Chekhov later credited his medical education with instilling in him a respect for objective observation and attention to individual circumstances. While in medical school, at the suggestion of his elder brother Alexander, a journalist, Chekhov began to contribute to the so-called satirical journals, weekly periodicals that appealed primarily to lower-class urban readers with a mix of drawings, humorous sketches, and other brief entertainment items. By the time Chekhov finished his medical courses in 1884, he was already established as a successful writer for the satirical journals and was the primary support for his parents and siblings. Although Chekhov never entirely abandoned medicine, by the mid-1880s he devoted his efforts mainly to his career as a writer, gradually gaining access to increasingly serious (and better-paying) newspapers and journals, most notably in New Times, published by the influential newspaper magnate Alexei Suvorin, and then in various “thick journals.” Chekhov first appeared in a thick journal in 1888 with his long story “The Steppe,” published in the Populist journal Northern Herald. From that point on, Chekhov received increasing renown as the most significant, if problematic, author of his generation. Through his objectivity and techniques of economy and implication, as well as the increasing seriousness and complexity of his themes, Chekhov emerged as a founder of the modern short story and one of the most influential practitioners of the form. Such works as “Sleepy,” “The Steppe,” “The Name-Day Party” (all 1888), “A Boring Story” (1889), “The Duel” (1891), “The Student” (1894), “My Life” (1896), and “The Lady with a Lapdog” (1899) rank among the greatest achievements of short fiction.
In drama, after hits with several one-act farces but mediocre success with serious full-length plays, Chekhov emerged as an innovator in drama with the first of his four major plays, The Seagull (1895). Although the first production in Petersburg in 1896 continued Chekhov’s string of theatrical failures, a new production by the newly formed Moscow Art Theater in 1898, based on new principles of staging and acting, won belated recognition as a new departure in drama. Subsequent Moscow Art Theater productions of Uncle Vanya (staged 1899), Three Sisters (1901), and The Cherry Orchard (1904) solidified Chekhov’s reputation as a master of a new type of drama and led to the worldwide influence of his plays and of Moscow Art Theater techniques. In addition, Chekhov’s association with the Moscow Art Theater led to his marriage to one of the theater’s actresses, Olga Leonardovna Knip-per, in 1901.
In addition to his strictly literary activity, Chekhov also was engaged in a number of the social issues of his day. For instance, he assisted schools and libraries in his hometown of Taganrog, Melikhovo (the village near his estate), and Yalta, and served as a district medical officer during a cholera outbreak while he was living at Melikhovo. He also initiated practical programs for famine relief during a crop failure in 1891 and 1892. Earlier, in 1890, he undertook the arduous journey across Siberia to the island of Sakhalin, which served at the time as a Russian penal colony. There Chekhov conducted a detailed sociological survey of the population and eventually published his observation as a book-length study of the island and its inhabitants, The Island of Sakhalin (1895), a work that eventually brought about amelioration of penal conditions. Most famously, Chekhov broke with his longtime friend, patron, and editor Suvorin over Suvorin’s support of Alfred Dreyfus’s conviction for espionage in France and opposed the anti-Semitic stance taken by Suvorin’s paper New Times.
CHERKESS
From the 1880s until his death, Chekhov suffered from tuberculosis, a disease that necessitated his move in 1898 from a small estate (purchased in 1892) outside Moscow to the milder climate of Yalta in the Crimea. He also spent time on the French Riviera. Finally in 1904 he went to Germany in search of treatment and died in Badenweiler in southern Germany in July of that year. See also: MOSCOW ART THEATER; SUVORIN, ALEXEI SERGEYEVICH; THICK JOURNALS
Heim, Michael Henry, and Karlinsky, Simon, tr. (1973). Anton Chekhov’s Life and Thought: Selected Letters and Commentary. Berkeley: University of California Press. Rayfield, Donald. (1998). Anton Chekhov: A Life. New York: Henry Holt. Simmons, Ernest J. (1962). Chekhov: A Biography. Boston: Little, Brown.
The Cherkess are one of the two titular nationalities of the north Caucasian Republic of Karachaevo- Cherkessia in the Russian Federation. In the Soviet period this area underwent several administrative reorganizations but was then established as an autonomous oblast (province) within the Stavropol Krai. The capital is Cherkessk and was founded in 1804. The Cherkess form only about 10 percent of the oblast’s population, which numbers 436,000 and 62 percent of whom make their livings in agriculture, animal husbandry, and bee-keeping. Health resorts are also an important local source of employment and revenue here, as it is in most of the North- West Caucasian region.
The Cherkess belong to the same ethnolinguis-tic family as the Adyge and the Kabardians, who live in neighboring republics, and they speak a sub-dialect of Kabardian, or “Eastern Circassian.” Soviet nationalities policies established these three groups as separate “peoples” and languages, but historical memory and linguistic affinity, as well as post-Soviet ethnic politics, perpetuate notions of ethnic continuity. An important element in this has been the contacts, since the break-up of the Soviet Union, with Circassians living in Turkey, Syria, Israel, Jordan, Western Europe, and the United States. These are mostly the descendents of migrants who left for the Ottoman Empire in the mid-and late nineteenth century after the completion of the Russian conquest of the Caucasus. The long and painful process of conquest firmly established “the idea of Circassians” as “noble savages” in the Russian imagination.
The Cherkess are Muslims, but other religious influences can be discerned in their cultural practices, including Greek Orthodox Christianity and indigenous beliefs and rituals. The Soviet state discouraged the practice of Islam and the perpetuation of Muslim identity among the Cherkess, but it supported cultural nation-building. In the post- Soviet period, interethnic tensions were clearly apparent in the republic’s presidential elections. However, Islamic movements, generally termed “Wahhabism,” are in less evidence among the Cherkess than with other groups in the North Caucasus. The wars in Abkhasia (from 1992 to 1993) and Chechnya (1994-1997; 1999-2000) have also affected Cherkess sympathies and politics, causing the Russian state to intermittently infuse the North West Caucasus republics with resources to prevent the spreading of conflict. See also: ADYGE; CAUCASUS; KABARDIANS; NATIONALITIES POLICIES, SOVIET; NATIONALITIES POLICIES, TSARIST
BIBLIOGRAPHY
Baddeley, John F. (1908). The Russian Conquest of the Caucasus. London: Longmans, Green amp; Co. Borxup, Marie Bennigsen. Ed. (1992). The North Caucasus Barrier: The Russian Advance towards the Muslim World. New York: St. Martin’s Press. Gammer, Moshe. (1994). Muslim Resistance to the Tsar: Shamil and the Conquest of Chechnia and Daghestan. London: Frank Cass. Jaimoukha, Amjad. (2001). The Circassians: A Handbook. New York: Palgrave. Jersild, Austin. (2002). Orientalism and Empire: North Caucasus Mountain Peoples and the Georgian Frontier, 1854-1917. Montreal and Kingston: McGill-Queens University Press. Matveeva, Anna. (1999). The North Caucasus: Russia’s Fragile Borderland. Great Britain: The Royal Institute of International Affairs.
(1911-1985), general secretary of the Communist Party of the Soviet Union (1983-1985).
Konstantin Chernenko was born on September 24, 1911, in a village in the Krasnoyarsk region of Russia. He spent his entire career in the party and worked his way up the ranks in the field of agitation and propaganda. In 1948 he became the head of the Agitation and Propaganda Department in the new Republic of Moldavia. There he got to know the future party leader Leonid Brezhnev, who became the republic’s first secretary in 1950. Cher-nenko rode Brezhnev’s coattails to the pinnacle of Soviet power. After Brezhnev became a Central Committee secretary, he brought Chernenko to Moscow in 1956 to work in the party apparatus. When Brezhnev became the chairman of the USSR Supreme Soviet in 1960, he appointed Chernenko the head of its secretariat. After Brezhnev became General Secretary, Chernenko became the head of the Communist Party of the Soviet Union (CPSU) General Department in 1965, a Central Committee secretary in 1976, a candidate member of the Politburo in 1977, and a full member of the Politburo in 1978. In the Secretariat Chernenko oversaw its administration and controlled the paper flow within the party.
At the end of his life, Brezhnev was actively advancing Chernenko to be his successor. In the late 1970s and early 1980s, Chernenko was given a broader role in the party and a higher profile than any of the other contenders:
