A Critical Cinema 2: Interviews with Independent Filmmakers

Ear

. 1976. Super-8mm; 3 minutes; color; sound.

Carnage

(directed by Ken Burns; cinematography by McCall). 1976. Super-8mm; 90 minutes; color; sound.

Argument

(co-made with Andrew Tyndall). 1978. 16mm; 75 minutes; color; sound (McCall).

Sigmund Freud's Dora

(co-made with Claire Pajaczkowska, Andrew Tyndall, Jane Weinstock). 1979. 16mm; 40 minutes; color; sound (BFI, McCall).

Ross McElwee

20,000 Missing Persons

. 1974. 16mm; 30 minutes; color; sound.

68 Albany Street

. 1976. 16mm; 24 minutes; color; sound.

Energy War

(directed by D. A. Pennebaker, Pat Powell, Chris Hegedus; some cinematography by McElwee). 1977. 16mm; 300 minutes; color; sound (Pennebaker, 56 West 45th St., New York, NY 10036).

Charleen

. 1978. 16mm; 59 minutes; color; sound (Artificial Eye, 211 Camden High St., London NW1 7BT, U.K.; FR).

N!ai: Portrait of a !Kung Woman

(directed by John Marshall; some cinematography by McElwee). 1978. 16mm; 60 minutes; color; sound (1980).

Space Coast

(co-made with Michel Negroponte). 1979. 16mm; 90 minutes; color; sound (Artificial Eye, FR).

Resident Exile

(co-made with Alex Anthony, Michel Negroponte). 1981. 16mm; 30 minutes; color; sound (Artificial Eye, FR).

Backyard

. 1984. 16mm; 40 minutes; color; sound (Artificial Eye, FR).

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Sherman's March

. 1986. 16mm; 155 minutes; color; sound (Artificial Eye, FR).