'But you had nothing to submit to Mr Blacker when he visited the circle.'
'That is correct.' Anton smiled.'Ican see where you're coming from now. Unlike most of the others, I wasn't held up to the light and judged. I had no reason to set Mr Blacker's house on fire.'
'Let's not race ahead here,' Hen said. 'It doesn't follow that you had no reason, just that you didn't have the same reason as some of the others. You could have set light to his place because you owed him money or he once insulted your mother.'
'Neither of which is true.'
'Or you have a pathological hatred of thatched cottages.'
'What makes you say that?'
'It's just an example. You care about architecture. You worked in the Department of Ancient Monuments, I gather.'
'That is about the first true thing you've said.'
'We're on course, then. I can look forward to some straight answers. Do cutesy old cottages upset you?'
'Not in the least, as it happens.'
'Did you know Mr Blacker prior to his visit?'
'Certainly not.'
'Your paths had never crossed?'
'To save you time, chief inspector, I am absolutely neutral about the late Mr Blacker. I neither liked the man, nor disliked him.'
'Where were you on the night he was killed?'
'That's some time back.'
'But you must have thought about where you were in case someone like me asked you to account for your movements.'
'True. I was at home.'
'All night?'
'Yes, and I can prove it. My sleeping pattern is somewhat erratic, so I was working on my computer until daylight. Then I went to bed for a couple of hours. I have a dedicated phone line and I can show you my statement.'
'I'm afraid all it shows is when your computer was online,' Hen said. 'It can't tell us if you were sitting in front of it. What do you do on the computer?'
'Sometimes I'm surfing the internet. Sometimes I'm making virtual models.'
'Models of what?'
'Buildings mainly.'
'Ancient monuments?'
'And modern.'
'Real buildings?'
'Yes.' He leaned towards her and took a less defensive pose with his elbows on the table and hands linked, the two forefingers touching his chin. 'It's a project with huge potential. I should think you would find it a godsend. I'm building up a street by street reference to central Chichester. If, for example, you had a report of a shoplifting incident in Woolworths, you could pinpoint North Street and get a picture of the shop on the screen and then actually go inside.'
'We'd want a picture of the shoplifter.'
'You're asking the impossible.'
'No. CCTV does it nicely,' Hen said. 'But I'm sure you get hours of pleasure. Let's turn to the matter of Miss Snow's death. You knew her quite well.'
'She was our secretary and treasurer.'
'Were you on good terms with her? I got the impression there was some tension between you.'
'Nothing serious,' he said. 'She didn't like her mistakes in the minutes being discussed.'
'It's a thankless task, writing up minutes,' Hen said. 'I've done it in my time. The chairman asks if there are any corrections and it's open house for everyone who wants to hear the sound of his own voice. No disrespect, Mr Gulliver, but that's how it seems from the secretary's end.'
'And it's the secretary's end that you're investigating.'
Hen gave him the smile he seemed to expect for this piece of wit.
He said, 'But we were talking about the minutes and I say mistakes shouldn't be ignored.'
'Certain mistakes can. I'd say a lot can, and meetings would be shorter as a result. I can understand why Miss Snow would feel the criticism was directed at her.'
'We were always on civil terms.'
'I believe you. I'd have heard if you weren't. People are quick to point the finger, and they haven't. From all I hear, she was an inoffensive lady.'
'I agree with that.'
'Did you ever visit her house in Tower Street?'
'No.'
'I expect it's on your computer.'
'The exterior is. I don't put the interiors of private houses into my system.'
'That would be taking a liberty,' Hen said.
'That's why.'
'And did you have any professional dealings with her in her work as an accountant?'
'No. I told you, I was a civil servant.'
'Now retired?'
'Yes.'
'Presumably you still do a tax return. I was wondering if you got help with that.'
'I do my own. There's a simple computer programme.' He altered his posture again, sitting back with his arms folded, but he was well defended. He was enjoying the exchanges.
'Do you have any view who might have killed this inoffensive lady?' Hen asked.
He smiled and shook his head. 'You said people are quick to point the finger. Not in my case.'
Andy Humphreys, the detective constable who'd got off to such a bad start with Hen Mallin, was in Interview Room Two, stuck with an old bird called Warmington-Smith who had once been married to an archdeacon. She seemed convinced she was about to get the third degree, even though a female officer was present and doing her best to calm things down. It had taken a cup of hot, sweet tea and a biscuit and all of the Humphreys charm to induce the old dear to talk at all.
'Ever since it was formed,' she was saying in a stiff voice. 'I was one of the first members to join, at the personal invitation of the chair.'
'The chairman. Maurice McDade, right — the guy we had in custody?'
'The chair. We refer to him as the chair.'
'No problem. So you joined this writers' club in Chichester. That's a bit whacky, isn't it, a club for writers?'
She shifted her head to one side like a cockatoo. 'Whacky?'
'Weird, then.'
'Not at all. Writing is a solitary occupation.'
You took the words out of my mouth,' DC Humphreys said.
'So it's all the more helpful to get together and compare experiences. There are circles all over the country. One learns so much about the way others work. Quite practical things, like how to set out the manuscript. A publisher won't accept anything handwritten these days. It all has to be typed, double-spaced and on one side of the paper only. Then one hears important things about literary agents.'
DC Humphreys didn't want to hear about literary agents. 'You live in the middle of town, then?'
She blinked behind her bifocals. 'Is that significant?'
'You tell me, ma'am. It's a line of enquiry.'
'I can't think why.'
'You're in Vicars Close, right?'
