The blonde woman, Madge Gerhardi, was sitting beside Alex in his red Porsche. He looked up with shining eyes.
'Mrs. Gerhardi has seen her. She's seen Dolly.'
'With Begley?'
'No, not with him.' She opened the door and squeezed out of the little car. 'It was at that garage that specializes in fixing foreign cars. I drive an MG myself, and I had it in for a lube job. The girl was there with an old woman. They went away together in an old brown Rolls. The girl was doing the driving.'
'Are you certain of the identification?' I showed her the picture again.
She nodded over it emphatically. 'I'm certain, unless she has a twin. I noticed her because she was so stunning.'
'Do you know who the old woman was?'
'No, but the man at the garage ought to be able to tell you.' She gave us directions, and started to edge away. 'I better get back to the house. I snuck out along the beach, and Chuck will be wondering where I am.'
chapter 4
A mechanic lying face up on a creeper rolled out from under the raised front end of a Jaguar sedan. I saw when he stood up that he was a plump Mediterranean type with 'Mario' embroidered on his coverall. He nodded enthusiastically when I asked him about the old Rolls and the old lady.
'That's Mrs. Bradshaw. I been looking after her Rolls for the last twelve years, ever since she bought it. It's running as good now as the day she bought it.' He looked at his greasy hands with some satisfaction, like a surgeon recalling a series of difficult but successful operations. 'Some of the girls she gets to drive her don't know how to treat a good car.'
'Do you know the girl who's driving her at present?'
'I don't know her name. Mrs. Bradshaw has quite a turnover with her drivers. She gets them from the college mostly. Her son is Dean at the college, and he won't let the old lady do her own driving. She's crippled with rheumatics, and I think she was in a smashup at one time.'
I cut in on Mario's complicated explanations and showed him the print. 'This girl?'
'Yeah. She was here with Mrs. Bradshaw the other day. She's a new one. Like I said, Mrs. Bradshaw has quite a turnover. She likes to have her own way, and these college girls don't take orders too well. Personally I always hit it off with Mrs. Bradshaw--'
'Where does she live?'
Alex sounded anxious, and Mario was slightly infected by his anxiety. 'What is it you want with her?'
'She's not the one I'm interested in. The girl is my wife.'
'You and her are on the outs?'
'I don't know. I have to talk to her.'
Mario looked up at the high corrugated-iron roof of the garage. 'My wife divorced me a couple years ago. I been putting on weight ever since. A man don't have the same motivation.'
'Where does Mrs. Bradshaw live?' I said.
'Foothill Drive, not too far from here. Take the first cross street to the right, it runs into it. You can look up the house number in the phone book, on the desk there. It's in her son's name, Roy Bradshaw.'
I thanked him. He lay down on the creeper and slid back under the Jaguar. The directory was under the telephone on top of the battered desk which stood in a corner. I found the listing: 'Roy Bradshaw, 311 Foothill Drive.'
'We could phone from here,' Alex said.
'It's always better in person.'
In spite of the housing tracts and the smokeless industries proliferating around it, Pacific Point had kept its identity. Foothill Drive was lined with trees, and had a dusty changeless quality. Settled old families still lived here behind mortised walls that had resisted earthquakes, or hedges that had outlived generations of gardeners.
The towering cypress hedge of 311 masked the house completely from the road. I turned in through the open iron gates with Alex following me. We passed a small white gatehouse with a green door and green shutters, rounded a bend in the driveway, and came in sight of the white Colonial house.
A woman with a wide straw hat tied under her chin was kneeling shoulder deep among the flowers in front of it. She had a pair of clippers in her gloved hands. They snicked in the silence when our engines died.
She rose cumbrously to her feet and came toward us, tucking wisps of gray hair under her hat. She was just an old lady in dirty tennis shoes but her body, indeterminate in a loose blue smock, carried itself with heavy authority, as if it recalled that it had once been powerful or handsome. The architecture of her face had collapsed under the weight of flesh and years. Still her black eyes were alert, like unexpected animal or bird life in the ruins of a building.
'Mrs. Bradshaw?' Alex said eagerly.
'I am Mrs. Bradshaw. What do you gentlemen want? I'm very busy, as you can see.' She flourished the clippers. 'I never trust anyone else to clip my roses. And still they die, poor things.' Regret rustled in her voice.
'They look very beautiful to me,' I said in an encouraging way. 'Mr. Kincaid and I hate to bother you. But he seems to have misplaced his wife, and we have reason to think she's working for you.'
'For me? I employ no one but my Spanish couple. My son,' she added with a trace of pride, 'keeps me to a strict budget.'
'Don't you have a girl driving for you?'
She smiled. 'I completely forgot about her. She's just on a part-time basis. What's her name? Molly? Dolly? I never can remember the girls' names.'
'Dolly,' I said, and showed her the print. 'Is this Dolly?'
She removed one gardening glove to take the picture. Her hand was gnarled by arthritis.
'I do believe it is. But she said nothing to me about being married. I'd never have hired her if I'd known, it makes for too much involvement. I like to take my little drives on schedule.'
Alex interrupted her rather garrulous chatter. 'Where is she now?'
'I couldn't say. She's done her day's stint for me. She may have walked over to the college, or she may be in the gatehouse. I let my girls use the gatehouse. Sometimes they abuse the privilege, but so far this one hasn't.' She gave Alex a sharp black glance. 'I hope she won't begin to, now that you've turned up.'
'I don't expect she'll be going on--'
I cut him short. 'Go and see if she's in the gatehouse.' I turned back to Mrs. Bradshaw: 'How long has she been with you?'
'About two weeks. The semester started two weeks ago.'
'Is she attending the college?'
'Yes. I get all my girls from there, except when I have to have a regular attendant, as I did when my son was abroad last summer. I hope I don't lose Dolly. She's brighter than most of them. But if she goes I suppose there are always others. You'll realize, when you've lived as long as I have, that the young ones leave the old ones . . .'
She turned to her roses, glowing red and yellow in the sunlight. She seemed to be looking for some way to finish the thought. None occurred to her. I said:
'What name is she using? What surname?'
'I'm afraid I don't remember. I call them by their first names. My son could tell you.'
'Is he here?'
'Roy is at the college. He happens to be the Dean there.'
'Is it far from here?'
'You can see it from where you stand.'
Her arthritic hand curled on my elbow and turned me gently. Through a gap in the trees I could make out the metal cupola of a small observatory. The old lady spoke close to my ear, in a gossipy way:
'What happened between your young friend and his wife?'
