'No such thing,' Mateo replied. He slipped the cassette into a machine. 'I take it there was no caller ID?'
'No,' Byrne said. 'It looks like it was a terminated cell.'
In most states, whenever a citizen calls 911 they give up their proprietary right to privacy. Even if you have a block on your phone-which prevents most people who receive your calls from seeing your number on their caller ID-the police-department radio unit and dispatchers can still see your number. With a few exceptions. One of them is a 911 call from a terminated cell. When cell phones are turned off-for nonpayment, or perhaps because the subscriber has moved to a new number- the 911 capabilities remain. Unfortunately for investigators, the ability to trace the number does not.
Mateo hit PLAY on the tape machine.
'Philadelphia Police, Operator 204, how can I help you?' answered the operator.
'There's… there's a dead body. It's behind the old auto parts warehouse on Flat Rock Road.'
Click. That was the extent of the recording.
'Hmmm,' Mateo said. 'Not exactly long-winded.' He hit STOP. Then REWIND. He played it again. When it was finished, he rewound the tape and played it a third time, cocking his head to the speakers. He hit STOP.
'Man or woman?' Byrne asked.
'Man,' Mateo replied.
'Are you sure?'
Mateo turned, glared.
'Okay,' Byrne said.
'He's in a car or a small space. No echo, good acoustics, no background hiss.'
Mateo played the tape again. He adjusted a few dials. 'Hear that?'
There was music in the background. Very faint, but there. 'I hear something,' Byrne said.
Rewind. A few more adjustments. Less hiss. A melody emerged.
'Radio?' Jessica asked.
'Maybe,' Mateo said. 'Or a CD.'
'Play it again,' Byrne said.
Mateo rewound the tape, fed it into another deck. 'Let me digitize it.'
The AV Unit had an ever-expanding arsenal of audio forensic software with which they could not only clean up the sound of an existing audio file, but also separate the tracks of a recording, thereby isolating them for closer scrutiny.
A few minutes later Mateo was on a laptop. The 911 audio files were now a series of green and black spikes on the screen. Mateo clicked PLAY, adjusted the volume. This time the melody in the background was clearer, more distinct.
'I know this song,' Mateo said. He played it again, adjusting slide controls, bringing the voice down to a barely audible level. Mateo then plugged in a pair of headphones, slipped them on. He closed his eyes, listened. He played the file again. 'Got it.' He opened his eyes, pulled off the headphones. 'The name of the song is 'I Want You.' By Savage Garden.'
Jessica and Byrne exchanged a glance. 'Who?' Byrne asked.
'Savage Garden. Australian pop duo. They were big in the late nineties. Well, medium-big. That song is from 1997 or 1998. Fair-sized hit then.'
'How do you know all this?' Byrne asked.
Mateo glared again. 'My life is not all Channel 6 Action News and McGruff videos, Detective. I happen to be a very social individual.'
'What's your take on the caller?' Jessica asked.
'I'll need to run it some more, but I can tell you that this Savage Garden song doesn't get much airplay anymore, so it probably wasn't the radio,' Mateo said. 'Unless it was an oldies station.'
'Ninety-seven is oldies?' Byrne asked.
'Deal with it, pops.'
'Man.'
'If the person who made the call has the CD, and is still playing it, they are probably under forty,' Mateo said. 'I'd guess thirty, maybe even twenty-five, give or take.'
'Anything else?'
'Well, you can tell by the way he says the word 'there's' twice that he was nervous about calling. He probably rehearsed it a bunch of times.'
'You're a genius, Mateo,' Jessica said. 'We owe you.'
'And here it is, almost Christmas, with only a day or so left to shop for me.'
Jessica, Byrne, and Josh Bontrager stood outside the control room.
'Whoever called knows it was once an auto parts warehouse,' Jessica said.
'Which means he is probably from the area,' Bontrager said.
'Which narrows it down to about thirty thousand people.'
'Yeah, but how many of them listen to Savage Garbage?' Byrne asked.
'Garden,' Bontrager said.
'Whatever.'
'Why don't I hit some of the bigger stores-Best Buy, Borders?' Bontrager asked. 'Maybe this guy asked for the CD recently. Maybe someone will remember.'
'Good idea,' Byrne said.
Bontrager beamed. He grabbed his coat. 'I'm working with Detectives Shepherd and Palladino today. If something breaks, I'll call you later.'
A minute after Bontrager left, an officer poked his head into the room. 'Detective Byrne?'
'Yeah.'
'There's someone upstairs to see you.'
When Jessica and Byrne walked into the lobby of the Roundhouse they saw a diminutive Asian woman, clearly out of her element. She wore a visitor's ID badge. As they got closer Jessica recognized the woman as Mrs. Tran, the woman from the All-City Launderette. 'Mrs. Tran,' Byrne said. 'What can we do for you?' 'My father found this,' she said.
She reached into her tote bag, held up a magazine. It was last month's issue of Dance Magazine. 'He says she left it. She was reading it that night.'
'By 'she' you mean Kristina Jakos? The woman we asked you about?' 'Yes,' she said. 'That blond lady. Maybe this will help you.' Jessica gripped the magazine by its edges. They'd brush it for prints. 'Where did he find this?' Jessica asked. 'It was on top of dryers.'
Jessica carefully flipped through the pages, making her way to the back of the magazine. On one of the pages-a full-page ad for Volkswagen, an ad made up of mostly white space-there was an elaborate web of doodles: phrases, words, drawings, names, symbols. It appeared that Kristina, or whoever had done the drawings, had doodled for hours.
'Your father is sure that Kristina Jakos was reading this magazine?' Jessica asked.
'Yes,' Mrs. Tran said. 'You want me to get him? He's in the car. You could ask again.'
'No,' Jessica said. 'That's okay.'
Upstairs, in the duty room of the homicide unit, Byrne pored over the magazine page with the drawings. Many of the words were written in the Cyrillic alphabet, in what he figured was Ukrainian. He already had a call in to a detective he knew from Northeast, a young guy named Nathan Bykovsky whose parents came from Russia. In addition to the words and phrases, there were drawings of small houses, three- dimensional hearts, pyramids. There were also a few sketches of dresses, although nothing resembling the vintage-style dress Kristina Jakos wore in death.
Byrne got the call from Nate Bykovsky, then faxed the page. Nate called him back immediately.
'What is this about?' Nate asked.
Detectives never had a problem with another cop reaching out. Still, by nature, they liked to know the play. Byrne told him.
'I believe this is Ukrainian,' Nate said.
'Can you read it?'
