“Well now,” the Giant said, “let the true facts of what occurred put an end to your debate. For she was an amiable, good-hearted young woman, and she says to him, ‘For such a pitiful tale as you have told me I’ll come to the babby, and ask you no money, for you are an old man, and you may need your cash yourself, by and by.’”

“Oh, Jesus!” Joe Vance said. “If that were my wife, I’d beat her into better sense.”

“So off they step together, many a mile, turning her out of her true path, and still her babby sleeps, until she grows footsore and says to the old man, ‘I fear we will not be there by morning.’

“‘We shall come to the place before dawn, I promise you,’ says the old man. ‘This is a king’s son I am taking you to nurse, and it is not likely I should find him lying under the next hedge.’”

“A pox on kings,” said the blind man. “What do kings avail? Better he dies.”

“You speak out of your bitterness and affliction,” the Giant said. “Not all kings are bad.”

“Yes,” said the blind man. “They are bad inherently. It is not a question of their personal character. Kingship is an institution merely silly in itself, and pernicious as well.”

“Less politics,” the fair young woman said. “I want to hear of the girl, she is feeling she can’t go a step more, so what is the old man going to do to coax her, as she doesn’t seem to want his money?”

“Put his hand up her skirts and wiggle his finger?” Vance asked. “That’s often known to invigorate a female.”

The red-head yawned. “Little man, you might wave your cock to the five points,” she said. “Not a woman in Ireland but would be laughing.”

“Go on,” Pybus said, impatient. “Go on with the tale, Charlie.”

The Giant began again, taking up the young woman’s voice. “‘Good sir, I did not know it was a king’s son you were bringing me to.’ So off they step, across field and stream, for what seems another hour, and another, and another, and dawn does not break, nor does the sky lighten one crack, and on and on they go, into the dark. And again she is weary, the babby grown a leaden weight, her feet cold and sore, her breath coming short and painful, and every limb crying out for rest and warmth, her belly rumbling too. She says, ‘King’s son or no, I can walk no more.’

“Then the old man takes from under his coat a silver flask, and hands it to her, and she marvels at its workmanship, for it was finer than any she had ever seen or dreamed of. ‘Take a draught!’ says he, and she takes a draught, and it is like nothing she has ever tasted in her mortal life. It is like honey but sweeter, it is like new milk but milder, it is like wine but it is stronger than any wine that was ever poured into a chalice. And as soon as she drinks it down, she feels all weariness drop away from her, and all torment of mind, and the babby is as light as air, and her feet feel as if she’s on her way to a dance, twitching at the first strain of the fiddle and ready to jig through the night. So she says to the old man, ‘With a draught like that I could walk for half a year.’”

“Hm,” said the red-head. “You notice how he only offered it after she said she was all through and done for? Why didn’t he give her a swig when he met her? Too mean, that’s what.”

“Presently,” the Giant said, “they came to a halt. Before them was a forest.”

“I knew a forest would be in it,” Jankin said. “There is a demon in that forest, I bet you.”

“Seal your gawpy mouth, mush-head,” Joe Vance said. “Go talk to your friend the pig.”

The Giant glanced at Joe; he saw he was heart and soul in the tale. He’s not a bad man at that, he thought, and he’s a good standby when the weapon of words must be employed; with his natural, flowing abuse, he’s working within a fertile tradition. “She enters the forest,” he said. “They walk a half-mile. She’s light now, her steps bouncing. Before her, she can see nothing but trees. Then when she looks again, she can see a gate set into the trees—and the gate is made of gold.”

“A common delusion,” said the red-head.

“Then the old man says, ‘Mistress, will you enter in?’ She does so. And there she beholds such splendour as there never was this side of heaven.”

“Silk cushions with tassels is in it,” Jankin said.

“Indeed,” said the Giant. He closed his eyes, and drew in his brows. So many times he had been called upon to describe splendour, and so many times he had called upon himself to do it; by now the thread of his invention was wearing thin. “There were hangings on the wall,” he began, “rich and dense tapestries, with every manner of flower and child and beast depicted upon them. There were mirrors between these hangings, their gilt frames studded with rubies. There were candles blazing, and the skins of lions to sit on, and there was a huge joint of meat roasting on a spit, and a mastiff—no, a brace of mastiffs—to turn it. So when she sees all this, she thinks, I should have taken that gold piece after all, because it’s obvious now that there’s plenty more where that came from.”

“First glimpse of sense she’s shown all evening,” Claffey said.

“So there she stood, her babby in her arms, looking about her open-mouthed. At one end of the great room a door opened, and in came a man and a woman, tall and elegant, attired in sumptuous robes embroidered with silk. She bobbed her head then, and she was shy and tongue-tied, having no acquaintance until now with princes, which was what she took them to be. But they spoke her very fair—their voices were low and gracious, a whisper merely—and stretching out their hands to her they drew her towards them, and said they would conduct her to where the child was. So they took her into another great chamber, its hangings even richer than the first, the logs blazing, and golden birds singing in their cages, and the music of a harp sounding in her ears as sweet as the breath of angels. Surely I’ve died and gone to heaven, she said to herself—but then the woman reached forward to her, and drew her babby out of her arms, and the man put a hand on her breast and, with the utmost reverence, uncovered her dug. ‘Here,’ says the woman, and led her to the cradle, which was draped in purple velvet and set on a stand carved of ivory, fetched from—”

“Jesus!” Claffey said. “I am getting weary of the catalogue of furnishings, so I am. A hand plucks back the curtain and she sees—”

“—a yellow-skinned babby, its skin wrinkled, its eyes rheumy—”

“Much like he must have been,” the red-head said, indicating Vance.

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