who moved in quickly upon him. As his eyes cleared, he saw another man running towards them with a branding iron in his hand, patently intent on murder. Nicholas rightly identified him as the boy's father and did not linger to discuss the youth's skill as a dancer.
Swishing his sword again to create more space, he then spun around and sprinted off. One of the gypsies had sneaked up behind him and tried to block his way but Nicholas knocked him our of the way with his shoulder. Pursuit was immediate and it was accompanied by all kinds of wild cries. A few dogs joined in the fun of the chase.
Nicholas was running at full pelt but found an extra yard of pace when a long knife embedded itself in a tree only inches from his face. When he reached his horse, he had no time for a leisurely mount with the stirrup. Vaulting into the saddle, he tugged the rein free of its branch and let the horse feel his urgency.
He galloped away with howls of anguish ringing in his ears. Three of them followed him and kept him within sight for a mile or more but he Finally managed to shake them off and gain the cover of a wood. With time at last to catch his breath, he measured the cost of his journey. It was expensive. He had wasted valuable time, created a band of dangerous enemies and collected an aching bruise on his shoulder. Irony ruled. Believing that the gypsies had stolen a young boy from him, he finished up by doing the same to them. Guilt lay exclusively with him and he had no excuse. Nicholas knew that he had deserved the bite that was still smarting on his arm. He was lucky to have escaped with his life.
Catching up with the company was now his prime concern and he did not spare his mount on the return journey. When he reached the Smith and Anvil, he watered the horse and checked to see what time the others had left, then he was back in the saddle and riding off once more. It was now mid-afternoon and the sun was at its height, compensating for the torrential rain earlier in the week by baking the land dry. Both Nicholas and the horse were dripping with perspiration. As the River Trent came into sight, he slowed his mount to a rising trot. The cool water shimmered ahead of him. Its appeal was quite irresistible to the exhausted traveller.
He reined in his horse when the water was lapping at its fetlocks then dismounted. After tethering the animal to the branch of an overhanging tree, he slipped behind a bush and peeled off his sticky clothes. Nobody was about as he ran naked to the edge of the bank and plunged straight into the river. It was a wonderful feeling, both relaxing and invigorating, easing his pain and restoring his vitality. He swam powerfully towards the middle of the river then rolled over on his back and floated on the surface of the water. His arms were outstretched and the sun gilded his hair and body. He let time stand still.
Eleanor Budden emerged from the bushes on the other side of the river and watched the apparition that was floating slowly towards her. She had been sitting beside the Trent in deep contemplation when she first heard the splash. Her mind had been on her mission and she had been waiting for another sign from above.
That sign had now come. What she saw on the water was no fatigued book holder washing off the dirt of a long journey. She witnessed a miracle. Eyes closed, arms nailed to some invisible cross, body limp yet beautiful. Fair hair combed by the sunlight. Here was no stranger but her closest friend in the world. She had last seen him in the lancet window at the church of St Stephen.
Eleanor Budden waded happily into the water.
'Lord Jesus,' she cried. 'Take me to Jerusalem!'
Nottingham was the first sizeable town they had been in since they had left and it gave them an immediate sense of reassurance. It was tiny by comparison with London but that did not worry them. The place was a vast improvement on villages that turned them away and hamlets which could not raise an audience worth the bother. Nottingham was civilization. They were back in business.
Lodging his company at the Saracen's Head near the centre of the town, Lawrence Firethorn put on his best apparel and went to call on the Mayor. Permission to play was readily granted and the Town Hall was the designated venue. The Mayor was a keen playgoer himself and he was delighted that Westfield's Men were gracing the town with a visit. Money was discussed and Firethorn left in much higher spirits. The performance of Robin Hood was set for the morrow which gave them ample time to rehearse the piece, to recruit journeymen as extras and--in the event of Richard Honeydew's continued absence--recast the role of Maid Marion. All seemed to be well.
The actor-manager then returned to the inn and his world caved in around him.
'Again! This is a double insult!'
'I saw the playbill myself, Master Firethorn.'
Did you witness the performance?
'I could not bear to, sir. My loyalty is to you.'
'It does you credit, Mistress Hendrik.' He thumped the settle on which he was perched. 'By heavens, I'll not bear it! Giles Randolph is as arrant a knave as ever walked the face of the earth. Sure, he cannot have come from any lawful issue but was engendered by two toads on a hot day in some slimy place or other.' He jumped to his feet. And did he really play Pompey the Great?'
'But two clays ago.'
'Treachery in the highest degree!'
Anne Hendrik had tracked the company down to the inn and reported her news. The long-faced Edmund Hoode sat in on the debate along with Barnaby Gill. All three of them waited until Firethorn had ranted his full and described fifteen different ways in which he would put his rival to death. Having departed from their original route in order to shake off Banbury's Men, it was dispiriting to find that they had come in their wake after all. Firethorn's beloved role had been purloined, Hoode's play had been misappropriated and all the kudos that should have gone to Westfield's Men had been diverted to lesser mortals.
The actor-manager would have raved for an hour or more had he not been interrupted by the landlord who told him that another guest wished to have private audience with him. Firethorn stalked off like Pompey on his way to clear the Mediterranean of pirates.
Anne Hendrik was able to ask after Nicholas.
'Is he not with you here?'
'Not yet, Mistress,' said Hoode. 'Dick Honeydew was taken by the gypsies and Nicholas went to rescue him.'
'Alone?'
'He would not hear of company,' said Gill.
'But there are such perils.' :
'Nicholas will make light of those,' assured Hoode then turned the question that really vexed him. 'Tell me now, for this is like a dagger in my heart, what player with Banbury's Men did dare to take my part?'
'Your part, sir? In Pompey the Great?'
'Sicinius.'
'I cannot say, Master Hoode.'
'It matters not,' said Gill dismissively. 'The role is of no account and hardly noticed in performance.'
'That is not true, Barnaby!'
'Take it away and who would miss it?'
'I would, man! I would!'
'Sicinius is a mean part for any man.'
'It is mine!' wailed Hoode. 'I wrote it and I play it. Sicinius is me. I would not have myself stolen like this. So tell me--who took the part?'
Mark Scruton lifted his dagger and stabbed his victim in the back with cruel deliberation. The man fell on to his face, twitched for a few horrifying seconds, then lay motionless. Wiping the blood from his weapon, the murderer gave a malevolent smile then strode calmly away.
Another rehearsal came to an end.
Kynaston Hall was the largest private house at which Banbury's Men had performed since the tour began and it offered them the best facilities. They had free use of the hall for rehearsal, the assistance of four liveried servants and regular maids from the kitchen. It was all very gratifying and no member of the company savoured it more than Mark Scruton. He was being given his first chance to take an important role. The play was one of their own this time, The Renegade, a dark and blood-soaked tragedy on a revenge theme. It enabled Giles Randolph to shine in a title role that really suited his talents and it brought Scruton forward into the light.
'Excellent work, sir.'
