Even before Fuad's question, Kamal realized he had said something he did not intend to. For an awkward moment his confusion was apparent. He tried to remember Fuad's last words before this strange assertion had popped out. Although he had just heard them, it was with some effort that he recalled what Fuad had said about marriage and children. He decided to cover up his slip by adapting the meaning as best he could. So he said, 'People who are really in love with ideals superior to life itself don't get married. That's what I meant to say.'
Fuad smiled faintly — or perhapshe was trying not to laugh — but his eyes, like deep pools, betrayed none of his sentiments. He simply remarked, 'These are serious matters. Talk about them now is premature. Everything in its own time.'
Kamal shrugged his shoulders scornfully but confidently and said, 'So let's postpone it and wait.'
There was a mountain separating him from Fuad, but nonetheless they were friends. It was impossible to deny that the difference between them attracted him to Fuad, although it had repeatedly caused him anguish. Was it not time for him to go home? Solitude and communion with his soul called him. Thought of the diary slumbering in the drawer of his desk stirred the passions of his breast. A person exhausted from putting up with reality seeks relaxation deep inside himself.
'It's time to go home,' he said.
78
The carriage made its way along the banks of the Nile until it stopped in front of a houseboat at the end of the first triangle of streets on the road to Imbaba. Al-Sayyid Ahmad Abd al-Jawad descended at once, followed immediately by Mr. Ali Abd al-Rahim. Night had fallen, and darkness blanketed everything. The only exceptions were the widely spaced lights shining from the windows of the houseboats and other vessels lined up along either shore of the river channel downstream from the Zamalek Bridge, and the faint glow of the village at the end of the road, like a cloud reflecting the brilliance of the sun in a sky otherwise dark and heavily overcast.
Al-Sayyid Ahmad was visiting the houseboat for the first time, although Muhammad Iffat had leased it for the last four years, dedicating it to the romantic escapades and parties al-Sayyid Ahmad had denied himself since Fahmy was slain. Ali Abd al-Rahim went ahead to show him the gangplank. When he reached the stairshe warned his friend, 'The stairway is narrow and the steps are steep with no railing. Put your paw on my shoulder and come down slowly.'
They descended cautiously as the sound of water lapping against the riverbank and the prow of the boat caressed their ears. At the same time their noses were stung by the rank odors of nearby vegetation mixed with the scent of the silt that the floods at the beginning of September were lavishly depositing.
As Ali Abd al-Rahim felt for the doorbell by the entrance, he remarked, 'This is a historic evening in your life and ours: the night the old master returns. Don't you think so?'
Tightening his grip on his friend's shoulder, al-Sayyid Ahmad replied, 'But I'm no old master. The oldest master was your father.'
Ali Abd al-Rahim laughed and said, 'Now you'll see faces you haven't glimpsed for five years.'
As though wavering, al-Sayyid Ahmad remarked, 'This doesn't mean that I'm going to alter my conduct or deviate from my principles'. Then after a moment of silence he continued: 'Perhaps … maybe …'
'If you leave a dog in the kitchen with a piece of meat, can you imagine him promising not to touch it?'
'The real dog was your father, you son of a bitch.'
Mr. Ali rang the doorbell. The door was opened almost immediately by an aged Nubian servant who stepped aside to allow them to enter and raised his hands to his head in welcome. Once inside they made for the door on the left, which opened on a small vestibule lit by an electric lamp hanging from the ceiling. The walls on either side were decorated with a mirror beneath which a large leather armchair and a small table were placed. At the far end of the room there was another door, which was ajar. Through it could be heard the voices of the guests, and al- Sayyid Ahmad was deeply moved. Ali Abd al-Rahim shoved the door wide open and entered. Al-Sayyid Ahmad followed and had scarcely crossed the threshold when he found himself confronted by his friends, who rose and came forward to greet him joyfully. Their delight was so great it virtually leapt from their faces.
The first to reach him was Muhammad Iffat, who embraced him as he quoted from a popular song: 'The beauty of the full moon is shining upon us.'
Ibrahim al-Far cited another song title when he hugged him: 'Destiny has brought me what I've longed for.'
The men then stepped back to let him see Jalila, Zubayda, and a third woman, who stood two steps behind the others. He soon remembered that she was Zanuba, the lute player. Oh… his whole past had been assembled in a single setting. He beamed, although he appeared slightly embarrassed. Jalila gave a long laugh and opened her arms to embrace him as she chanted, 'Where have you been hiding, my pretty one?'
When she released him, he saw that Zubayda was hesitating an arm's length away, although a happy light of welcome illuminated her face. He stretched his arm out to her and she squeezed it. At that same moment she arched her painted eyebrows reproachfully and, referring to yet another song, said in a tone not free of sarcasm, 'After thirteen years…'
He could not help but laugh wholeheartedly. Finally he noticed that Zanuba had not budged. She was smiling shyly, as though she thought their past acquaintance too slight for her to be forward. He held his hand out and shook hers. To encourage and flatter her he said, 'Greetings to the princess of lute players.'
As they returned to their seats, Muhammad Iffat put his arm around Ahmad's and made his friend sit beside him. He laughingly asked, 'Did you just happen to drop by or has passion caught hold ofyou?'
'Passion caught hold of me, so I just happened to drop by.'
At first he had been blinded by the warmth of the reunion and the jests of his friends when they welcomed him. Now his eyes could take in his surroundings. He found himself in a room of medium size with walls and ceilings painted emerald green. There were two windows facing the Nile and two on the street side of the boat. Although the windows were open, the shutters were closed. Hanging from the ceiling in the middle of the room was an electric lamp with a conical crystal shade, which focused the light on the surface of a low table holding the glasses and the whiskey bottles. The floor was covered with a carpet the same color as the walls. On each side of the room there was a large sofa divided in half by a cushion and covered with an embroidered cloth. The corners of the room were filled with pallets and pillows. Jalila, Zubayda, and Zanuba sat on the sofa farthest from the street, and three of the men on the one facing them. The pallets were strewn with musical instruments: lute, tambourine, drum, and finger cymbals. He took his time looking around. Then after sighing with satisfaction he said delightedly, 'My God, my God, everything's so beautiful. But why don't you open the windows on the Nile?'
Muhammad Iffat replied, 'They're opened once the sailboats stop passing. As the Prophet said, 'If you are tempted, conceal yourselves.''
Al-Sayyid Ahmad quickly retorted with a smile, 'And if you conceal yourselves, be tempted.'
'Show us you're still as quick as you used to be,' Jalila shouted as if challenging him.
He had intended his words to be nothing more than a joke. The truth was that he was anxious and hesitant about taking this revolutionary step and coming to the houseboat after the long period of self-denial he had observed. There was something more too. A change had taken place that he would have to unravel for himself. He would need to look closely and attentively. What did he see? There were Jalila and Zubayda, each of them as massively beautiful as the ceremonial camel when it set off for Mecca with the pilgrims. He had used that image to describe them in the old days. They had perhaps even added to their mass of fleshly charms, but something had come over them that was almost more easily perceived by his emotions than his senses. No doubt it was associated with the process of aging. Perhaps his friends had not noticed it since they had not been separated from the women as he had. Had he not been affected by age in much the same way? He felt sad, and his spirits flagged. A man's most telling mirror is a friend who returns after a long absence. But how could he pinpoint this change? Neither of the women had a single white hair, for no entertainer would ever allow her hair to turn white. And they had no wrinkles.
'Do you give up?' he asked himself. 'Certainly not. Just look at those eyes. They reflect a spirit that's fading, no matter how they sparkle and flash. Fatigue disappears from sight momentarily behind a smile or a jest, but then its full truth is apparent. You can read in that look the obituary for their youth, a silent elegy. Isn't Zubayda in her
