'I don't live in Oxford any more, Papa. I only go there occasionally to visit Wheeler, I've mentioned him to you before, do you remember? Sir Peter Wheeler, the Hispanist. He's about your age, well, a year older. I live in London now. I'll be going back in a couple of weeks.'
Perhaps his wise interpretation of Luisa had taken its toll, he had made a great effort for me and now he was paying the price. It was as if he had grown suddenly tired of his own perspicacity and had again become confused about time, as he had the previous day on the phone. Perhaps he could no longer stand being himself for very long, I mean being his old self, his alert intellectually demanding self, the one who urged his children always to go on, to go on thinking, the one who used to say 'And what else?' just when we felt that an exposition or argument was over, the one who made us keep on looking at things and at people, beyond what seemed necessary, at the point when we had the feeling that there was no more to see and that continuing would be a waste of time. At the point,' in his words, 'where you might say to yourself there can't be anything else.' Yes, as I get older, I know how that wearies and wears one out, and sometimes I wonder why I should and why, to a greater or lesser degree, we
'Oh, honestly,' he said somewhat irritably, as if I had deceived him on purpose and for my own pleasure. 'You've always told me you were in Oxford. That you'd been offered a job there, teaching. And there was a man called Kavanagh, who writes horror novels and is a medievalist, isn't that right? And of course I know who your friend Wheeler is, I've even read a couple of his books. But didn't he used to be called Rylands? You always used to call him Rylands.' I didn't tell him they were brothers, that would have led to still more confusion. 'So which university are you teaching at in London?'
That is how the memory of the old works. He remembered Aidan Kavanagh or his name, and even the successful novels he used to publish under a pseudonym, a pleasant and deliberately frivolous man, the head of the Spanish department during my time in Oxford, but long since retired; he remembered Rylands too, although he confused him with Wheeler; and yet he didn't remember that I had gone to work for the BBC during my second English sojourn, so recent that it was still going on. There was no reason why he should remember what had happened subsequently: as with Luisa, I had told him very little-only a few vague, possibly evasive remarks-about my new job. It's strange how one instinctively hides, or, which is somewhat different, keeps quiet about anything that immediately strikes one as murky: just as I would say nothing to Luisa about meeting a woman with whom I had barely exchanged a word at a meeting or a party and with whom nothing could or indeed would happen, but to whom I had felt instantly attracted. I had possibly never even mentioned Tupra to my father or to Luisa, or only in passing, and yet he was, without a doubt, the dominant figure in my life in London (and after a few days I realized just how dominant a figure he was). It didn't seem to me, at that moment, worth disillusioning my father and telling him that I no longer did any teaching anywhere.
'I've got to go now, Papa,' I said. 'I'll pop in now and then, when I've got time. Do you want me to warn you? Shall I call before I drop by?'
My prolonged absence made me feel rather like an intruder and as if I needed to ask such a question, which was perhaps inappropriate in a son with respect to his father's home, a home that had for many years been mine too. I was still standing, still with my hand on his shoulder. He looked up at me, whether seeing me or guessing at my face or remembering me, I don't know. His gaze was, at any rate, very clear, surprised and slightly helpless, as if he had not quite grasped that I was leaving. His eyes were now very blue, bluer than they had ever been, perhaps because he no longer wore glasses.
'No, there's no need. As far as I'm concerned, you all still live here, even if you left a long time ago.' He fell silent, then added: 'Your mother too.'
I wasn't sure whether he meant that she still lived there as well or if he was reproaching her as well for having left, when she died, longer ago than anyone else. He probably meant both.
And I continued to waste no time. I didn't linger or delay or loiter or dally. I was longing to see my children again, not to mention Luisa and my sister, and, for the first time since my return, my brothers and a few friends, and to stroll around the city like a foreigner, but I felt I had something concrete and urgent to do, something to investigate and resolve and remedy. That was something I
I was feeling now as he did, that is, like someone who didn't bother to issue any prior warning, at least not always, someone who makes decisions at a distance and for barely identifiable reasons, or without the actions appearing to have any connection of cause and effect with those reasons, still less with the proof that such acts have been committed. Nor did I need proof of that arbitrary or justifiable occasion-who could tell which it was and what did it matter?-nor did I intend sending any warning or notice before unleashing my saber blow, I didn't even require any evidence of actions committed or proven, of events or deeds, or even certainty in order to set to and remove from Luisa's existence the man marring and threatening her life and, therefore, the lives of my children. First, I had to find out more about the man and then track him down. She wouldn't say a word to me about him, especially now that I had voiced my immediate suspicion that this as yet nameless, faceless man was the person responsible for her multicolored black eye. After my father's conjectures and his belief that my wife would be inclined to humor or encourage whoever she was attracted to or whoever she was focused on now ('Yes,' I thought, 'strictly speaking, she