deeply 'with a body fill'd and vacant mind' and 'never sees horrid night, the child of hell' and who 'follows so the ever-running year with profitable labour to his grave'. And the king concludes with the obligatory exaggeration of all those monologues that no one else hears on the stage and which are heard only off-stage, in the auditorium: 'And, but for ceremony, such a wretch, winding up days with toil and nights with sleep, had the fore-hand and vantage of a king.'' That is more or less what Wheeler said and quoted, then he added: 'Kings of old were shameless creatures, but at least Shakespeare's kings did not entirely deceive themselves: they knew their hands were stained with blood and they did not forget how they came to wear the crown, apart from murders and betrayals and plots (perhaps they were too human). Ceremony, Jacobo, that's all. Changing, limitless, general ceremony. As well as secrecy, mystery, inscrutability, silence. But never speaking, never talking, never using words, however exquisite or captivating they might be. Because that, deep down, is within the grasp of any beggar, any outcast, any poor wretch, any one of the dispossessed. In that regard, they only differ from the king in the insignificant and ameliorable matter of perfection and degree.'
'What infinite heart's ease must kings neglect that private men enjoy!' were the words quoted by Sir Peter Wheeler, as I found out later, when I located and recognised the texts. And he recited word for word the whole of the rest of the soliloquy, for that kind of memory he preserved intact.
'But it's not within the reach of the very young,' I commented, 'or the dumb or those whose tongues have been cut out or to whom the word is simply not given or permitted, there's been a lot of that in history, and, as I understand it, there are Islamic countries in which women still do not have that right. As far as I understand it, and if my memory serves me right, that was the case with the Taliban in Afghanistan.'
'No, Jacobo, you're wrong: the young are merely waiting, their inability is purely transitory; I imagine they are preparing themselves from that very first yell when they're born, and they make themselves understood very early on: they use other means, but they are still
'It seems to me that time is the only dimension they share and in which they can communicate, the only dimension they have in common and that unites them.' That quotation, or perhaps paraphrase, came into my mind, and I felt I had to say it out loud at once, or at least mumble it to myself.
But Wheeler was, I thought, gradually coming to the end of his digression. In fact, he always knew precisely where he was, and what seemed in him random or involuntary, a consequence of distraction or of age or of a somewhat confused perception of time, of his digressive and discursive tendencies, was always calculated, measured and controlled, and formed part of his machinations and of trajectories he had already drawn up and planned. I told myself that it would not be long now before he returned to the subject of 'careless talk' and the posters, indeed, he was once more looking at them intently, where they lay on the waterproof canvas cover as if they were cards in a game of patience, we, too, were sitting on the protective covers, and their folds gave to that simulacrum of an old man and to me, too, I suppose, a slightly Roman look, made us look, perhaps, vaguely like senators taking the air, our feet almost engulfed by the skirts of some very long, exaggerated tunics. Anyway, he either didn't hear me or preferred to ignore me, or simply didn't notice the words I had said, which were not mine but another's, the words of a dead man when he was still alive.
'But it wasn't always so,' he continued with his own thoughts. 'Throughout the centuries, they too shared speech and language, at least in the imaginations of the living, that is, of the future dead. Not just the talkative ghosts and loquacious phantoms, the chatty spirits and garrulous spectres present in almost all traditions. It was also assumed that they would, quite naturally, talk and speak and tell tales in the other world. In that same scene from Shakespeare, for example, before the king gives his soliloquy, one of the soldiers with whom he speaks says that the king will have a hard time of it should the cause of the war prove to have been a bad one: 'When all those legs and arms and heads, chopped off in a battle,' he says, 'shall join together at the latter day, and cry all, 'We died at such a place.'' You see, that was what they believed, not only that the dead would speak and even protest, but that their scattered, separated heads and limbs would protest as well, once reunited to present themselves for judgement with due decorum.'
'We died at such a place.' That was what Wheeler had said in his language, and in my own language I completed the Cervantes quotation to myself, the one he had not allowed me to finish and which also bore witness to that same belief: 'Farewell, wit; farewell, charm; farewell, dear, delightful friends; for I am dying, and hope to see you soon, happily installed in the other life.' That was what Cervantes hoped for, I thought, no complaints and no accusations, no reproaches, no settling of accounts or demands for compensation for all his earthly troubles and grievances, of which he had known not a few. Not even a final judgement, which is what the unbeliever most misses. Instead a renewed encounter with wit and charm, with his dear, delightful friends, who would also find contentment in the next life. That is the only thing from which he takes his leave, the only thing he would wish to preserve in the eternity for which he is bound. I had often heard my father speak of that written farewell, which is not as famous as it deserves to be, it can be found in a book which almost no one reads and which may, nevertheless, be greater than all the others, greater even than
'The very idea of a Final Judgement meant that, according to common expectations, that would be what people would mostly be doing after death: telling everyone's story, then talking, relating, describing, arguing, refuting, appealing and, in the end, hearing sentence. Besides, a trial on such a monumental scale, the trial on a single day of everyone who had ever lived on Earth, Egyptian pharaohs rubbing shoulders with modern-day business executives and taxi-drivers, Roman emperors with modern-day beggars and gangsters and astronauts and bullfighters. Imagine the noise, Peter, the entire history of the world with all its individual cases transformed into a madhouse. And the more remote and ancient dead would get fed up with waiting, with counting the uncountable time that would elapse before their Judgement, doubtless furious about the literally infinite delay. They who had remained silent and alone for millions of centuries, waiting for the last person to die and for no one else to be left alive. That belief condemned us all to a very long silence. There you have a true example of 'the whips and scorns of time', 'the law's delay',' and this time I was the one to quote from his poet. 'And according to that belief, the very first man ever to die would, right now, still be counting the hours of his silent solitude, those that had passed and those still to come; and if I were him, I would be selfishly longing for the world to end once and for all and for there finally to be nothing.'
Wheeler smiled. Something in what I had said, or perhaps more than one thing, had amused him.
'Exactly,' he replied. 'A silence