The Amorous Nightingale

man I know and he is waiting patiently for an apology from you.'

    Trigg glowered at Jacob who responded with a gap-toothed smile. The coachman used Christopher as his court of appeal.

    'But I've something important to tell you, sir.'

    'It can wait until you've apologised to Jacob.'

    'I came straight here when I found out about it.'

    Christopher held his ground. Hands on his hips, he waited with tight-lipped disdain while Trigg argued, whinged, pleaded and blustered. In the end, the coachman realised that the servant had to be appeased before the master would listen to him. A reluctant apology tumbled out, stinging his swollen lip in the process.

    'Thank you, Mr Trigg,' said Christopher evenly. 'Now that we've got that out of the way, perhaps you should step into my house. Stable my horse, please, Jacob. I'll not be going out again tonight.'

    'Very good, sir,' said the other.

    While his servant took charge of his horse, Christopher led his guest into the parlour. Trigg removed his hat to reveal the bandage. By the flickering light of the candles, he looked even more gruesome. Taking off his own hat, Christopher lowered himself into a chair and kept the coachman standing.

    'What is it that you wish to say to me?' he asked brusquely.

    'There's been more trouble, sir.'

    'Trouble?'

    'I didn't know who to turn to. Mr Chiffinch said I wasn't to bother him but I wasn't to talk to anyone else either. Apart from you, that is. He gave me this address so I come here.'

    'And picked a fight with my servant.'

    'I thought he was lying to me.'

    'Jacob never lies, Mr Trigg. As you saw, I was not on the premises when you called. Well, come on,' he prompted, 'let's hear it. What's all this about trouble?'

    'Someone else was took, sir.'

    'Someone else?'

    'Mary,' said the other. 'Mary Hibbert. Mrs Gow's maidservant.'

    'Kidnapped, you mean?'

    'That's what it looks like, sir. Mary almost never stirs from the house except to go to the theatre with Mrs Gow. She should have been there. But when I got back, the door was open and the place was empty.'

    'Had anything been taken?'

    'Not so far as I could see.'

    'Were there any signs of a struggle?'

    'None, sir.'

    'Then how do you know that Mary Hibbert was kidnapped?'

    'It's the only explanation, sir,' gabbled Trigg. 'One of the neighbours told me he'd heard sounds of a scuffle and the noise of a coach being driven away fast. His wife thought she might have heard a woman's scream.'

    'Might have?'

    'Mary is in danger, Mr Redmayne. I know it.'

    'The evidence is hardly conclusive.'

    'She's such a dutiful girl, sir. Mary would never go out of the house when Mrs Gow was expected back. Nor would she leave the door wide open for anyone to walk in. Mrs Gow has many admirers,' he said with a touch of rancour. 'Too many for comfort. Some of them try to pester her at home. My job is to keep them at bay. If I'm not there to protect Mrs Gow, then Mary always is. Please, sir,' he begged. 'You must believe me.

    I wouldn't have bothered you without real cause. Mary's been took.'

    'Then it's a worrying new development,' conceded the other. 'You did right to bring the news to me, Mr Trigg. Thank you.'

    Though he could not bring himself to like the man, Christopher took pity on him. In the service of Harriet Gow, he had taken a severe beating. He was plainly distressed that both of the women he was employed to safeguard had been snatched away from him. Shuttling between anger and remorse, Trigg was like a distraught father whose daughters had been abducted.

    'When we met at the Palace,' recalled Christopher, 'you told me that you'd been coachman to Mrs Gow for over a year.'

    'That is true, sir.'

    'And before that?'

    'I held a similar post with Sir Godfrey Armadale.'

    'Why did you leave?'

    'I was offered the chance to work for Mrs Gow.'

    'How did that come about?'

    'A friend put in a kind word for me.'

    'You obviously take your duties seriously.'

    'It's the best position I've ever had, sir,' said Trigg earnestly. 'Until today, that is. Mrs Gow treats me very well and I've grown fond of Mary Hibbert. They're almost like a family to me. I can't tell you how upset I feel because I've let them down.'

    'Don't blame yourself, Mr Trigg.'

    'I should've saved Mrs Gow,' he insisted, beating his thigh with a fist. 'I should have been there to protect Mary Hibbert. It's my fault, Mr Redmayne, and there's no getting away with it. That's why I want to do all I can to find them. Use me, sir - please. Call on me at any time. I must be part of the rescue.'

    'You will be, Mr Trigg.'

    Christopher appreciated the offer of help though he was not quite sure how best to employ it. The coachman's strength might certainly be an asset, especially as Christopher did not have the reassuring bulk of Jonathan Bale alongside him. Yet the sheer physical power of Roland Trigg could also be a handicap if used in the spirit of vengeance. During their earlier meeting, the coachman had made his feelings about the kidnappers quite plain. Murder had danced in his eyes. Christopher did not wish to be party to acts of random homicide.

    'How are you now?' he asked, considerately.

    'Hurt and upset, sir.'

    'I was referring to your wounds. You were still somewhat dazed when we spoke at the Palace. You had difficulty collecting your thoughts.'

    'Not any more.'

    'Does that mean you've had time to think things over?'

    'I've been doing nothing else, Mr Redmayne.'

    'And?'

    'I believe I know who might be behind all this.'

    'You gave us a few possible names earlier.'

    'I forgot the most obvious one.'

    'And who's that?'

    'Mr Bartholomew, sir.'

    'Bartholomew?'

    'Yes,' said the other with conviction. 'Bartholomew Gow. If you ask me, he's more than up to a trick like this. That's who you should be looking for, sir. Mrs Gow's husband.'

    Sarah Bale had long ago learned to read her husband's moods. It enabled her to offer succour when it was needed, advice when it was welcome and understanding when it was appropriate. Jonathan wanted none of these things now. Having retreated into a reflective silence, he was temporarily beyond her reach. His wife respected his mood. When her work was finally done, she adjourned to the parlour to sit with her husband and to mend a pair of Richard's breeches by the light of the candle. Her needle was slow and unhurried. Though she was eager to hear what had passed between Christopher

    Redmayne and him, she did not dare to raise the subject with Jonathan while he was preoccupied.