covered in a white sheet. (Six feet long, human; feet and limbs look intact under the cloth; definitely didn’t fall naturally like that, so someone had to lay him out.) I start to tremble. When I look down at Ollie, I see that the fur on his back is standing up. I call to him several times, but he refuses to walk any closer, so I’m forced to follow Commander Jameson and leave him behind.
Commander Jameson halts in front of the white sheet, then bends down and throws it aside. I stare down at the dead body of a soldier clad in military black, a knife still protruding from his chest. Dark blood stains his shirt, his shoulder, his hands, the grooves of the knife hilt. His eyes are closed now. I kneel before him and smooth strands of his dark hair away from his face. It’s odd. I don’t take in any details of the scene. I still feel nothing but that deep numbness.
“Tell me about what might have happened here, cadet,” Commander Jameson demands. “Consider this a pop quiz. This soldier’s identity should motivate you to get it right.”
I don’t even inch from the sting of her words. The details rush in, and I start talking. “Whoever hit him with this knife either stabbed him from close range or has an incredibly strong throwing arm. Right-handed.” I run my fingers along the blood-caked handle. “Impressive aim. The knife is one of a pair, correct? See this pattern painted on the bottom of the blade? It cuts off abruptly.”
Commander Jameson nods. “The second knife is stuck in the wall of the stairwell.”
I look toward the dark alley that my brother’s feet point to and notice the sewer cover several yards away. “That’s where he made his getaway,” I say. I estimate the direction the sewer cap is turned in. “He’s also left- handed. Interesting. He’s ambidextrous.”
“Please continue.”
“From here, the sewers will take him deeper into the city or west to the ocean. He’ll choose the city—he’s probably too wounded to do otherwise. But it’s impossible to track him accurately now. If he has any sense, he’ll have taken half a dozen turns down there and done it in the sewer water too. He wouldn’t have touched the walls. He’ll give us nothing to track.”
“I’m going to leave you here for a bit, so you can collect your thoughts. Meet me in two minutes in the third- floor stairwell so you can give the photographers some room.” She glances once at Metias’s body before she turns away—for a brief second, her face softens. “What a waste of a good soldier.” Then she shakes her head and leaves.
I watch her go. The others around me stay a good distance away, apparently eager to avoid an awkward conversation. I look down at my brother’s face again. To my surprise, he appears peaceful. His skin looks tan, not pale like I’d assumed it would. I half expect his eyes to flutter, his mouth to smile. Bits of dried blood flake off onto my hands. When I try to brush them off, they stick to my skin. I don’t know if this is what sets off my anger. My hands start shaking so hard that I press them against Metias’s clothes in an attempt to steady them. I’m supposed to be analyzing the crime scene . . . but I can’t concentrate.
“You should have taken me with you,” I whisper to him. Then I lean my head against his and begin to cry. In my mind, I make a silent promise to my brother’s killer.
I will hunt you down. I will scour the streets of Los Angeles for you. Search every street in the Republic if I have to. I will trick you and deceive you, lie, cheat and steal to find you, tempt you out of your hiding place, and chase you until you have nowhere else to run. I make you this promise: your life is mine.
Too soon, soldiers come to take Metias to the morgue.
0317 HOURS.
MY APARTMENT.
SAME NIGHT.
THE RAIN HAS STARTED.
I lie on the couch with my arm draped over Ollie. The spot where Metias usually sits is empty. Stacks of old photo albums and Metias’s journals clutter up the coffee table. He’d always loved our parents’ old-fashioned ways, and kept handwritten journals just like how they’d kept all these paper photos. “You can’t trace or tag them online,” he always said. Ironic coming from an expert hacker.
Was it just this afternoon that he’d picked me up from Drake? He’d wanted to talk to me about something important, right before he left. But now I’ll never know what he had to say. Papers and reports cover my stomach. One of my hands clutches a pendant necklace, a piece of evidence I’ve been studying for a while now. I squint at its smooth surface, its lack of patterns. Then I drop my hand with a sigh. My head hurts.
I learned earlier why Commander Jameson pulled me out of Drake. She’s had her eye on me for a long time. Now she suddenly has one less in Metias’s patrol, and she’s looking to add an agent. A perfect time to nab me before other recruiters do. Starting tomorrow, Thomas is taking over Metias’s position for the time being—and I’m entering the patrol as a detective agent in training.
My first tracking mission: Day.
“We’ve tried a variety of tactics to catch Day in the past, but none of them have worked,” Jameson told me just before she sent me home. “So. Here’s what we’ll do. I’ll continue with my patrol’s projects. For you, let’s test out your skills with a practice run. Show me how you’d track Day. Maybe you’ll get somewhere. Maybe not. But you’re a set of fresh young eyes, and if you impress me, I’ll promote you to be a full agent on this patrol. I’ll make you famous—the youngest agent out there.”
I close my eyes and try to think.
Day killed my brother. I know this because we found a stolen ID tag lying halfway up the third-floor stairwell, which led us to the soldier pictured on the tag, who stammered out a description of what the boy looked like. His description didn’t match anything we have on file for Day—but the truth is, we know little about what he looks like, except that he’s young, like the kid at the hospital tonight. The fingerprints on the ID tag are the same prints found just last month at a crime scene linked to Day, prints that don’t match any civilian the Republic has on record.
Day was there, in the hospital. He was also careless enough to leave the ID tag behind.
Which makes me wonder. Day broke into the laboratory for medicine as part of a desperate, last-minute, poorly thought-out plan. He must have stolen plague suppressants and painkillers because he couldn’t find anything stronger. He himself certainly doesn’t have the plague, not with the way he was able to escape. But someone else he knows must, someone he cares enough about to risk his life for. Someone living in Blueridge or Lake or Winter or Alta, sectors all recently affected by the plague. If this is true, Day won’t be leaving the city anytime soon. He’s bound here by this connection, motivated by emotions.
Day could also have a sponsor who hired him to pull this stunt. But the hospital is a dangerous place, and a sponsor would’ve had to pay Day a great deal of money. And if that much money was involved, he certainly would have planned more thoroughly and known when the laboratory’s next shipment of plague medicine would arrive.
