You know what's a greater mystery than death, Billy? Life itself, the way it twists and turns like a carnival ride.

By the by, I think I catch a little peacock-strutting when you talk about that Bonnie girl. I know she must be special if you've taken a shine to her.

I'm very proud of you. I know you'll make me even prouder. I love you.

She picked up the lamp and went to the bedroom to get her needlepoint.

Catching her reflection in a mirror, she stopped to examine herself as she combed out her hair. She saw more gray hairs than dark, and there were so many wrinkles in her face. Still, there remained deep in her eyes the awkward girl who'd seen John Creekmore standing across the barn at a hoedown, the girl who'd wanted that boy to hold her until her ribs ached, the girl who'd wanted to fly above the hills and fields on the wind of dreams. She was proud that she'd never lost that part of herself.

Her Mystery Walk was almost over, she realized with a touch of sadness. But, she thought, look at all she'd done! She'd loved a good man and been loved by him, had raised a son to manhood, had always stood up for herself and had done the painful work her destiny demanded. She had learned to take life for good or bad, and to see the Giver of Breath in a dewdrop or a dying leaf. She had only one pain, and that was the red-haired boy—the image of his father—that J.J. Falconer had named Wayne.

Unsettled wind whooped around the house. Ramona put on a sweater and took her needlepoint to the fireside, where she sat and worked steadily for over an hour. There was a prickling sensation at the back of her neck, and she knew it wouldn't be very much longer.

Something was coming through the night. She knew it was coming for her. She didn't know what it would look like, but she wanted to see its face and let it know she was not afraid.

In the mirror she'd seen her own black aura.

She closed her eyes and let her mind drift. She was a child again, running wild and free across the green meadows in the heat of a summer sun. She lay down in the grass and watched the clouds change shape. There were castles up there, with fleecy towers and flags and—

'Ramona!' she heard. 'Ramona!' It was her mother, calling from the distance. 'Ramona, you little dickens! You get yourself home now, you hear?'

A hand brushed her cheek, and her eyes flew open. The fire and the lamp's wick had burned very low. She'd recognized that touch, and she was filled with warmth.

There was a knock at the door.

Ramona rocked on in her chair a moment more. Then she lifted her chin, stood up, and approached the door; she let her hand rest on the latch for a few seconds, then she took a deep breath and opened it.

A tall man in a straw cowboy hat, a denim jacket, and faded jeans stood on the porch. He had a grizzled gray beard and dark, deep-set brown eyes. Behind him there was a glossy black pickup truck. He chewed on a toothpick and drawled, 'Howdy, ma'am. Seems I took a wrong turn up the road a ways. Sure would appreciate it if I could get some directions and maybe a glass of water. Throat's kind of—'

'I know who you are,' Ramona said, and saw a little shock and unease register in the man's eyes. He wasn't a real cowboy, she'd seen, because his hands were too smooth. 'I know why you're here. Come in.'

He paused, the smile slipping off his face. He saw that she did know. Some of the power seemed to drain out of him, and under her firm gaze he felt like a bug that had just crawled from beneath a rock. He almost called it off right then and there, but he knew he couldn't take their money and run; they'd find him, sooner or later After all, he was a professional.

'Aren't you coming in?' she asked, and opened the door wider.

He took the toothpick out of his mouth, mumbled, 'Thank you,' and stepped across the threshold. He couldn't look her in the face, because she knew and she wasn't afraid and that made it unbearable for him.

She was waiting.

The man decided he'd make it as quick and painless as possible. And that this would be his last one, God help him.

Ramona closed the door to shut away the cold, then turned defiantly toward her visitor.

ELEVEN

The Test

50

A muffled cry burst from Billy's throat, and he sat up in the darkness as the cot's hard springs squealed beneath him. His mind was jumbled with terrors. He switched on the lamp and sat with the blanket around his shoulders as rain crashed against the window.

He couldn't remember the details of the nightmare, but it had to do with his mother. And the house. Sparks flying into the night sky. The awful face of the shape changer, glowing dark red with reflected light.

Billy got out of bed and trudged into the corridor. On his way to the men's bathroom he saw a light on downstairs, in the parlor. He descended the stairs, hoping to find someone he could talk to.

In the parlor, a single lamp burned. The television was on, silently showing a ghostly test pattern. And curled up on the sofa, lying beneath a brown raincoat with patched elbows, was the girl with different-colored eyes. Except her eyes were closed now, and she was asleep. Billy stood over her for a moment, admiring the dark auburn of her hair and the beauty of her face. As he stared, she flinched in her sleep. She was even prettier than Melissa Pettus, he thought, but she seemed to be a troubled person. He'd found out from Mr Pearlman that she was nineteen and her family lived in Texas. No one else knew anything about her.

Suddenly, as if she'd sensed him in the room, her eyelids fluttered. She sat up so abruptly he was startled and stepped back a pace. She stared at him with the fierce concentration of a trapped animal, but her eyes looked glazed and dead. 'They're going to burn up,' she whispered, in a barely audible voice. 'Cappy says they will, and Cappy's never wrong—'

Then Billy saw her gaze clear, and he realized she'd been talking in her sleep. She blinked uncertainly at him, a red flush creeping across her cheeks. 'What is it? What do you want?'

'Nothing. I saw the light on.' He smiled, trying to ease her obvious tension. 'Don't worry, I won't bite.'

She didn't respond, but instead drew the coat tighter around her. Billy saw she still wore jeans and a sweater, and either she'd gotten dressed after she was supposed to be in bed or she'd never been to bed at all.

'Doesn't look like there's much on TV,' he said, and switched it off. 'How long have you been in here?'

'Awhile,' she replied, in her distinctive Texas drawl, topped with frost.

'Who's Cappy?'

She flinched as if he'd struck her. 'Leave me alone,' she said. 'I don't bother folks, and I don't want to be bothered.'

'I didn't mean to disturb you. Sorry.' He turned his back on her. She was surely a pretty girl, he thought, but she lacked in manners. He had almost reached the stairs when she said, 'What makes you so special?'

'What?'

'Dr. Hillburn thinks you're special. Why is that?'

He shrugged. 'I didn't know I was.'

'Didn't say you were. Only said that Dr Hillburn thinks so. She spends a lot of time with you. Must think you're important.'

Billy paused at the bottom of the stairs, listening to the noise of the rain hammering at the walls. Bonnie sat with her legs drawn up defensively to her chest, the coat around her shoulders; there was a scared look in her eyes, and Billy knew she was asking for company in her own way. He walked back into the parlor. 'I don't know why. Really.'

A silence stretched. Bonnie wouldn't look at him. She stared out the bay window into the icy storm.

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