He backed off a step  to get a look. 'That  was you?' She liked that. 'Did I look so pathetic?'

'You mean like a rescue  job?'

'If you want to put it that way.'

'I  used  to  climb,'  he  said.  'That  was  always  the  biggest  nightmare,  getting  rescued. You do your  best  to stay  in control. But sometimes things slip. You fall,.'

'I was in distress, then.'

'Nah.' Now he was lying.

'So how come the orange?'

There  was no particular answer  she  wanted  here.  Yet  the  circle  needed  completing. Something  about  that  orange  demanded  accounting  for,  the  poetry  in  it,  his  intuition that  she  had  needed  just  such  a  preoccupation  at  just  that  moment.  It  had  become something  of  a  riddle,  this  gift  from  a  man  so  raw  and  brutalized.  An  orange?  Where had  that  come  from?  Perhaps  he'd  read  Flaubert  in  his  previous   life,  before   his captivity.  Or  Durrell,  she  thought.  Or  Anais  Nin.  Wishful  thinking.  She  was  inventing him.

'There  it was,' he said simply, and she got a sense he was delighting  in  her  confusion.

'It had your  name on it.'

'Look, I'm not trying  to obsess  here,'  she  said.  Immediately  his  words  about  staying in  control  came  drifting  in.  She  faltered.  He'd  pegged  her  problem,  cold.  Control.  'It was just so right, that's all,' she murmured. 'It's been a mystery  to me, and I never  got a chance to say  –'

'Strawberry  blondes,' he interrupted.

'What?'

'I  confess,'  he  said.  'You're  an  old  weakness  of  mine.'  He  didn't  qualify  between  the universe  of blondes and the singularity of this one.

It  took  Ali's  breath  away.  Sometimes,  once  men  found  out  she  was  a  nun,  they would  dare  her  in  some  way.  What  made  Ike  different  was  his  abandon.  He  had  a carelessness in his manner that was not  reckless,  but  was  full  of  risk.  Winged.  He  was pursuing  her,  but  not  faster  than  she  was  pursuing  him,  and  it  made  them  like  two ghosts circling.

'That's it, then,' she said. 'End of mystery.'

'Why say  that?' he said.

This was turning out to be a nice dance.

'I like her singing,' she said.

He  took  in  her  long  body.  It  was  a  quick  glance.  She  saw  it,  and  remembered  his scrutiny of the periwinkles on her sundress. He said, 'You do live dangerously.'

'And you don't?'

'There's  a difference. I'm not a dedicated, you know,' he faltered, 'a professional...'

'Virgin?' she boldly finished. The  wine was talking. His back muscles reflexed.

'I was going to say  'recluse.''

Ike  pulled  her  tighter  and  stroked  his  front  across  hers,  a  languorous  swipe  that moved her breasts.  It  drew  a small gasp out of her.

'Mister  Crockett,'  she  scolded,  and  started  to  pull  away.  Instantly  he  let  go,  and  his release startled  her more. There  was no time for elaborate decisions. Scapegoating the wine, she scooped him close again, got his hand seated  at the hollow of her spine.

They  danced  without  words  for  another  minute.  Ali  tried  to  let  herself  be  taken away  by  the music. But eventually  the songs would stop and they  would  have  to  leave

the safety  of this brightly lit floor and resume  their investigation of the dark places.

'Now it's your  turn to explain,' he said. 'Just how did you end up here?'

Unsure  how  much  he  really  wanted  to  hear,  she  edited  herself.  He  kept  asking questions,  and  soon  she  found  herself  defining  protolanguage  and  the  mother  tongue.

'Water,'  she  said,  'in  Old  German  is  wassar,  in  Latin   aqua.  Go  deeper   into  the daughter  languages,  and  the  root  starts  to  appear.  In  Indo-European  and  Amerind, water       is         hakw ,    in    Dene- Caucasian                                              kwa .    The   furthest   back   is     haku,    a computer-simulated proto- word. Not that anyone uses it anymore. It's  a buried  word, a root. But you can see how a word gets  reborn through time.'

'Haku,'  Ike  said,  though  differently  than  she  had,  with  a  glottal  stress  on  the  first syllable. 'I know that word.'

Ali  glanced  at  him.  'From  them?'  she  asked.  His  hadal  captors.  Exactly  as  she'd hoped, he had a glossary in him.

He winced, as with a phantom pain, and she caught her breath. The  memory  passed, if that's what it was. She decided not to pursue it for the moment,  and  returned  to  her own  tale,  explaining  how  she  had  come  to  collect  and  decipher  hadal  glyphs  and remnant text.  'All  we  need  is  one  translator  who  can  read  their  writings,'  she  said.  'It could unlock their whole civilization to us.'

Ike  misunderstood. 'Are you asking me to teach you?' She kept  her voice flat. 'Do you know how to, Ike?'

He  clicked  his  tongue  in  the  negative.  Ali  instantly  recognized  the  sound  from  her time  among  the  San  Bushmen  in  southern  Africa.  That,  too?  she  wondered.  Click language? Her excitement  was building.

'Even hadals don't know how to read hadal,' he said.

'Then  you've  never  actually  seen  a  hadal  reading,'  she  clarified.  'The  ones  you  met were  illiterate.'

'They  can't read hadal writings,' Ike  repeated.  'It's lost to them. I knew one  once.  He could  read  English  and  Japanese.  But  the  old  hadal  writing  was  alien  to  him.  It  was  a great  frustration for him.'

'Wait.'  Ali  stopped,  dumbfounded.  No  one  had  ever  suggested  such  a  thing.  'You're saying the hadals read modern human languages? Do they  speak our languages too?'

'He did,' said Ike.  'He was a genius. A leader. The  rest  are... much less than him.'

'You  knew  him?'  Her  pulse  raced.  Who  else  could  he  be  speaking  of  except  the historical Satan?

Ike  stopped. He was looking  at  her,  or  through  her,  with  those  impenetrable  glacier glasses. She couldn't begin to read his thoughts. 'Ike?'

'Why are you doing this?'

'I have  a secret.' She wanted to trust  him. They  were  still touching, and  that  seemed a good start.  'What if I told you my  purpose  was  to  get  a  positive  identification  of  that man,  whatever  he  is?  To  get  more  information  about  him.  A  description  of  his  face. Clues to his behavior. Even to meet  him.'

'You won't.' Ike's  voice sounded dead.

'But anything's possible.'

'No,'  he  said.  'I  mean  you  won't.  By  the  time  you  ever  got  that  close,  it  wouldn't  be you anymore.'

She  brooded.  He  knew  something,  but  wasn't  telling.  'You're  making  him  up,'  she declared. It  was peevish, a last resort.

The  dancers flowed around them.

Ike  held  out  one  arm.  Turned  just  so  in  the  light,  Ali  could  see  the  raised  scars where  a  glyph  had  been  branded  in  the  flesh.  To  the  naked  eye,  the  scars  lay  hidden beneath more superficial markings. She  touched  them  with  her  fingertips...  the  way  a hadal might in complete darkness. 'What does it mean?' she asked.

'It's  a  claim  mark,'  he  said.  'The  name  they  gave  me.  Beyond  that,  I  don't  have  a

clue.  And  the  thing  is,  the  hadals  don't,  either.  They  just  imitate   drawings   their ancestors left a long time ago.'

Ali traced  her fingers across the scarring. 'What do you mean by  a claim mark?'

He shrugged, regarding the arm as  if  it  belonged  to  someone  else.  'There's  probably a  better  term  for  it.  That's  what  I  call  them.  Each  clan  has  its  own,  and  then  each member  his own.' He looked at her. 'I can show you others,' he said.

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