strip naked, revealing under its dry covering a vaguely human shape. There is the suggestion of legs, wide thighs, and the smooth curves of hips. Large breasts without nipples. The subtle v-shape of a crudely carved pudendum. It resembles a primitive wooden sculpture, but soft to the touch, and slightly elastic.
There is no head; the body is massive, and visible only to the shoulders. Whatever sits above is covered by the canopy of leaves.
Without thinking, she presses her hand further, deeper into the midriff of the unveiled body. The moist skin yields, and then splits. Her hand enters easily into the hole, that same viscous fluid aiding its passage. She slides both hands inside up to the wrist, gently spreading the edges of the wound, and grasps what she finds waiting within the cavity she has made.
The thing is rigid, motionless. She pulls it out, stepping back to allow it some space.
It is a small, rough puppet: no face, no fingers on the end of its stumpy hands. Just a rough-hewn caricature: a rude representation of a human child. She holds it close, hugging it against her naked chest. Her nipples harden, responding to the puppet’s silent hunger.
The puppet does not move. It is nothing more than an empty shell, a half-finished simulacra taken from inside a larger organism, like a splinter of prosthetic bone removed from torn flesh. There is something missing, a vital element. It is hungry but it is unable to feed. She presses its smooth, formless head against her breast, willing for it to partake of her food. Watery milk dribbles from the ends of her nipples, splashing onto this soulless, lifeless hunk of wood.
She doesn’t know what else to do.
Nobody has ever prepared her for this.
“Help me.” Her voice is tiny, lost in the primeval wood. “Help us. We need you. There’s no-one else. I beg you, just help us out of this mess.” Tears streak down her face, dripping delicately onto the top of the puppet’s inchoate head. Then, in reaction to her fathomless need, the puppet’s head slowly begins to move. It turns, pivoting on the broad neck, and the thing looks up at her. The puppet has no eyes but she can feel its gaze.
“Please. Help us. Help me and my mum… we need… we need…”
The trees writhe, their leaves speaking a language she cannot understand. A large flock of small birds flies overhead, darkening the sky and casting a flowing shadow on the ground at her feet.
“We need help.”
The puppet begins to shake, its stunted arms and blocky legs wriggling as it struggles in her grasp.
“We need you.”
The puppet, she realises, is laughing.
CHAPTER TWENTY
BOATER FELT UNCOMFORTABLE as he led the woman up the stairs to Monty’s office. He could sense her close behind him as he climbed the stairs, and hear the sound of her breathing in the enclosed space. She wasn’t wearing much perfume, but he could detect the trace of a light floral scent on her skin. She was scared — of course she was; they always were. They knew what they were here for, and what was going to happen to them, but still they were afraid. Monty enjoyed that fear; it was part of the thrill. Boater used to like it, too, but recently things had changed.
He reached the top of the stairs and turned around to face Lana. She was beautiful, even with her face scrubbed clean of make-up. The rage he’d felt towards her down by the Quayside, when he’d been confused and wrong-footed by his own churning emotions, had gone now. It had been replaced with a sense of longing.
“Just wait here for a minute. I’ll tell him you’re here.”
“Thank you,” she said, leaning her shoulder against the wall. She had not yet reached the top of the stairs, and stood two steps down from the short landing. The shadows clung to her, roaming over her body like eager hands. Boater thought that she didn’t look quite real: an erotic phantom.
“Just a minute… ” He spun around in the tight space and knocked on the office door. The light bulb in the ceiling flickered.
“Yeah. Come in.” Monty’s voice was muffled, but he sounded distracted.
The table lamps were set low down, near the floor, giving the room a dusky atmosphere. The main lights were off and the window blinds were closed. Monty sat at his desk with his feet tucked up underneath him on the big chair. He was wearing his reading glasses, something that humanised him in a way that Boater found contradictory. Surely monsters didn’t wear reading glasses…
“She’s here. The Fraser woman. She’s here, just like you said.”
Monty didn’t look up from his book. He held it open on his thighs, studying it like it was a school text. He nodded, distracted and not really listening. “Did you know, Francis, that when the Romans were here in Northumberland they found something strange in the land this estate is built on?”
Boater had no idea what to say or even if a response was expected. Monty had been doing this more and more lately: talking to himself by telling Boater and the rest of the men things, passing on obscure information. It was like he was involved in a lengthy conversation with himself, and all Boater and the others were expected to do was listen.
Monty continued: “Pagan tribes would worship an old grove of oak trees, dancing and fucking and draining their blood into the soil. The Romans murdered this tribe, and then they burned down the oaks and dug up the charred earth, at least that’s what the books say, the ones I borrowed from the library. The ones no fucker else bothers to read. Nobody seems to know what kind of power the Romans found, but I like to think that Hadrian built his fucking wall to keep it inside rather than keeping the Jocks out.” He laughed, and it was a terrible sound: dull and flat and empty of feeling. “It seems to me that old Hadrian didn’t like what they found here. Nobody ever spoke of it again, except to say that the ground was cursed. That it was a Bad Place.”
Finally he glanced up from the book, as if realising that he was no longer alone. He closed the cover, running his fingers along the creased spine.
Boater read the book’s familiar title:
Nobody else was allowed to touch the book, and Monty even kept it locked in his safe on the rare occasions when he wasn’t carrying it with him. But Boater had glimpsed the contents of the open pages on his boss’s desk several times, and the things he’d seen there — scrawled, glued and scribbled — were distressing. As far as he could tell, Monty had noted down, among other things, brief snatches of foreign languages, random words and phrases and odd bits of poetry. He had sketched partial maps and diagrams and scribbled monsters on the pages. The book now resembled the decor in the rooms inside a madman’s head, and Boater had actually become afraid of it, or more precisely what it might represent.
A book… he was scared of a fucking book. How stupid was that?
“We could learn a lot from the Romans,” said Monty, placing the book on his desk and unfolding his short legs so that he could set his feet on the floor. “Sorry to bore you with this, Francis, but it’s interesting. Hard bastards, they were, the Romans. Bummers and pederasts to a man, but they were fucking ferocious fighters when they had to be.”
Boater shuffled his feet on the carpet. He had no idea what was expected of him, he never did when Monty started acting this way. “Yeah, boss. I’m sure.”
Monty spread out his hands on the neat, uncluttered desk and slowly shook his head. He closed his eyes and opened them again. “You’re a simple man, aren’t you? A few beers with the lads, a bit of frisk in the car park when the pubs chuck out, and a quick shag with whatever slapper you manage to drag back home with you at the end of
