she knew it.

      They walked two blocks to the main street and went into the first restaurant they came to, a tourist trap with empty tables visible through its plate glass windows. There was an open-fronted cigar store diagonally across the street. I looked over its display of paperbacks, bought a pack of cigarettes, and smoked three or four which I lit at the old-fashioned gas flame, and eventually bought a book about ancient Greek philosophy. It had a chapter on Zeno which I read standing. The old ladies were a long time over lunch.

      'Archer will never catch the old ladies,' I said.

      The man behind the counter cupped his ear. 'What was that?'

      'I was thinking aloud.'

      'It's a free country. I like to talk to myself when I'm off work. In the store here it wouldn't be appropriate.' He smiled over the word, and his gold teeth flashed like jewelry.

      The old ladies came out of the restaurant and separated. Mrs. Hoffman limped south, toward her hotel. Mrs. Deloney strode in the opposite direction, moving rapidly now that she was unencumbered by her companion. From the distance you could have taken her for a young woman who had unaccountably bleached her hair white.

      She turned off the main street in the direction of the courthouse, and halfway down the block disappeared into a modern concrete and glass building. 'Law Offices of Stevens and Ogilvy,' said the brass sign beside the entrance. I walked on to the next corner, sat on a bench at a bus stop, and read in my new book about Heraclitus. All things flow like a river, he said; nothing abides. Parmenides, on the other hand, believed that nothing ever changed, it only seemed to. Both views appealed to me.

      A cab pulled up in front of the Stevens and Ogilvy office. Mrs. Deloney came out, and the cab took her away. I made a note of its license number before I went into the building.

      It was a large office, and a working one. Typewriters were clacking in a row of cubicles behind the waiting room. A very junior attorney in a flannel suit was telling the middle-aged woman at the front desk how he wanted a brief set up on her typewriter.

      He went away. Her steel-gray glance met mine, and we happened to smile at each other. She said:

      'I was typing briefs when he was just a gleam in his daddy's eye. Can I help you?'

      'I'm very eager to see Mr. Gil Stevens. My name is Archer.'

      She looked in her appointment book, and then at her watch. 'Mr. Stevens is due for lunch in ten minutes. He won't be coming back to the office today. I'm sorry.'

      'It has to do with a murder case.'

      'I see. I may be able to slip you in for five minutes if that will do any good.'

      'It might.'

      She talked to Stevens on the phone and waved me past the cubicles to an office at the end of the hall. It was large and sumptuous. Stevens sat on leather behind mahogany, flanked by a glass-faced cabinet of yachting trophies. He was lionfaced, with a big soft masterful mouth, a high brow overhung by broken wings of yellowish white hair, pale blue eyes that had seen everything at least once and were watching the second time around. He wore tweeds and a florid bow tie.

      'Close the door behind you, Mr. Archer, and sit down.'

      I parked myself on a leather settee and started to tell him what I was doing there. His heavy voice interrupted me:

      'I have only a very few minutes. I know who you are, sir, and I believe I know what you have in mind. You want to discuss the McGee case with me.'

      I threw him a curve: 'And the Deloney case.'

      His eyebrows went up, forcing the flesh above them into multiple corrugations. Sometimes you have to give away information on the chance of gaining other information. I told him what had happened to Luke Deloney.

      He leaned forward in his chair. 'You say this is connected in some way with the Haggerty murder?'

      'It has to be. Helen Haggerty lived in Deloney's apartment building. She said she knew a witness to Deloney's murder.'

      'Strange she didn't mention it.' He wasn't talking to me. He was talking to himself about Mrs. Deloney. Then he remembered that I was there. 'Why do you come to me with this?'

      'I thought you'd be interested, since Mrs. Deloney is your client.'

      'Is she?'

      'I assumed she was.'

      'You're welcome to your assumptions. I suppose you followed her here.'

      'I happened to see her come in. But I've wanted to get in touch with you for a couple of days.'

      'Why?'

      'You defended Tom McGee. His wife's death was the second in a series of three related murders which started with Deloney and ended with Helen Haggerty. Now they're trying to pin the Haggerty death on McGee or his daughter, or both of them. I believe McGee is innocent, and has been all along.'

      'Twelve of his peers thought otherwise.'

      'Why did they, Mr. Stevens?'

      'I get no pleasure from discussing past mistakes.'

      'This could be very relevant to the present. McGee's daughter admits she lied on the witness stand. She says she lied her father into prison.'

      'Does she now? The admission comes a little belatedly. I should have borne down on her in cross, but McGee didn't want me to. I made the mistake of respecting his wishes.'

      'What was the motive behind them?'

      'Who can say? Paternal love, perhaps, or his feeling that the child had been made to suffer enough. Ten years in prison is a big price to pay for such delicacies of feeling.'

      'You're convinced that McGee was innocent?'

      'Oh, yes. The daughter's admission that she was lying removes any possible doubt.' Stevens took a blotched green cigar out of a glass tube, clipped it and lit it. 'I take it that is highly confidential advice.'

      'On the contrary, I'd like to see it publicized. It might help to bring McGee in. He's on the run, as you probably know.'

      Stevens neither affirmed nor denied this. He sat like a mountain behind a blue haze of smoke.

      'I'd like to ask him some questions,' I said.

      'What about?'

      'The other man, for one thing--the man Constance McGee was in love with. I understand he played some part in your case.'

      'He was my hypothetical alternative.' Stevens's face crumpled in a rueful smile. 'But the judge wouldn't let him in, except in my summing-up, unless I put McGee on the stand. Which didn't seem advisable. That other man was a twoedged weapon. He was a motive for McGee, as well as an alternative suspect. I made the mistake of going for an outright acquittal.'

      'I don't quite follow.'

      'It doesn't matter. It's only history.' He waved his hand, and the smoke shifted around him like strata of time in an old man's memory.

      'Who was the other man?'

      'Come now, Mr. Archer, you can't expect to walk in off the street and pump me dry. I've been practicing law for forty years.'

      'Why did you take McGee's case?'

      'Tom used to do some work on my boats. I rather liked him.'

      'Aren't you interested in clearing him?'

      'Not at the expense of another innocent man.'

      'You know who the other man is?'

      'I know who he is, if Tom can be believed.' While he still sat solidly in his chair, he was withdrawing from me like a magician through dissolving mirrors. 'I don't divulge the secrets that come to me. I bury 'em, sir. That's why they come to me.

Вы читаете The Chill
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату