In the distance came a rumbling on the rising wind. As the twilight grew and the wind moaned down the
He held up a guttering torch, whose flames were nearly flat in the wind. 'We have broken into the howe of Attila,' he said, 'and Hild has gone inside.'
There was a mad scramble from the fire then, a scrabble of eager men heading for the tunnel until they were brought up short by the grim figure of Ketil Crow, standing light on the balls of his feet, his sword, saw-edged with nicks, swinging in one hand.
`Best if only a few go in,' Einar said, moving slowly, half-hunched to one side. His face seemed to have shrunk and had a greenish tinge, the eyes sunk so deep that his face already looked like a corpse. There was a huge seep of blood from his bandaged side. 'The tunnel isn't all that wide, or safe. Ketil Crow, me, Illugi, Sig—Orm, you are fit, I am thinking, so you will go. The rest remain.'
`Prepare the carts, lads,' Ketil Crow added with a grin. 'We will be hauling out a fortune soon.'
That mollified them but it didn't take much—while the lure of plundering a huge hoard of silver was strong, the fear of Nidhogg or worse was stronger. Best, I could see them all reason, to let someone else find out the dangers. There was plenty of opportunity for plunder later.
The dawn horizon flashed and roared behind me as I ducked into the tunnel. I was the last man, almost on all fours, wincing at my various pains and carrying only my sword. Ahead, Einar's arse was barely visible and I could hear him grunt and pant. Up front, Ketil Crow, Valknut and Illugi Godi struggled to keep torch flames from their faces and still avoid elbowing all the shaky timber uprights.
Earth trickled down my neck—a run of it, like thick water, spilled over the back of my hand as I brushed the roof. Something dug into my knee: metal. I dug it out, made out a dull gleam, held it close, saw the wink of silver.
Now that I looked, I could see other lumps of dull, age-black metal. We had dug straight through a wall of silver objects and earth.
I crawled on, feeling my other hand slap into something sticky and, when I brought it close to my face, smelled the iron tang of fresh blood. Einar, leaking like a sprung bucket, slithered along the tunnel and, suddenly, stood upright.
I followed, scrambling out into the howe of Attila.
I had had no idea what we would find, even from the start. A cave, I had imagined, with neat piles of gleaming treasure, like all the sagas seemed to have. Hopefully with no coiled dragon.
But this was no cave. Even in the light of the torches, held high by Ketil Crow, Sigtrygg and Illugi, you could see that his people had done Attila proud.
The howe was the size of a small town, though I only had that impression from the great vault of the roof.
The floor was flagged with stone; the roof, which should have been dirt, was a vague, arched shape in the darkness, its great wooden beams socketed into solid stone pillars and, though crusted with age, still firm.
At one end of this flagstoned square was a huge throne, a magnificent edifice of wood and gleaming silver raised high above the flagged level, with a pile of bright, brocaded robes in red and green and blue lying at the foot of it.
And all around, everywhere, piled to the roof, gleaming here and there, were blackened shapes, ominous and flickering in the torch shadows, a great tumble of forms, like buildings, strange and slanted, holding the gods knew what.
Each arm of that throne was as large as a table and, fastened to one, I saw with a sudden leap to my throat, was a skeleton, held at the neck and wrists by short, thick black chains embedded in the base.
I knew it was a woman, though there was nothing there to let me know that. Naked, she had been chained to the throne of the dead Attila. I knew who she was: Ildico, his bride of one night. The dream rushed back to me, of Hild and the collar of silver.
Ketil Crow saw none of this, just the pile of robes at the foot of the throne and he knew what that meant.
His scream of rage should have echoed. Instead, it was sucked dead by that place.
He rushed forward and raked his own blade in the robes. Yellowed bones and insects spilled out from the bright, curling gold embroidered dragons on it. A skull rolled, part of what was left of Attila, who had been on that throne until flung from it by Hild, tearing free the sword he had held in his lap for centuries.
With a curse, Ketil Crow flung himself at the dark, bulked shapes, searching for her and yelling curses.
Things clattered and fell and he screamed wildly and hurled bits of black metal backwards. He wanted that sword, as badly as Einar wanted the gifthrone.
Einar was now moving like an old man, bent and shuffling. I watched him give a choking, bitter half-laugh and hirple weakly forward, then slowly and painfully climb on to the great silver chair, where he slumped, laughing blood on to his moustaches.
I scarcely noticed, or heard Illugi Godi's muttered chanting. I had just realised, for the first time, what the building-sized shapes really were.
Age-blackened silver. The sheer extent of it sucked breath and reason right out of me. Acres of it, piled high to the roof, round the throne, beyond the throne, the riches of a dozen kingdoms, the craft of a thousand smiths.
Jewelled fans, I saw, with silver feathers. A miniature of a castle gleamed, sparkling with gemstone flags.
A silver ship reared out of a sea of coins, with ropes and stays of silver wire. A shirt of mail, each ring silver, every small rivet gold. Anklets and brooches and rings and tumbled pots on tumbled pots of coins, spilling like waterfalls.
For the first—and only—time, I discovered the silver-lust that so grips a man he loses his reason. I was, on that day, infected and cured of it for ever. I grabbed Illugi's torch from him and I doubt if he noticed.
I fell on my knees, picked something up. A cup, slightly flattened on one side, with stem and embossing.
I picked up another, then another, until I was scrabbling in the piles, heedless of the hurts. A silver pin stabbed me: I stuck it in my tunic. A silver-hilted dagger drew blood on my palm: I stuck it in my belt.
There were rings and armrings, which we still call ringmoney. Plates, shields, helmets, brooches, bowls, ewers, bracelets, necklaces, earrings and coins, thousands of coins. There were knuckledusters of gold and daggers of silver with jewelled hilts.
They were everywhere, piled high, forced together until cups flattened and thrones bent, a fortune, all in silver, wrenched from the world by Attila and his armies, a fitting panoply for the greatest of great steppe kings.
It was the scream that wrenched me out of it, my tunic stuffed, my boots full, my arms laden with a bowl the size of a bath.
`Burning ice, biting flame,' Illugi said. `That is how life began, in the south, in Muspell, where it seethes and shines and no man can look on it.'
In the flickering torchlight, I suppose, all that cold silver, bouncing with flame, could have reminded him of Muspell, the land of molten ice and shining flame where life was first created. At the time I thought his mind had gone. I am still not sure what was right.
The scream came again, then Ketil Crow slid down a hill, stumbling in an avalanche of coin, cursing and shrieking. He had lost his sword and there was blood on his mouth. He hit the flagstones and fell, scrambled up, fell again and tried to crawl to the exit.
Valknut went to him, but he was already sliding out of this world, bleeding in slowing gouts and spilling blue- pink coils from the rip in his stomach that went from groin to throat. Cunt to jawline.
His eyes chilled us. They were livid with fear and he was so gibbering with it that he couldn't speak, his mouth moving like a fish until it stopped and he died.
I stood up and moved, shedding rings and cups and a fork with two tines. I let the huge bowl clatter and Valknut whirled, searching the darkness.
Einar . . . ?' I asked, but there was silence. I moved to where he sat, like the jarl he had always striven to be,
