appointment and dissolution of the government, and the unlimited right to declare a state of war or emergency. The tsar had power over the Council of Ministers and could hold them accountable.
The State Council and the Duma were to be convened annually. The tsar determined the time span of their yearly activities and the duration of the “holidays” for legislative institutions. He appointed half of the members of the State Council and had the right to dissolve the Duma before the five-year mark. If he did so, he had to announce a date for new elections to the Duma. Nicholas II used this right twice, dissolving the first and second Dumas. In the second case, on June 3 (16), 1907, the electoral law was changed. This was a violation of the Fundamental Laws, because the new electoral law was not presented to the legislative institutions.
Under the second revision of the Fundamental Laws, Russia became a dualistic monarchy (Duma monarchy). See also: DUMA; NICHOLAS II; OCTOBER MANIFESTO; STATE COUNCIL; WITTE, SERGEI YULIEVICH
BIBLIOGRAPHY
Ascher, Abraham. (1992). The Revolution of 1905: Authority Restored. Stanford, CA: Stanford University Press. Harcave, Sidney, tr. and ed. (1990). The Memoirs of Count Witte. Armonk, NY: M.E. Sharpe. Mehlinger, Howard D., and Tompson, John M. (1972). Count Witte and the Tsarist Government in the 1905 Revolution. Bloomington: Indiana University Press. Szeftel, Marc. (1976). The Russian Constitution of April 23, 1906: Political Institutions of the Duma Monarchy. Brussels: Editions de la Librarie encyclop?dique.
Funded commodities were a category of commodities considered so critical to the success of the annual plan that allocation was tightly controlled by Gosplan and the USSR Council of Ministers.
Soviet central planning aspired to comprehensive coverage of the supply and demand of all commodities and services in the economy. As there were millions of transactions in an economy the size of the USSR, this was not a realistic ambition. The system of materials balances was designed to replace market forces of supply and demand in attaining equilibrium in each market. This enormous task was subdivided by category in order to decentralize the burden of achieving balances to various administrative and territorial planning units.
Funded commodities represented a restricted list of critical commodities that were under the direct control and allocation of the Gosplan and required explicit approval by the USSR Council of Ministers. The number of commodities in this category varied considerably over time, reflecting various reorganizations of planning procedures, changes in priorities, and attempts to reform the process. According to Paul Gregory and Robert Stuart, the number of funded commodities varied from 277 in the beginning in 1928 to as many as 2,390. During the 1980s, the number was approximately 2,000. About 75,000 other commodities were also specifically planned and controlled either by Gos-plan in conjunction with various centralized supply organizations, or by the ministries without explicit central oversight. See also: FONDODERZHATELI; GOSPLAN
FYODOR ALEXEYEVICH
Gregory, Paul R., and Stuart, C. Robert. (1990). Soviet Economic Structure and Performance. New York: HarperCollins. Nove, Alec. (1965). The Soviet Economy, An Introduction, rev. ed. New York: Praeger.
nacharsky, the Soviet commissar of education, and obtained important cultural posts. But by 1930 they had lost influence within the government and within most of the literary community. See also: LUNACHARSKY, ANATOLY VASILIEVICH; MAYA-KOVSKY, VLADIMIR VLADIMIROVICH; OCTOBER REVOLUTION
A term coined by the Italian poet Filippo Tom-maso Marinetti (1876-1944), Futurism emphasized discarding the static and irrelevant art of the past. It celebrated change, originality, and innovation in culture and society and glorified the new technology of the twentieth century, with emphasis on dynamism, speed, energy, and power. Russian Futurism, founded by Velimir Khlebnikov (1885-1922), a poet and a mystic, and Vladimir Mayakovsky (1893 -1930), the leading poet of Russian Revolution of 1917 and of the early Soviet period, went beyond its Italian model with a focus on a revolutionary social and political outlook. In 1912 the Russian Futurists issued the manifesto “A Slap in the Face of Public Taste” that advocated the ideas of Italian futurism and attacked Alexander Pushkin, Fyodor Dostoyevsky, and Leo Tolstoy. With the Revolution of 1917, the Russian Futurists attempted to dominate postrevolutionary culture in hopes of creating a new art integrating all aspects of daily life within a vision of total world transformation; artists would respond to a call to transcend and remake reality through a revolutionized aesthetic, to break down the barriers that had heretofore alienated the old art and the old reality. Russian Futurism argued that art, by eliciting predetermined emotions, could organize the will of the masses for action toward desired goals. In 1923 Mayakovsky cofounded with Osip Brik the Dadaistic journal LEF. Soviet avant-garde architects led by Nikolai Ladovsky were also highly influenced by Futurism and the theory that humanity’s “world understanding” becomes a driving force determining human action only when it is fused with world-perception, defined as “the sum of man’s emotional values . . . created by sympathy or revulsion, friendship or animosity, joy or sorrow, fear or courage.” Only by sensing the world through the “feeling of matter” could one understand, and thus be driven to change, the world. The Futurists were initially favored by Anatoly LuBIBLIOGRAPHY Janecek, Gerald. (1996). Zaum: The Transrational Poetry of Russian Futurism. San Diego, CA: San Diego State University Press. Markov, Vladimir. (1968). Russian Futurism: A History. Berkeley: University of California Press.
HUGH D. HUDSON JR.
(1661-1682), tsar of Russia, February 9, 1676 to May 7, 1682.
Fyodor was the ninth child of Tsar Alexis and his first wife, Maria Miloslavskaya. He became heir to the throne following the death of an elder brother in 1670. Fyodor is said to have studied Latin and Polish with the Belarusian court poet Simeon Polot-sky, but sources indicate that his education was predominantly traditional, with some modern elements. Just fourteen on his accession in 1676, Fy-odor ruled without a regent, but was supported by a number of advisors and personal favorites, notably his chamberlain Ivan Yazykov and the brothers Alexei and Mikhail Likhachev. Less intimate with the tsar, but highly influential, was Prince Vasily Golitsyn. Members of Fyodor’s mother’s family, the Miloslavskys, were less prominent, although they succeeded early in the reign in securing the banishment of Artamon Matveyev and several members of the rival Naryshkin clan. There were power struggles throughout the reign. There were also rumors that Fyodor’s ambitious sister Sophia Alekseyevna regularly attended his sickbed. In fact, Fyodor, although delicate, was by no means the hopeless invalid depicted by some historians. Records show that he regularly participated in ceremonies and presided over councils. He married twice. His first wife Agafia Grushetskaya (of part-Polish extraction) and her newborn son died in July 1681. In February 1682 he married the noblewoman Marfa Apraksina.
FYODOR II
The central event of Fyodor’s reign was war with Turkey (1676-1681), precipitated by Turkish and Tatar incursions into Ukraine, compelling Russia to abandon the fort of Chigirin on the Dnieper. The treaty of Bakhchisarai (1681) established a twenty-year truce. War determined economic policy. In 1678 a major land survey was conducted in order to reassess the population’s tax obligations, providing the only reliable, if partial, population figures for the whole century. In 1679 the household rather than land became the basis for taxation. Provincial reforms included abolition of some elected posts and wider powers for military governors. Fyodor’s major reform was the abolition of the Code of Precedence (mestnichestvo) in 1682. An associated scheme to separate civil and military offices and create permanent posts was shelved, allegedly after the patriarch warned that such officials might accumulate independent power. In 1681 and 1682 a major church council sought to raise the caliber of priests and intensified the persecution of Old Believers.
Fyodor had his portrait painted, encouraged the introduction of part-singing from Kiev, and approved a charter for an academy modeled on the Kiev Academy (implemented only in the late 1680s). Polish fashions and poetry became popular with courtiers, but traditionalists regarded “Latin” novelties with suspicion. Tsar Alexis’s theatre was closed down, and foreign fashions were banned. Historians remain undecided whether Fy-odor was a sickly young nonentity manipulated by unscrupulous favorites or whether he showed promise of becoming a strong ruler. His reign is best viewed as a continuation of Russia’s involvement in international affairs and of mildly
