family and lieutenants, is—along with the little pavilion Mom Plaisir at Peterhof— the place where one can most intimately sense the lingering presence of Peter himself.
In 1716, another foreign architect arrived in St. Petersburg to leave a permanent mark on Peter's 'paradise.' This was the French architect Alexandre Jean Baptiste LeBlond. A Parisian and a pupil of the great Le Notre who had designed the gardens at Versailles, LeBlond was only thirty-seven, but was already well known in France for his buildings in Paris and for books he had written on architecture and formal gardens. In April 1716, LeBlond signed an unprecedented contract to come to Russia for five years as Architect General at a guaranteed salary of 5,000 roubles a year. He was also to be given a state apartment and permission to leave Russia at the end of his five-year term without having to pay duty on any of his possessions. In return, LeBlond promised to do his best to pass along his knowledge to the Russians who would work with him.
En route to his new appointment, LeBlond passed through Pyrmont, where Peter was taking the waters, and the two men talked about the Tsar's plans and hopes for his new city. Peter was delighted with his new employee and, on LeBlond's departure, wrote enthusiastically to Menshikov in St. Petersburg:
Welcome LeBlond in a friendly manner and respect his contract, for he is better than the best and a veritable prodigy, as I could see in no time. Besides he is an energetic and intelligent man and highly respected in the ateliers of France, so that we can, through him, engage whomsoever we wish. Therefore, all our architects must be told that from now on they are to submit all their plans for new construction to LeBlond for approval, and, if there is still time, carry out his instructions for correcting the old ones.
Armed with his title of Architect General, his princely contract and the glowing commendation of the Tsar, LeBlond arrived in Russia intending to take charge. In his train, he brought not only his wife and six-year-old son but several dozen French draftsmen, engineers, joiners, sculptors, stonemasons, bricklayers, carpenters, locksmiths, chiselers, goldsmiths and gardeners. Immediately, he established a new Chancellery of Building, an administrative office through which all plans for building would have to pass for his approval. Then, on the basis of his talks with Peter, he began to draft an overall plan which would dictate the major development of the city for years to come.
The most ambitious part of this new scheme was to be the creation of a city of canals, modeled after Amsterdam, on the eastern half of Vasilevsky Island. This would be a rectangular grid of parallel streets and intersecting canals cut through the low-lying marshy ground. Two main canals would run the length of the island and twelve smaller canals would cross it, and even the smaller canals would be wide enough for two boats to pass. Every house was to have a courtyard, a garden and a dock for the householder's boat. In the center of this great watery checkerboard, the Tsar was to have a new palace with an extensive formal garden.
LeBlond began as soon as he arrived in August 1716, using poles driven into the marshy ground to mark the outlines of his new town. That autumn and the following spring, digging of the canals was begun and the first new householders, sternly commanded by Peter's order, commenced construction of their dwellings. All did not go well, however. In wielding his new power, LeBlond had impinged on both the prerogative and the possessions of an even more powerful Petersburger, Menshikov, who was both governor general of the city and the owner of a large part of Vasilevsky Island, some of which was to be taken for LeBlond's new city of canals. Menshikov did not dare oppose directly a plan which Peter had approved, but the Tsar would be away for many months and in the meantime the Governor General would be in overall command of every activity in the city— including the new construction. Menshikov's retaliation came in a typical way. The canals were built, but they were narrower and shallower than LeBlond had called for; two boats could not pass each other, and soon the shallow waterways began to sit up with mud. When Peter returned and went to look at the new construction, he was pleased to see the new houses rising along the canals, but, noticing the dimensions of the waterways, he was astonished and enraged. LeBlond, who by this time knew better than to challenge Menshikov directly, remained silent. With his architect beside him, Peter walked across the island and then, turning to LeBlond, asked him, 'What can be done to carry out my plan?'
The Frenchman shrugged. 'Raze, sire, raze. There is no other remedy than to demolish all that has been done and dig the canals anew.' This, however, was too much, even for Peter, and the project was abandoned, although from time to time Peter would go to Vasilevsky Island to look at the canals and come home sorrowfully without uttering a word. On the south bank, however, LeBlond built the city's main boulevard, the great Nevsky Prospect, cutting straight through two and a half miles of meadows and forests from the Admiralty to the Alexander Nevsky Monastery. The Nevsky was constructed and paved by gangs of Swedish prisoners (who were also ordered to clean it every Saturday) and soon became the most famous street in Russia.
LeBlond almost made a remarkable contribution to another famous St. Petersburg landmark, the Summer Garden. Even before Poltava, Peter had begun the garden, which spread over thirty-seven acres behind his Summer Palace at the junction of the Neva and the Fontanka. At the height of his worry about the Swedes, the Tsar constantly issued orders about the garden. Moscow was commanded to send 'seeds and roots, together with thirteen young lads to train as gardeners.' Books on the gardens of France and Holland were sought. Trees were ordered to line the avenues: lime and elm trees from Kiev and Novgorod, chestnuts from Hamburg, oaks and fruit trees from Moscow and the Volga, cypresses from the south. Flowers arrived from everywhere: tulip bulbs from Amsterdam, lilac bushes from Liibeck, lilies, roses and carnations from other parts of Russia.
LeBlond's contribution to the Summer Garden was water. 'Fountains and water are the soul of a garden and make the principal ornament of it,' he had written. He pumped water from the Fontanka (the name derives from Fountain) into a new water tower, from which elevation the pressure would cause his new fountains to jet and spray. There were fifty fountains scattered through the garden: grottoes, cascades, plumes of water spouting from the mouths of dolphins and horses. In the basins beneath these fountains, creatures real and mythical—stone gargoyles, real fish and even a seal—swam or splashed. Nearby, rare birds sang in cages shaped like pagodas, a blue monkey chattered and a porcupine and sables stared morosely back at human sightseers.
Using the lesson he had learned from Le Notre created for Peter a true French formal garden. He traced parterres of flower, shrubs and gravel in intricate curving lines. He pruned the crowns of trees and shrubs into spheres, cubes and cones. He built a glassed conservatory and installed orange, lemon and bay trees and even a small tree of cloves. Italian sculptures were placed at the intersections of all the walks and along the avenues; eventually, sixty white mable statues depicting scenes from Aesop's fables were set in place along with other sculptures titled 'Peace and Abundance,' 'Navigation,' 'Architecture,' 'Truth' and 'Sincerity.'
When Peter was in St. Petersburg, he came often to the Summer Garden. There the Tsar would sit on a bench and drink beer or play draughts with his friends while Catherine and her ladies walked along the paths. The garden was open to the public, and society came to stroll during the afternoons, or to sit by its fountains during the long white nights of June and July. In 1777, a terrible flood wreaked fearful damage on the Summer Garden, uprooting trees and shattering the fountains, and afterward, Catherine the Great reconstructed the garden on different lines, preferring the less formal English garden to the French style; she did not rebuild the fountains, and the trees and shrubs were allowed to grow normally. But the Summer Garden maintained its charm and appeal. Pushkin lived nearby and often came to walk there; Glinka and Gogol were constant visitors to Peter's Summer Garden. As old as the city itself, the Summer Garden still renews itself every spring and remains as young as the newest leaf and the tenderest bud.
Menshikov was increasingly jealous of LeBlond's favor with the Tsar and used the Summer Garden as another means of striking at the Frenchman. In 1717, he wrote to Peter that LeBlond was cutting down the Summer Garden trees of which he knew the Tsar was extremely proud—in fact, LeBlond had only lopped some branches to improve the view and shape the trees according to French concepts. When Peter returned and encountered LeBlond, he flew into a rage, thinking of his lost trees. Before he knew what he was doing, he had struck the architect with his cane, sending LeBlond to bed with shock and fever. Peter then went to see the garden and realizing that the trees had only been trimmed, hastily sent apologies to LeBlond and instructions that the Architect General should be specially cared for. Soon after, the Tsar met Menshikov on a stairway. Seizing him by the collar and pushing him up against a wall, Peter shouted, 'You alone, you rascal, are the cause of LeBlond's illness!'
LeBlond recovered, but a year and a half later he contracted smallpox. In February 1719, at thirty-nine, he died, having spent only thirty months in Russia. Had he lived and continued to wield the great power of Peter's favor, the face of St. Petersburg would have been far more French. One glorious example of this architecture-that- might:have-been actually exists. Before his death, LeBlond had chosen the site, prepared the drawings and laid out the garden for the fabled summer estate and palace by the sea that is known as Peterhof.
Peterhof was conceived long before LeBlond came to Russia; its origins were linked with Kronstadt. In 1703, within a few months of his conquest of the Neva delta, Peter sailed out on the Gulf of Finland and first saw Kotlin
