“I’m not stupid,” Sylvia said. “I can put two and two together.”

“I don’t see how.”

“I have my sources of information.”

“You didn’t say anything.”

“What would have been the point?”

“That’s that,” he said. “Ten years of mental agony.”

“It can’t have been. Not ten years solid. There must have been bright spots.”

“She’s an alcoholic. Her husband told me.”

“I’m sorry to hear that.”

“C’est la vie,” Colin said. “I saw her coming out of the bank. I thought she was a figment of my imagination, some sort of mirage. So I let it go. There’s a moment for everything and when that moment’s passed you might as well strike camp and stamp out the bonfire—and get back to daily life. You’ve been away too long.” He paused. “I’ve been thinking…I’ve something to tell you.”

“Oh yes?”

“If you really want to run away…do you remember Frank O’Dwyer?”

“Could I forget him?” Alarm and dislike crossed Sylvia’s face: it was an old colleague, whose dipsomaniac company she had never relished. “What about him? I thought you never saw him since he went to County Hall.”

“Only occasionally. I mean, the Educational Advisors don’t come by that often. They might be contaminated by contact with the kids.”

“And?”

“He’s had an accident. He was over at the Forty Martyrs Comprehensive last week, and he’d been drinking whisky in the office—you know what the Brothers are like, very hospitable. Anyway, they couldn’t find him. Thought he’d gone—then Brother Ambrose turned him up in the gym. He’d been on the equipment, you know, swinging from the trapeze and putting his feet through those rings that come down from the ceiling. Broken both legs.”

“Oh, I shouldn’t.” Sylvia covered her mouth with her hand. “Oh, it’s awful, laughing at people’s misfortunes.”

“Anyway, that’s the last straw. He’s had warnings. Early retirement. The point is, if you were willing to move, I could have his job.”

“Are you sure?”

“It’s unofficial. It’ll have to be advertised, but I think I can swing it. Everybody says so. They’ll want to appoint soon, for September.”

“Do I want to move? Oh Colin, I can’t tell you how I want to move.”

“Two hours ago you wanted to adopt a baby.”

“I want to move.”

“We could look for a house.”

“But September? That’s months away. I can’t see myself in September. I can’t imagine it. Gemma will be seven months old. It’ll be a different world. I can’t imagine lasting out till then. Something awful will happen.”

“Such as?”

“You’ll change your mind about that woman. You’ll be ringing her up. I expect you’re planning right now to ring her up. You’re only telling me all this to throw me off the scent.”

He squeezed her wrist. “That hurts,” she said.

“Get the book. The telephone book.”

“What?”

“Look up some estate agents and ring them up first thing tomorrow morning. Let’s do it, Sylvia, quick. Ask them for details of a nice house—three bed, Claire and Karen can share—modern, big windows, plenty light, nothing with a past; a nice jerry-built house like the one we used to have, with all the flaws built in.”

“The houses are all right, Colin. It’s us the flaws are built into.”

“Not any more. I’m being positive, I’m laying plans.” He paused, momentarily amazed. It’s easy once you start. The momentum carries you forward. “As soon as we find the house, we must move. I’ll have to stay at school till the end of the summer term, but I can commute. I can come on the new link road. It’ll only take me thirty minutes. If that.”

“Do you really think we could? Just get away? Why didn’t you say so before?”

“I was waiting for Frank to break his legs. A deus ex machina,” he said. “Every home should have one.”

“So that’s it then?” She spoke with finality and with hope, and a look of exhaustion crossed her face, from the strain of keeping up such complex and contradictory emotions. Colin looked up at the ceiling of the hall, still stained dark from the kitchen fire.

“Do you think we’ll sell this scrap heap?”

“I don’t see why not. After all, it’s not structurally defective, is it, except for that growth in Alistair’s room? We’ll have to scrape the walls and paint it with something. And in the hall, what you’ve got to do is keep the light

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