he stole a look and saw him pause with apprehension at the narrow elbow-turn of the passage which he must venture next. Torres saw his chance and swung the sword aloft for the blow that would split the peon's head in twain.
Though this was the day and the very hour for the peon, the last second had not yet ticked. Not there, in the thoroughfare of the dead, was he destined to die under the hand of Torres. For Torres held his hand and slowly lowered the point of the sword to the floor, while the peon passed on into the elbow.
The latter met up with his father, Leoncia, and Francis, just as Francis was demanding the priest to run the knots again for fuller information of the how and what that would open the ear of Hzatzl.
'Put your hand into the mouth of Chia and draw forth the key,' the old man commanded his reluctant son, who went about obeying him most gingerly.
'She won't bite you she's stone,' Francis laughed at him in Spanish.
'The Maya gods are never stone,' the old man reproved him. 'They seem to be stone, but they are alive, and ever alive, and under the stone, and through the stone, and by the stone, as always, work their everlasting will.'
Leoncia shuddered away from him and clung against Francis, her hand on his arm, as if for protection.
'I know that something terrible is going to happen,' she gasped. 'I don't like this place in the heart of a mountain among all these dead old things. I like the blue of the sky and the balm of the sunshine, and the wide- spreading sea. Something terrible is going to happen. I know that something terrible is going to happen.'
While Francis reassured her, the last seconds of the last minute for the peon were ticking off. And when, summoning all his courage, he thrust his hand into the mouth of the goddess, the last second ticked and the clock struck. With a scream of terror he pulled back his hand and gazed at the wrist where a tiny drop of blood exuded directly above an artery. The mottled head of a snake thrust forth like a mocking, derisive tongue and drew back and disappeared in the darkness of the mouth of the goddess.
'A viperine!' screamed Leoncia, recognising the reptile.
And the peon, likewise recognising the viperine and knowing his certain death by it, recoiled backward in horror, stepped into the hole, and vanished down the nothingness which Chia had guarded with her feet for so many centuries.
For a full minute nobody spoke, then the old priest said: 'I have angered Chia, and she has slain my son.'
'Nonsense,' Francis was comforting Leoncia. 'The whole thing is natural and explainable. What more natural than that a viperine should choose a hole in a rock for a lair? It is the way of snakes. What more natural than that a man, bitten by a viperine, should step backward? And what more natural, with a hole behind him, than that he should fall into it-'
'That is then just natural!' she cried, pointing to a stream of crystal water which boiled up over the lips of the hole and fountained up in the air like a geyser. 'He is right. Through stone itself the gods work their everlasting will. He warned us. He knew from reading the knots of the sacred tassel.'
'Piffle!' Francis snorted. 'Not the will of the gods, but of the ancient Maya priests who invented their gods as well as this particular device. Somewhere down that hole the peon's body struck the lever that opened stone flood- gates. And thus was released some subterranean body of water in the mountain. This is that water. No goddess with a monstrous mouth like that could ever have existed save in the monstrous imaginations of men. Beauty and divinity are one. A real and true goddess is always beautiful. Only man creates devils in all their ugliness.' So large was the stream that already the water was about their ankles.
'It's all right,' Francis said. 'I noticed, all the way from the entrance, the steady inclined plane of the floors of the rooms and passages. Those old Mayas were engineers, and they built with an eye on drainage. See how the water rushes away out through the passage. Well, old man, read your knots, where is the treasure?'
Where is my son?' the old man counter-demanded in dull and hopeless tones. 'Chia has slain my only born. For his mother I broke the Maya law and stained the pure Maya blood with the mongrel blood of a woman of the tierra caliente. Because I sinned for him that he might be, is he thrice precious to me. What care I for treasure? My son is gone. The wrath of the Maya gods is upon me.'
With gurglings and burblings and explosive air-bubblings that advertised the pressure behind, the water fountained high as ever into the air. Leoncia was the first to notice the rising depth of the water on the chamber floor.
'It is half way to my knees,' she drew Francis' attention.
'And time to get out,' he agreed, grasping the situation. 'The drainage was excellently planned, perhaps.
But that slide of rocks at the cliff entrance has evidently blocked the planned way of the water. In the other passages, being lower, the water is deeper, of course, than here. Yet is it already rising here on the general level. And that way lies the only way out. Come!'
Thrusting Leoncia to lead in the place of safety, he caught the apathetic priest by the hand and dragged him after. At the entrance of the elbow turn the water was boiling above their knees. It was to their waists as they emerged into the chamber of mummies.
And out of the water, confronting Leoncia's astounded gaze, arose the helmeted head and ancient-mantled body of a mummy. Not this alone would have astounded her, for other mummies were overtoppling, falling and being washed about in the swirling waters. But this mummy moved and made gasping noises for breath, and with eyes of life stared into her eyes.
It was too much for ordinary human nature to bear a four-centuries old corpse dying the second death by drowning. Leoncia screamed, sprang forward, and fled the way she had come, while Francis, in his own way equally startled, let her go past as he drew his automatic pistol. But the mummy, finding footing in the swift rush of the current, cried out:
'Don't shoot! It is I Torres! I have just come back from the entrance. Something has happened. The way is blocked. The water is over one's head and higher than the entrance, and rocks are falling.'
'And your way is blocked in this direction,' Francis said, aiming the revolver at him.
'This is no time for quarreling,' Torres replied. 'We must save all our lives, and, afterwards, if quarrel we must, then quarrel we will.'
Francis hesitated.
'What is happening to Leoncia?' Torres demanded slyly. 'I saw her run back. May she not be in danger by herself?'
Letting Torres live and dragging the old man by the arm, Francis waded back to the chamber of the idols, followed by Torres. Here, at sight of him, Leoncia screamed her horror again.
'It's only Torres,' Francis reassured her. 'He gave me a devil of a fright myself when I first saw him. But he's real flesh. He'll bleed if a knife is stuck into him. Come, old man! We don't want to drown here like rats in a trap. This is not all of the Maya mysteries. Eead the tale of the knots and get us out of this!'
'The way is not out but in,' the priest quavered.
'And we're not particular so long as we get away. But how can we get in?'
'From the mouth of Chia to the ear of Hzatzl, was the answer.
Francis was struck by a sudden grotesque and terrible thought.
'Torres,' he said, 'there is a key or something inside that stone lady's mouth there. You're the nearest. Stick your hand in and get it.'
Leoncia gasped with horror as she divined Francis' vengeance. Of this Torres took no notice, and gaily waded toward the goddess, saying: 'Only too glad to be of service.'
And then Francis' sense of fair play betrayed him.
'Stop! 'he commanded harshly, himself wading to the idol's side.
And Torres, at first looking on in puzzlement, saw what he had escaped. Several times Francis fired his pistol into the stone mouth, while the old priest moaned 'Sacrilege!' Next, wrapping his coat around his arm and hand, he groped into the mouth and pulled out the wounded viper by the tail. With quick swings in the air he beat its head to a jelly against the goddess' side.
Wrapping his hand and arm against the possibility of a second snake, Francis thrust his hand into the mouth and drew forth a piece of worked gold of the shape and size of the hole in Hzatzl's ear. The old man pointed to the ear, and Francis inserted the key.
'Like a nickle-in-the-slot machine,' he remarked, as the key disappeared from sight. 'Now what's going to