
hill, reflecting.
______________________________
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