have not done so have repented.'
'You do not speak to others of the elements in you,' said Clara.
'I certainly do not: I have but one bride,' was his handsome reply.
'Is it fair to me that you should show me the worst of you?'
'All myself, my own?'
His ingratiating droop and familiar smile rendered 'All myself' so affectionately meaningful in its happy reliance upon her excess of love, that at last she understood she was expected to worship him and uphold him for whatsoever he might be, without any estimation of qualities: as indeed love does, or young love does: as she perhaps did once, before he chilled her senses. That was before her 'little brain' had become active and had turned her senses to revolt.
It was on the full river of love that Sir Willoughby supposed the whole floating bulk of his personality to be securely sustained; and therefore it was that, believing himself swimming at his ease, he discoursed of himself.
She went straight away from that idea with her mental exclamation: 'Why does he not paint himself in brighter colours to me!' and the question: 'Has he no ideal of generosity and chivalry?'
But the unfortunate gentleman imagined himself to be loved, on Love's very bosom. He fancied that everything relating to himself excited maidenly curiosity, womanly reverence, ardours to know more of him, which he was ever willing to satisfy by repeating the same things. His notion of women was the primitive black and white: there are good women, bad women; and he possessed a good one. His high opinion of himself fortified the belief that Providence, as a matter of justice and fitness, must necessarily select a good one for him — or what are we to think of Providence? And this female, shaped by that informing hand, would naturally be in harmony with him, from the centre of his profound identity to the raying circle of his variations. Know the centre, you know the circle, and you discover that the variations are simply characteristics, but you must travel on the rays from the circle to get to the centre. Consequently Sir Willoughby put Miss Middleton on one or other of these converging lines from time to time. Us, too, he drags into the deeps, but when we have harpooned a whale and are attached to the rope, down we must go; the miracle is to see us rise again.
Women of mixed essences shading off the divine to the considerably lower were outside his vision of woman. His mind could as little admit an angel in pottery as a rogue in porcelain. For him they were what they were when fashioned at the beginning; many cracked, many stained, here and there a perfect specimen designed for the elect of men. At a whisper of the world he shut the prude's door on them with a slam; himself would have branded them with the letters in the hue of fire. Privately he did so; and he was constituted by his extreme sensitiveness and taste for ultra-feminine refinement to be a severe critic of them during the carnival of egoism, the love-season. Constantia… can it be told? She had been, be it said, a fair and frank young merchant with him in that season; she was of a nature to be a mother of heroes; she met the salute, almost half-way, ingenuously unlike the coming mothers of the regiments of marionettes, who retire in vapours, downcast, as by convention; ladies most flattering to the egoistical gentleman, for they proclaim him the «first». Constantia's offence had been no greater, but it was not that dramatic performance of purity which he desired of an affianced lady, and so the offence was great.
The love-season is the carnival of egoism, and it brings the touchstone to our natures. I speak of love, not the mask, and not of the flutings upon the theme of love, but of the passion; a flame having, like our mortality, death in it as well as life, that may or may not be lasting. Applied to Sir Willoughby, as to thousands of civilized males, the touchstone found him requiring to be dealt with by his betrothed as an original savage. She was required to play incessantly on the first reclaiming chord which led our ancestral satyr to the measures of the dance, the threading of the maze, and the setting conformably to his partner before it was accorded to him to spin her with both hands and a chirrup of his frisky heels. To keep him in awe and hold him enchained, there are things she must never do, dare never say, must not think. She must be cloistral. Now, strange and awful though it be to hear, women perceive this requirement of them in the spirit of the man; they perceive, too, and it may be gratefully, that they address their performances less to the taming of the green and prankish monsieur of the forest than to the pacification of a voracious aesthetic gluttony, craving them insatiably, through all the tenses, with shrieks of the lamentable letter «I» for their purity. Whether they see that it has its foundation in the sensual, and distinguish the ultra-refined but lineally great-grandson of the Hoof in this vast and dainty exacting appetite is uncertain. They probably do not; the more the damage; for in the appeasement of the glutton they have to practise much simulation; they are in their way losers like their ancient mothers. It is the palpable and material of them still which they are tempted to flourish, wherewith to invite and allay pursuit: a condition under which the spiritual, wherein their hope lies, languishes. The capaciously strong in soul among women will ultimately detect an infinite grossness in the demand for purity infinite, spotless bloom. Earlier or later they see they have been victims of the singular Egoist, have worn a mask of ignorance to be named innocent, have turned themselves into market produce for his delight, and have really abandoned the commodity in ministering to the lust for it, suffered themselves to be dragged ages back in playing upon the fleshly innocence of happy accident to gratify his jealous greed of possession, when it should have been their task to set the soul above the fairest fortune and the gift of strength in women beyond ornamental whiteness. Are they not of nature warriors, like men? — men's mates to bear them heroes instead of puppets? But the devouring male Egoist prefers them as inanimate overwrought polished pure metal precious vessels, fresh from the hands of the artificer, for him to walk away with hugging, call all his own, drink of, and fill and drink of, and forget that he stole them.
This running off on a by-road is no deviation from Sir Willoughby Patterne and Miss Clara Middleton. He, a fairly intelligent man, and very sensitive, was blinded to what was going on within her visibly enough, by her production of the article he demanded of her sex. He had to leave the fair young lady to ride to his county-town, and his design was to conduct her through the covert of a group of laurels, there to revel in her soft confusion. She resisted; nay, resolutely returned to the lawn-sward. He contrasted her with Constantia in the amorous time, and rejoiced in his disappointment. He saw the goddess Modesty guarding Purity; and one would be bold to say that he did not hear the Precepts, Purity's aged grannams maternal and paternal, cawing approval of her over their munching gums. And if you ask whether a man, sensitive and a lover, can be so blinded, you are condemned to re- peruse the foregoing paragraph.
Miss Middleton was not sufficiently instructed in the position of her sex to know that she had plunged herself in the thick of the strife of one of their great battles. Her personal position, however, was instilling knowledge rapidly, as a disease in the frame teaches us what we are and have to contend with. Could she marry this man? He was evidently manageable. Could she condescend to the use of arts in managing him to obtain a placable life? — a horror of swampy flatness! So vividly did the sight of that dead heaven over an unvarying level earth swim on her fancy, that she shut her eyes in angry exclusion of it as if it were outside, assailing her; and she nearly stumbled upon young Crossjay.
'Oh, have I hurt you?' he cried.
'No,' said she, 'it was my fault. Lead me somewhere away from everybody.'
The boy took her hand, and she resumed her thoughts; and, pressing his fingers and feeling warm to him both for his presence and silence, so does the blood in youth lead the mind, even cool and innocent blood, even with a touch, that she said to herself, 'And if I marry, and then… Where will honour be then? I marry him to be true to my word of honour, and if then…!' An intolerable languor caused her to sigh profoundly. It is written as she thought it; she thought in blanks, as girls do, and some women. A shadow of the male Egoist is in the chamber of their brains overawing them.
'Were I to marry, and to run!' There is the thought; she is offered up to your mercy. We are dealing with a girl feeling herself desperately situated, and not a fool.
'I'm sure you're dead tired, though,' said Crossjay.
'No, I am not; what makes you think so?' said Clara.
'I do think so.'
'But why do you think so?'
'You're so hot.'
'What makes you think that?'
'You're so red.'
'So are you, Crossjay.'
'I'm only red in the middle of the cheeks, except when I've been running. And then you talk to yourself, just as boys do when they are blown.'
