A Critical Cinema 2: Interviews with Independent Filmmakers

CC (Canyon Cinema, 2325 Third St., Suite 338, San Francisco, CA 94107)

CFDC (Canadian Filmmakers Distribution Centre, 67A Portland St., Toronto, Ontario, M5V 2M9)

Circles (113 Roman Road, London E2)

FACETS (video only: 1517 W. Fullerton Ave., Chicago, IL 60614)

FMC (Film-makers' Cooperative, 175 Lexington Ave., New York, NY 10016)

FR (First Run, 153 Waverly Place, New York, NY 10014)

LFC (London Film Makers' Co-operative, 42 Gloucester Ave.,London, NW1)

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MoMA (Museum of Modern Art, Circulating Film Program, 11 W. 53rd St., New York, NY 10019)

WMM (Women Make Movies, 225 Lafayette St., Suite 207, New York, NY 10012)

Major distributors of commercial features (New Yorker, Films Incorporated . . .) are indicated by name only. In some cases, films are available from the filmmakers. In those instances, I include the filmmaker's address only once, with the listing of the earliest of such films.

Bruce Baillie

On Sundays

. 1961. 16mm; 26 minutes; black and white; sound (FMC).

David Lynn's Sculpture

. 1961. 16mm; 3 minutes; black and white; sound.

Mr. Hayashi

. 1961. 16mm; 3 minutes; black and white; sound (CC, FMC, MoMA).

The Gymnasts

. 1961. 16mm; 3 minutes; black and white; sound (CC, FMC).

Friend Fleeing

. 1962. 16mm; 3 minutes; black and white; sound.