when photography was impossible. Further Carlos held that this road had been built

with slave labor.

For the sake of argument, and because Jorgens was in such a garrulous mood, Abe

challenged him. 'I've heard the story told little different,' he said. 'That it was Tibetans

who built this road, and with a gun at their head.'

The deep dimples in Jorgens's beard vanished. He shot a look at their driver, who

spoke pidgin Mandarin and pidgin Hindi and even pidgin Japanese, but, judging by his

blank look, no English at all. Then he turned a stern look upon Abe.

'You had a chat with Mr. Crowell, I take it.'

'We rode together,' Abe said. 'It was an education.'

'Half an education,' Jorgens qualified it. 'There's always two sides to a story.'

Abe almost spread his hands as if to disown his own remark. He hadn't meant to

trigger a confrontation. At the same time, he didn't appreciate being lectured. Jorgens

went on.

'Take the story of this road, for instance. It took a long time to build this road,' he

said. 'You may not believe this, but the Tibetan workers would stop after every

shovelful to pick the earthworms out of the dirt. Can you imagine? Every shovelful,

stop to save an earthworm's life. Talk about benighted. It drove the Chinese nuts.'

Jorgens stared out at the blank countryside. 'What a country. What a sorry

ass-backward excuse for a country. People going around day and night mumbling

prayers, worshiping stones, prostrating themselves. Frankly I think the Chinese did

these Tibetans a favor. At least these people can see a hint of the twentieth century

now.'

Abe noticed that Jorgens hadn't disputed the charge of slave labor. At best he'd put

a happy face on it. 'Sounds to me like Tibet didn't really need the twentieth century,'

Abe said.

'Tibet.' Jorgens spit the word. 'You have to understand something about this place,

then you'll understand Mr. Crowell's fixation on it. Tibet was called the forbidden

kingdom for a reason. People like us were kept out. But even when we're let in, we're

still out. We're all strangers here. And that's why people like Mr. Crowell feel so at

home here – because nobody knows Tibet, and so we can all imagine it is whatever we

want.'

After that, they rode in silence.

At the top of the Pang La, Jorgens breathed a long whistle. 'My God,' he said. 'Would

you look at this.'

It was indeed a sight. The Himalayan range lay spread before them, a tonnage of

angles and sunlight. Jorgens signaled their driver to stop. The driver scowled and

tapped his wristwatch. Jorgens waved him to a halt anyway.

A second truck pulled up and Li disembarked. Bundled in cherry-colored expedition

parkas, Thomas and Robby and J.J. Packard rose up from their nest atop the boxes

stacked in back. They moved slowly, cold and stiff. But their teeth gleamed in huge

grins and they were excited to be getting so close to the mountain.

A third truck arrived, and more people joined them. Cameras snapped and whirred.

Not a cloud adulterated the blue sky. The air was still. They were twenty miles or

more from Everest, but with the humidity content near zero, there was no haze and it

looked close enough to touch.

Even though Daniel and Gus were missing, Jorgens decided it was time for 'the

Picture' – the official 'before' shot which, months later, would go with the 'after' shot in

their slide shows to prove how Everest was about to ravage them. He called one of

their Sherpas over to round out the group. They put on their best face, eight

mountaineers radiant in their shorts or jeans or Lycra tights, bellies taut, teeth white.

But while Abe steadied his bulky old Pentax on a tripod, they flexed anyway.

The most obvious as usual was J.J. Packard, who whipped off his sweatshirt to

display thick lats like a peacock in rut. He came advertised as a magnificent summit

animal, capable of squatting a quarter-ton of iron draped across his neck, but Abe

wondered. His exhibitionism and dirty blond dreadlocks aside, J.J.'s sheer bulk

seemed more likely to gobble up his oxygen capacity and leave him far behind, and

Abe was curious to see how it would go.

Next to the giant, like spidery twins, Robby Powell 'sucked cheek' in Revo

sunglasses and his buddy Thomas Case postured with a dour, foreboding frown. Both

were wearing the expedition T-shirts that Robby had compared, unkindly – it was

Jorgens's design – to a cheap supermarket tabloid. The logo showed an ice climber

peering into the neon orange cosmic reaches. The title ULTIMATE SUMMIT: EVEREST

NORDWAND galloped across the chest. Under that, in hot purple ink, the shirt bragged,

'Getting High the Hard Way!'

Kelly, their beauty queen, just cocked her head and the sun poured gold on her

Viking locks. Though she was embarrassed by her flat chest and regularly joked that

her butt looked like hams waiting to happen, Kelly was the ultimate tits-and-ass show

to ever play Everest. A schoolteacher in real life, she had consented to model on the

expedition. On her crystal blue eyes alone, magazines and cosmetic companies had

paid the Ultimate Summit $150,000. A pantyhose company had kicked in $80,000

for rights to her legs, providing darker shades to hide the scars. Her hair had gone for

another $35,000 to a shampoo maker, and her skin had fetched still more from a

tanning lotion manufacturer. The rest of their money had come through more

conventional expedition schemes such as T-shirt sales, a book contract – null and void

if they failed the summit, unless there was a death – ten-dollar 'Postcards from the

Edge,' a wristwatch endorsement, and some last-minute corporate check-kiting that

involved the venture's nonprofit status and the future profits from Jorgen's Chinese

permit for Everest the following year. Abe didn't understand it all, nor did he waste

much time inquiring.

Nima Tenzing, the top kick of their climbing Sherpas, looked as grave as a

nineteenth-century chieftain facing the lens of history. Centuries ago, the Sherpas had

migrated from their native Tibet into the high valleys south of Everest in Nepal.

They'd been 'discovered' in the 1930s by Western mountaineers in need of cheap

labor on Everest, becoming famous as 'tigers of the snow' who functioned as high

altitude Gunga Dins, capable of carrying enormous loads by day and cheerfully

delivering cups of tea each morning at dawn to their sunburned sahibs.

Back in Kathmandu, Abe had met a worn-out old Sherpa missing most of the fingers

on one hand. What it had brought to mind was not tales of Himalayan heroism but the

memory of his own father, maimed in service to an oil company that soon after fired

and forgot him. In Nepal, tourism was the number one industry, and with their good

humor and charming English and their appetite for Western fashion, these Sherpas

were less tigers than safari porters who were usually the first to get eaten by the

mountain. Just prior to the first successful ascent of Everest in 1953, Tenzing Norgay

and the team's other Sherpas had been stuck in a converted stable without a toilet

while Hillary and his comrades enjoyed the British embassy building. From then on,

the Sherpas had known their place in the scheme of things.

Glen 'Stump' Wilson, the co-leader, anchored their center. An arbitrator and

construction litigation attorney, Stump was built from the waist down like a pro

Вы читаете The Ascent
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату