Rome, 16–19 March
Antony had Caesar’s body transported to the Campus Martius, where it lay on an ivory bier draped in purple and gold, near the tomb of his daughter Julia, born of his second wife, Cornelia. Behind the bier he had raised a shrine in gilded wood that perfectly reproduced the Temple of Venus Genetrix. Inside the shrine he hung the robes that Caesar had been wearing on the Ides of March, arranged so that the dagger slashes and the bloodstains were in plain view for all to see.
He had the shrine surrounded by a maniple of surly legionaries of the Ninth in full combat order, so that no one dared to approach.
The procession of people bringing gifts to be burned on his funeral pyre began. A long, long line of men and women of the Roman populace, of veterans, of friends. There were even some senators and knights. Some threw in precious objects, others a simple, early-spring flower. Many wept, others regarded in silence the lifeless body of the greatest Roman ever to have lived.
The body lay in state for three days and then the funeral began. The coffin was hoisted on to the shoulders of the magistrates in office and escorted by hundreds of legionaries in parade dress, led by officers wearing their red cloaks and crested helmets, to the sound of bugles and trumpets, and to the sombre, rhythmic beating of drums. Two soldiers at the fore held up the hanger with Caesar’s bloody tunic as a kind of trophy. His wife, Calpurnia, trailed behind, weeping, helped along by her maidservants.
Tension mounted with every step, reaching a peak when a theatrical machine was drawn up alongside the coffin. Gears were set in motion and a likeness of Caesar’s naked body was raised up high: a wax statue with twenty-three wounds reproduced in gory detail, dripping with a vermilion stain that looked just like blood. In this way, even those who had not seen his corpse could witness the devastation wreaked on Caesar’s body.
In the Forum, in a clearing quite close to the Domus Publica, wood had been piled for the pyre. The bier was placed upon it. A leaden silence fell on the crowded square.
An actor recited the verses of a great poet:
I spared their lives
So they could kill me!
This gave rise to an explosion of indignant shouting that grew even louder when a crier read out the words of the
Then two centurions appeared, armed to the teeth: Publius Sextius, known as ‘the Cane’, and Silius Salvidienus. Each held a torch and took up position beside the pyre.
Antony mounted the Rostra and raised a hand to request silence from the already agitated crowd, which was seething with violent emotions that threatened to spill over at any moment.
Brutus, hidden at the far end of the square, behind the trees of the Iuturna fountain, could see even at this distance the grotesque wax image of Caesar stabbed. He could hear in his mind the words that Caesar had said to him with his last breath, as Brutus had thrust his dagger into Caesar’s groin. ‘Even you. .’
He instantly understood what Cicero had meant to say at the session at the Temple of Tellus. All was lost. Nothing could stop a new, bloody civil war from breaking out.
All at once, in the sudden, mortal silence, Antony’s voice rang out.
‘Friends, Romans, countrymen! I have come to bury Caesar!’
Epilogue
Decius Scaurus and his companions, thwarted by the fury of Publius Sextius and deprived of the leadership of Mustela, had continued on their mission, but they never succeeded in closing in on the centurion, who had escaped down the parallel paths of the Apennines. Too late, however, for meeting his appointment with destiny.
Three days later they found the body of their commander, Sergius Quintilianus, at the side of the Via Cassia. His life had ended in combat.
They paid their last respects to him, simply, then burned his body on a pyre of woody vines. They threw their weapons into the fire as a final homage to his memory.
They brought his ashes back to the villa and buried them together with those of his son, at the foot of an old cypress, so they could rest, finally united, in the kingdom of shadows.