banned from the northern three sides around the small park, the original cobblestone carriageway was repaved in smooth brick, a substitution Mrs. Beardsley regretted anew as she stood in the doorway of number 7 and watched the last visitors descend the broad marble steps.
Mrs. Beardsley lived diagonally across the park at number 35. As senior docent, however, she spent almost as much time at the Breul House as she did in her own. She had hoped for the seat on the board of trustees which had recently gone to Dr. Shambley, but until that prize dropped into her lap, she would continue to conduct tours of the house, arrange seasonal decorations, and intimidate the reduced staff.
Mrs. Beardsley’s officiousness might weary Benjamin Peake-especially when he was called upon to calm the ruffled waters she left in her wake-but the director revenged himself with the secret knowledge that the woman would never become a trustee as long as he had a say in the matter. Otherwise, he had no intention of discouraging her interest in the place. After all, she deferred to his position, she was capable of surprisingly shrewd promotional ideas, and she worked tirelessly without a salary, of itself no small consideration, given the Erich Breul House’s current financial difficulties.
Although a discreet sign inside the vestibule suggested donations of three dollars per person to view the house and its contents, at least a third of those who came either donated less or brazenly ignored the sign altogether. This wouldn’t have mattered if hundreds daily thronged the house. Sadly, the two who had just departed were the forty-first and forty-second of the day.
An average day these days.
Mrs. Beardsley sighed and lingered for a moment in the chill twilight. She considered herself a closet romantic and the square was at its wintertime loveliest tonight. The very sight of it restored her good spirits because she could, she thought, take credit for its beauty-not only for the gaslights but even for the tiny colored lights that twinkled upon a tall evergreen at the center of the square’s handkerchief-size park.
The tree represented compromise. Every year the question of decorative Christmas lights came before the Sussex Square Preservation Society and every year Mrs. Beardsley had managed to block their use. This year a younger, more vulgar contingent from numbers 9, 14 and 31 had rammed the motion through. Mrs. Beardsley had then rallied her forces and carried a vote which limited the lights to a single tree.
With predictable incompetence, the arrivistes had underestimated how many strings it would take to bedizen every twig, so the evergreen emerged more tasteful than Mrs. Beardsley had dared hope. In fact, it was even rather festive but Mrs. Beardsley had no intention of admitting that to a soul. Give them an inch and they’d string every bush next year.
One electrified tree was anachronism enough.
An icy gust of wind made the tall spruce dip and sway and Mrs. Beardsley shivered with a sudden chill that had nothing to do with the plummeting temperature.
“Somebody just walked over my grave,” she thought and hurried inside.
Footsteps sounded on the marble stoop behind her and she held the tall door open a crack.
“I’m sorry but we’re just closing and-oh! Mr. Munson. I didn’t realize it was you. Do come in.”
With a thin gray beard that hung down over his woolly muffler, Jacob Munson was small and spry enough to remind a more fanciful imagination than Mrs. Beardsley’s of an elf escaped from Santa’s workshop. Adding to the illusion was the perennial cloud of peppermint fumes in which he had moved ever since his doctors forbade cigarettes, and his eyes danced with merriment and goodwill beneath his wide-brimmed black fedora.
“Mrs. Beardsley, is it not?” A slight German accent underlay his friendly tone. “The others are here?”
“I believe so. ” She started to escort him toward the director’s office at the far end of the vaulted marble hall where the others were gathered when she suddenly found her outstretched arm draped with Mr. Munson’s muffler and overcoat. His hat and gloves followed in rapid order and he himself was speeding across the polished tiles before Mrs. Beardsley could make it clear that she was not some sort of resident butler or hatcheck girl.
Miffed, she carried the art dealer’s outer garments over to a bench near Miss Ruffton’s desk and dumped them there, grateful that the secretary had not been required to attend tonight’s informal meeting and had therefore missed this minor humiliation. Miss Ruffton was an enigmatic young black woman who never talked back or argued, yet Mrs. Beardsley suspected that she secretly enjoyed any affronts to the older woman’s dignity.
As she put on her own coat and gloves to leave, Mrs. Beardsley subconsciously tried to fault Miss Ruffton but found nothing to seize upon. The secretary’s gleaming desktop was bare except for an appointment calendar, a pot of red poinsettias in gold foil, and one of those stodgy brochures which outlined the history of the Erich Breul House.
And that reminded Mrs. Beardsley: Where was young Mr. Evans? Didn’t Mr. Munson expect him to join them? She pushed back the cuff of her cashmere glove and glanced at her watch. Everyone else was there except him.
“Boys!” she murmured to herself. With her children hundreds of miles away and occupied by families of their own, she had unconsciously transferred her maternal interest to Pascal Grant, who would never completely grow up. And she’d be quite surprised if Rick Evans were a day past twenty. Now what sort of mischief, she wondered, could be keeping those two so long in the basement?
Officiously, Mrs. Beardsley opened a door concealed beneath the marble stairwell, passed along a short hall that led back to what was left of the butler’s pantry, turned right, and descended the stairs to the basement.
An hour earlier, Rick Evans had followed Pascal Grant down those steps into the kitchen. It was enormous, but the stamped-tin ceiling was surprisingly low and the room’s dry snugness made Rick think of
Rick had wanted to open the doors of the huge chestnut ice box, to lift the lids of painted tin canisters and peer into the built-in storage bins, but Pascal Grant had tugged at his sleeve.
“They’re all empty. Come and see my window before it gets dark, okay?”
As he trailed Pascal through the cavernous basement passages, Rick was reminded of explorations he used to take with his best friend through abandoned barns and farmhouses back home in Louisiana ’s bayou country. There was that same sense of sadness, of human artifacts abandoned to their own devices.
On the other side of the scullery were empty coal bins, made redundant by an oil furnace that was itself in need of replacement. Beyond the kitchen lay rooms no longer needed for their original purposes: cold closets with sharp hooks for hanging meat and poultry, bins for food supplies, a laundry room with deep stone sinks and tall drying racks. These were now lumbered with bulky storage crates, trunks, rolled-up carpets, and odds and ends too good to throw away, yet no longer needed for the day-to-day business of the museum. The hall wound past a room that held racks of pictures an earlier curator had weeded out of the main collection as too hopelessly banal; another room stored the folding chairs that were brought up whenever the main hall was used for lectures or recitals.
At the street end of the basement was a sturdy wooden service door that opened onto a shallow areaway beneath the grandeur of the high marble stoop with its elaborate railings. Echoing the rounded door top was one of those whimsicalities to which Victorians were so often given: a lacy wrought-iron spider web set into the upper third of the door, each interstice of the web fitted with clear beveled glass. At the center of the web was a tiny brass garden spider which Pascal kept polished till it shone like gold.
The window was uniquely decorative, yet city-smart as well. Callers could be identified without opening the door and the strong iron cobweb was fine enough that no burglar could smash a tiny pane of glass and reach through to unbolt the latch. Rick had no formal grounding in aesthetics but it occurred to him that Pascal’s sense of beauty might be more sophisticated than he’d realized.
The young janitor was looking up at him through long golden lashes. “It’s my first favorite window,” he said shyly.
“It’s beautiful,” Rick told him. “I definitely want a picture of this.” He tilted the strobe on his camera to bounce light off the ceiling and took a couple of experimental shots before switching lenses for a close-up of the spider.
As he worked, he began to consider the potentials the house offered.
“My grandfather wants me do a new brochure and perhaps some new souvenir postcards,” he said, “and Dr. Peake wants me to photograph all the paintings, but I bet I could do a whole series of slides on just architectural
