–  spear  throwers  –  and  stone  maces  with  iron  chains  and  handles.  Some  of  the weaponry   carried   Maori-type   geometrics,   but   had  to   predate   Maori   culture   by fourteen  thousand  years.  Spears  and  arrows  made  of  abyssal  reed  had  been  fletched not with bird feathers  but with fish spines.

'It's like the Qin tomb in China,' said Ali. 'Only smaller.'

'And seven  times older,' said Troy.  'And hadal.'

They  entered  the circles  of  sentinels  tentatively,  setting  their  feet  carefully,  like  t'ai chi  students,  so  as  not  to  disturb  the  scene.  Those  with  film  left  took  pictures.  Ike drew  his  pistol  and  stalked  from  one  to  another,  culling  facts  meaningful  only  to  him. Ali simply wandered. Troy  joined her, dazed.

'These  furrows  in  the  floor,  they're  filled  with  mercury,'  he  said,  pointing  to  the network  cut  into  the  stone  deck.  'And  it's  moving,  like  blood.  What  could  be  the meaning?'

It  was fair to guess by  the details that the statues  had  been  built  true  to  life.  In  that case,  the  warriors  had  averaged  an  extraordinary  five  feet  ten  inches  –  fifteen  eons ago.  As  Troy  pointed  out,  it  was  always  a  mistake  to  generalize  too  much  from  the looks of an army,  for armies tended to recruit the healthiest and  fittest  specimens  in  a population.  Even  so,  during  the  same  Neolithic  period  the  average  H.  sapiens  male had stood five to eight inches shorter.

'Next  to  these  guys,  Conan  the  Barbarian  would  have  been  nothing  more  than  a

mesomorphic runt leading a bunch of human pipsqueaks,' Troy  said.  'It  kind  of  makes you  wonder.  With  their  physical  size  and  this  level  of  social  organization  and  wealth, why  didn't the hadals just invade us?'

'Who says  they  didn't?' asked Ali. She  went  on  studying  the  statues.  'What  intrigues me  is  how  flexed  the  cranial  base  is.  And  how  straight  the  jaws  are.  Remember  that head Ike  brought in? The  skull fit differently  on  the  neck.  I  distinctly  remember  that. It  extended  forward, like a chimp's. And the jaw had a pronounced thrust  forward.'

'I saw that, too,' Troy  said. 'Are you thinking what I am?'

'Reversal?'

'Exactly. I mean, possibly.' Troy  opened his hands. 'I mean, I don't know, Ali.'

In  lay  terms,  a  straight  jaw  –  orthognathicism  –  was  an  evolutionary  climb  above the  more  primitive  trait  of  a  jutting  jaw.  Anthropology  did  not  deal  in  terms   of evolutionary  ascent,  however,  any  more  than  it  recognized  evolutionary  decline.  A straight  jaw  was  called  a  'derived'  trait.  Like  all  traits,  it  expressed  an  adaptation  to environmental pressures.  But evolutionary pressures  were  in  constant  flux,  and  could lead to new traits  that sometimes  resembled  primitive  ones.  This  was  called  reversal. Reversal  was not a going backward, but rather  a seeming to do so.  It  was  not  a  return to  the  primitive  trait,  but  a  new  derived  trait  that  mimicked  the  primitive  trait.  In this  case  the  hadals  had  evolved  a  straight  jaw  fifteen  or  twenty  thousand  years  ago, as  seen  on  these  statues,  but  had  apparently  derived  a  jutting  jaw  that  was  highly simian  and  primitive  in  its  look.  For  whatever  reason,  H.  hadalis  seemed  to  be  in reversal.

For  Ali,  the  significance  lay  in  what  this  meant  to  hadal  speech  and  cognition.  A straight jaw provided a wider range of consonants, and an erect  neck-skull structure  – basicranial  flexion  –  meant  a  lower  larynx  or  voice  box,  and  that  meant  more  vowel range. The  fact that fifteen-thousand-year-old  hadal  statues  had  straight  jaws  and  an erect  head,  and  Ike's  trophy  head  did  not,  suggested  problems  with  modern  hadal speech,   and  possibly   with  his   cognition.   Ali   remembered   Troy's   remarks   about symmetry  in  the  hadal  brain,  too.  What  if  subterranean   conditions  had  evolved Haddie  from  a  creature  capable  of  sculpting  this  fortress,  firing  these  terra-cotta warriors, and plying the sea and rivers,  into a virtual  beast?  Ike  had  said  hadals  could no longer read hadal script. What if they  had lost their ability to reason? What  if  Satan was  nothing  more  than  a  savage  cretin?  What  if  the  Gitners  and  Spurriers  of  the world were  right, and H. hadalis deserved  no better  treatment  than a vicious dog? Troy  was  troubled.  'How  could  they  reverse  so  quickly,  though?  Call  it  twenty thousand years.  That's  not time enough for such a pronounced evolution, is it?'

'I can't explain  it,'  Ali  said.  'But  don't  forget,  evolution  is  an  answer  to  environment, and  look  at   the   environment.   Radioactive   rock.   Chemical  gases.   Electromagnetic surges. Gravitational anomalies. Who knows? Simple inbreeding may  be to blame.'

Ike  was just ahead with Ruiz and Pia, examining three  figures waving  swords  of  fire, looking  them  in  the  face  as  if  checking  his  own  identity.  'Is  something  wrong?'  Ali asked.

'They're  not like this anymore,' Ike  said. 'They're  similar, but they've  changed.' Ali and Troy  looked at each other.

'How do  you  mean?'  Ali  thought  he  would  speak  to  some  of  the  physical  differences she and Troy  had noticed.

Ike  raised  his  hands  to  the  entire  tableaux.  'Look  at  this.  This  is  –  this  was  – greatness.  Magnificence. In all my  time among them, there  was never  any hint of that. Magnificence? Never.'

They  spent  the  rest  of  the  first  day  and  the  next  exploring.  Flowstone  oozed  from doorways,  collapsing  sections.  Deeper  in,  they  found  a  wealth  of  relics,  most  of  them human. There  were  ancient coins from Stygia  and  Crete  mixed  with  American  buffalo

nickels  and  Spanish  doubloons  minted  in  Mexico   City.   They   found  Coke   bottles, Japanese baseball cards, and a  flintlock.  There  were  books  written  in  dead  languages, a set  of samurai  armor,  an  Incan  mirror,  and,  beneath  that,  figurines  and  clay  tablets and bone carvings  from  civilizations  long  forgotten.  One  of  their  strangest  discoveries was  an  armillary,  a  Renaissance-era  teaching  device  with  metal  spheres  inside  one another  to  depict  planetary  revolutions.  'What  in  God's  name  is  a  hadal  doing  with something like this?' Ruiz wanted to know.

What kept  drawing  them  back  was  the  circular  platform  with  its  army  surrounding the  stone  spire.  However  priceless  the  human  artifacts  were,  scattered  through  the fortress,   they   were   mundane  compared   with  the   tower   display.   On   the   second morning,  Ike  found  a  series  of  hidden  nubbins  on  the  tower  itself.  Using  these,  he made a daring, unprotected ascent to the top of the column.

They  watched  him  balance  atop  the  spire.  For  the  longest  time  he  just  stood  there. Then he called down for them to turn off their lights. They  sat  in  the  darkness  for  half an hour, bathed by  the faintly incandescent floor.

When he roped down again, Ike  looked shaken.

'We're  standing  on  their  world,'  he  said.  'This  whole  platform  is  a  giant  map.  The spire was built as a viewing station.'

They  glanced around at their feet, and all they  saw were  wiggling cutmarks  on a  flat, unpainted surface. But through the afternoon, Ike  led them one at a time up  the  ropes and  they  saw  with  their  own  eyes.  By  the  time  he  took  Ali  up  for  her  view,  Ike  had made  the  trip  six  times  and  was  becoming  familiar  with  parts  of  the  map.  Ali  found the  top  flat  and  small,  just  three  feet  square.  Apparently  no  one  but  Ike  had  felt comfortable standing on  top,  so  he  had  rigged  a  pair  of  loops  for  people  to  sit  in  while hanging alongside. Ali hung beside Ike,  sixty  feet  up, while her night vision adapted.

'It's like a giant sand mandala, but without the sand,' Ike  said. 'It's  weird  how  I  keep running  across  pieces  of  mandalas  down  here.  I'm  talking  about  places  like  sub-Iran or under Gibraltar. I thought Haddie must have  kidnapped  a  bunch  of  monks  and  put them to work decorating. But now I see.'

And so did she. In a giant  circle  all  around  her,  the  platform  beneath  them  began  to radiate ghostly colors.

'It's  some  kind  of  pigment  worked  into  the  stone,'  said  Ike.  'Maybe  it  was  visible  at ground  level  at  one  time.   I   like  the   idea  of  an  invisible  map,  though.  Probably commoners  like  us  would  never  have  had  access  to  this  knowledge.  Only  the  elite would have  been permitted  to come up here and get the whole picture.'

The  longer  she  waited,  the  more  her  vision  adjusted.  Details  clarified.  The  incisions flowing with mercury  became tiny rivers  veining across the surface. Lines of turquoise and red and green intertwined and branched in wild patterns:  tunnels.

'I think that big stain mark  is our sea,' said Ike.

The  black shape  lay  quite  close  to  the  tower  base.  Paths  threaded  in  from  far-flung regions.  If  this  was  reality,  then  there  were  whole  worlds  down  here.  Whether  they had  once  been  known  as  provinces

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