The Repentant Rake

    'Then I'll just sit with you and offer comfort.'

    'Thank you.'

    They ate in silence for a while. Susan was desperate to tell her about the attack on Christopher, partly for the pleasure of talking about him again but mainly in order to impress upon Lucy that he was taking perilous risks on her behalf. Christopher had advised against it lest it upset Lucy and the advice had seemed sound at the time. Watching her sister-in-law now, however, Susan wondered if she might broach the topic. If Lucy had recovered enough to venture out for a walk, she could surely cope with some distressing news, especially as it might engage her sympathies. Susan plunged in.

    'There was more to it than that, Lucy,' she said.

    'To what?'

    'My visit this morning. Mr Redmayne has been injured.'

    'Injured?' echoed Lucy. 'How badly?'

    Susan described the state he was in when she arrived at his house. When she talked about the attack, she mentioned that both Christopher and Jonathan Bale were convinced that the would-be killer was the same man who had murdered Gabriel. It opened fresh wounds for Lucy and she began to sob. At first, Susan thought she had made an error of judgement, but her sister-in-law soon recovered and brushed away her tears. She looked at Susan.

    'Why is Mr Redmayne doing this for us?' she said.

    'He sees it as a kind of mission, Lucy.'

    'Even though his own life is in danger?'

    'He is a strong man. He fought off the attacker.'

    'Gabriel was strong yet he was unable to do that.'

    'Perhaps he had more than one man to fight against.' Susan paused before returning to a familiar request. 'It would help so much if we knew where the murder took place,' she said. 'Gabriel was not killed in this house or there would have been signs of disturbance. He was out somewhere.'

    'Yes,' murmured Lucy.

    'And you know where he was.'

    'I might guess.'

    'Where was it, Lucy?'

    'Do not ask me.'

    'But Mr Redmayne needs to know.'

    'Gabriel was killed. That is the only fact that matters to me, Susan.'

    'But you want his killer caught, surely?'

    'Of course.'

    'And you want to save Mr Redmayne from further attack?' She leaned in closer. 'What will happen if the assassin strikes again, Lucy? Think how guilty you will feel if Mr Redmayne is murdered.'

    'It will not be my fault.'

    'I know, but you can at least help to reduce the possibility.'

    'How?'

    'By telling the truth. Not to me,' she added quickly, 'because I can see that I am not the person in whom you will confide. Tell Mr Redmayne. He is such a kind and understanding man. He will respect any confidences. I have not known him long but I have formed the highest opinion of him.'

    'So have I,' said Lucy quietly.

    'He needs all the help that he can get. Why are you holding back?'

    Lucy shrugged helplessly. 'Because I must, Susan.'

    Henry Redmayne pounced on his brother like a hawk swooping down on its prey. 'Where have you been, Christopher?' he said, shaking him vigorously.

    'Here, there and everywhere.'

    'But I needed you beside me.'

    'How can I continue the search if I am trapped here?' asked Christopher. 'You must try to shed this anxiety, Henry. Under your own roof, you are completely safe.'

    'That is what I thought.'

    'What do you mean?'

    'I received another letter.'

    'A blackmail demand?'

    'Of a kind' groaned Henry. 'But first tell me your news. Did you find the man who printed that extract from the diary?'

    'I did. His name is Miles Henshaw.'

    'He deserves to be hanged, drawn and quartered.'

    'No, Henry. He was simply printing what he was given. Mr Henshaw had no idea what cruel use his work would be put to by the blackmailer. Let me explain.'

    Eager to hear his brother's tidings, Christopher gave him only a shortened account of the visits to Elijah Pembridge and to Miles Henshaw. The call on Arthur Lunn was summed up in a few sentences. Henry sank even further into dejection. He had been hoping for results that had simply not materialised. As far as he was concerned, a dangerous killer was still on the loose and he was the man's next target.

    'What about you?' said Christopher, ending his narrative. 'Show me this new letter that you received today.'

    'Even you will not be allowed to see that.'

    'Why not?'

    'Because I've already burned it.'

    'Whatever for, Henry?'

    'It is the only safe thing to do with that particular correspondence.'

    'Who sent it?'

    'Amelia.'

    'Lady Ulvercombe?'

    'Yes. She has only just discovered that my billet-doux is missing. Why has it taken her so long? I thought she had destroyed it, as she vowed she would do, but she clung on to it for sentimental reasons. It was, I have to confess, worded in such a way to excite a lady to the very pitch of delight. But does she read it every day to keep the flame of our romance alive? No, no, no! It takes her well over a week to notice that my deathless prose has been stolen. I am desolate, Christopher. Heavens above! It is insulting. A man is entitled to expect a mistress to drool over his correspondence.'

    'At least, Lady Ulvercombe has learned the worst now.'

    'Not before time.'

    'What did her letter say?'

    'She wants to meet me,' said Henry. 'This very afternoon. How can I venture outside that door when an assassin is lying in wait for me? And why, in any case, should I choose to confront the very woman who landed me in this infernal mess?'

    'No, Henry,' said Christopher firmly. 'You landed yourself in this mess.'

    'Amelia lost the letter.'

    'You wrote it.'

    'Only because she pestered me.'

    'A moment ago, you were boasting about the way you had worded it.'

    'Well, yes,' agreed Henry. 'It was a small masterpiece of its kind. But destined for the eyes of one person only before being consigned to the flames.'

    'Is Lady Ulvercombe afraid that her husband will find out?'

    'She is terrified. He already has suspicions of me. Were that letter to fall into his hands, he would not hesitate to wreak his revenge. Not that Amelia has any concern for me,' he added. 'Her anxiety is for herself.'

    'Go on.'

    'She insists on meeting me to discuss the matter. Otherwise - and this is the most drastic form of