'Let me see it,' she said, rising to her feet. 'I've been looking forward to this moment for weeks. So has Letitia.'
'Yes,' agreed her daughter, getting up. 'It's very exciting.'
Christopher opened his satchel. 'I hope that the drawings meet with your approval,' he said, taking them out and unfolding them. 'Shall I put them on the table?'
'Please do, Mr Redmayne,' said Letitia.
'Did you include the modifications?' asked Lady Whitcombe.
'Every suggestion you made has been followed to the letter,' he said.
Christopher went over to the table under the window. When some ornaments had been moved off it, he set out his drawings. The women were either side of him, bending over to study the designs and brushing his legs with their skirts as they did so. He caught a whiff of the most enchanting perfume. Letitia giggled with pleasure at what she saw but her mother inspected every detail in silence. Eventually, she gave a murmur of assent. Letitia pointed to an upstairs window in one drawing.
'Is this my bedchamber, Mr Redmayne?' she asked.
'It is, indeed,' he said, 'and it overlooks the river, as you see.'
'Which is Egerton's room?'
'Here at the front of the house,' said her mother, tapping the spot with her finger. 'You've not met my son yet, have you, Mr Redmayne?'
'That's a pleasure still to come.'
'He's due back from France very soon. It was Egerton who kept agitating for a house in London. Life in Sheen is idyllic in some respects but our opportunities for entertaining are rather limited. In London, our table will be more readily supplied with guests.' She straightened up to look at him. 'I trust that you'll be one of them.'
'How could I refuse such an invitation?'
'We look upon you as rather more than our architect, Mr Redmayne.'
'I'm very flattered, Lady Whitcombe.'
'Your company is so congenial.'
'I hope that my work brings satisfaction as well.'
'Oh, it does. I cannot fault it.'
'Nor can I, Mr Redmayne,' said Letitia, still surveying the drawings. 'How on earth did you conjure such a beautiful house out of your imagination? It is magical.'
'Thank you,' he said.
'I have always wanted to live in the city.'
'It is only an occasional residence for us, Letitia,' her mother reminded her. 'This will always remain our principal home. Egerton will spend most of his time in London because he needs the society of young men. Country pleasures are no longer enough for him. You and I, however, will be more selective in our visits.'
'Yes, Mother.'
'We'll certainly not spend winter months in the capital.'
'You'll be warm enough, if you do so, my lady,' promised Christopher. 'I took especial care to give you large fireplaces in every room. Italian marble.'
'That was exactly what I required. Well,' she said, taking a final look at the drawings, 'I think that you deserve our congratulations, Mr Redmayne.'
'It was a labour of love, Lady Whitcombe.'
'We, too, have found it a most pleasurable experience.'
'Yes,' said Letitia with a grin.
'All that remains,' added her mother, 'is to get the house built. Who was the fellow you recommended?'
'Mr Popejoy,' replied Christopher. 'I've worked with him before. He built the house in Westminster that you admired so much. I'd recommend Sidney Popejoy without the slightest reservation. There are few more conscientious builders in London.'
'Would he be available?'
'I took the liberty of speaking to him about the project at the very start.'
'Then engage him forthwith.'
'Will your son need to approve the designs first?'
'Egerton?' she asked. 'No, he has no interest in architecture. His only demand was for a large house in London where we could entertain a much wider circle of friends than is possible here in Sheen. My son will be very grateful for what you've done, Mr Redmayne. His needs are simple and you've met every one of them.'
Christopher would never have described the house in terms of simple needs. It was a large property that would occupy a site overlooking the river and contain features that bordered on extravagance. Cost had been incidental. Lady Whitcombe had not merely inherited her husband's substantial wealth, she had independent means of her own. She was ready to lavish a huge amount of money on a house that she would only occupy at certain times of the year. It was her son, Egerton, who would derive most benefit from the place. As a wave of fatigue hit him, Christopher's legs buckled slightly.
'Are you hungry, Mr Redmayne?' asked his hostess.
'I am, Lady Whitcombe.'
'We shall dine very shortly.'
'Thank you.'
'It will give you time to get used to sharing our table.'
'I regard that as a privilege.'
'And we regard you as a friend, Mr Redmayne,' she said, bestowing her sweetest smile on him. 'Letitia made the same observation only this morning. We have not seen all that much of you and yet it feels as if you are one of the family.'
Letitia gave a nervous giggle. Christopher's legs wobbled again.
Jonathan Bale walked along the riverbank that afternoon until he was roughly opposite the point where the body had been found.
His sons would not be able to skate on the ice now. Cracks had been turned into deep crevices and thinner patches had broken up altogether. Blocks of ice floated in open water, melting gently in the sun. As the Thames slowly reasserted itself, the frost fair had been abandoned. Jonathan was glad. The city might be deprived of its winter merriment but the constable's younger son would be spared the visible reminder of the discovery he had made in the ice. There was a secondary reason why Jonathan was pleased at the thaw. Many of his friends earned their living from the river. In places like Shadwell, Ratcliffe, Poplar and Wapping, something like six out of ten men worked either as sailors, watermen or lightermen, occupations that had been frozen out of the Thames. Fishermen, too, had suffered. Sole, cod, herring, sprat and whitebait had continued to be caught in the estuary but those whose income depended on the smelt, eels, salmon and other fish they netted in the shadow of London had been badly hit.
As he gazed out of the river, Jonathan tried to work out where the body had been thrown in and how it had reached the spot where the ice had formed around it. He knew that the current could do strange things with any object tossed into the water. Human and animal bodies had been carried several miles downstream from the point where they had been hurled into the Thames. In this case, however, he sensed that the corpse had not drifted very far. Indeed, it might well have entered the water no more than a few hundred yards from where he stood. Jonathan looked up and down the riverbank, estimating the nearest point to the tavern that Henry Redmayne and his friends had visited on the night when the murder had probably taken place.
After pondering for some time, he moved away and walked along Thames Street in the direction of his home. His thoughts turned to his meeting with the jovial Captain Harvest. Before he met the soldier, Jonathan had been convinced that the killer had already been arrested and imprisoned in Newgate. Yet when his judgement had been buttressed by the confident assertions of Captain Harvest, he began to have doubts. There was something about the man that provoked distrust. He was too glib, too plausible and far too hasty to condemn Henry Redmayne. Harvest claimed to have been a friend of the murder victim. Jonathan asked himself why, if Henry had had left the tavern that night in such a vengeful mood, Harvest had not tried to restrain him or at least have gone off to warn Jeronimo Maldini of the imminent danger. The constable still believed in Henry's guilt but with far less
