father? Did Nefertiti ever rule on her own? How old was Nefertiti when she died? What killed Tiye? These are mysteries that thus far can only be answered by conjecture, and in the end I chose the interpretations that seemed most probable.

In the years to come, some of these questions might be answered by the discovery of the Amarna mummies. Although much of Kiya’s funerary equipment was found in Tutankhamun’s tomb, little to nothing remains of what belonged to Akhenaten or Nefertiti. Some archaeologists contend that a cache of mummies found in tomb KV35 are the bodies of Nefertiti and the Dowager Queen. If so, they were stunning beauties even in death. If not, the search for two of the most powerful women in Egypt’s history continues.

Acknowledgments

FIRST AND FOREMOST, I would like to thank my father, Robert Francis Moran, for instilling in me a passion for history. You were my greatest champion and my staunchest advocate, and I miss you more than words can ever express. It will always be my deepest regret that you never saw Nefertiti published, but I must trust that from where you are, you know it now. I would also like to thank my mother, Carol Moran, for being my closest friend, my greatest confidante, and my support in every meaning of the word. Without you, Nefertiti would not exist. Your kindness and love is an inspiration to me.

I cannot forget to thank my husband, Matthew Carter, whose generosity with his time also made writing possible. You are my first editor and my most beloved fan. Thank you for believing so deeply in me and for putting up with so many long writing hours.

Of course, writing is not a solitary endeavor once a work is produced and sent out into the world. I owe an immense debt of gratitude to my peerless agent, Anna Ghosh, who believed in me enough to wait while I wrote Nefertiti. Thank you, Anna, in more ways than you know. Danny Baror has been an amazing foreign agent, seeing to it that Nefertiti can be read in more than thirteen foreign languages and counting. And to Allison McCabe, my incredible editor who contributed immensely to the novel that is here before you, I am deeply indebted. Your eye for detail is unsurpassable. Working with you has been such a pleasure, and I have especially enjoyed your photos of Audrey. Long may she reign as the finest Italian Greyhound in New York.

Yet for all of the wonderful help I have received since writing Nefertiti, becoming an author does not happen in a vacuum. Most authors can look back on their past and see the events and experiences that have shaped who they are and what they eventually write about. For this reason, I am grateful to the Los Angeles Museum of Natural History for offering summer classes in the sciences for children. These classes sparked an interest in history that my father molded and my teachers refined. I am thankful as well to Pomona College and Claremont Graduate University for helping to send me to Israel on the archaeological dig that inspired me to write in the genre of historical fiction.

I have also been blessed in my academic career to come across teachers who have been great inspirations: Gayle Hauser, Ed LeVine, Kenneth Medina, Ernestine Potts, and Professor Martha E. Andresen, who made Shakespeare come back to life from the sixteenth century.

And, of course, I owe a debt of thanks as well to the team at Crown. My production editor Cindy Berman and proofreader extraordinaire, Shelley Bennett, spent hours upon hours making sure that among all the births and deaths in Nefertiti, there were no timeline inconsistencies. This was a Herculean task, and between their sharp eyes and my husband’s, every month in Nefertiti’s life has been accounted for. Sarah C. Breivogel and Dyana Messina have been amazing publicists, casting the publicity net far and wide for Nefertiti. Publishing is always a group effort, and to everyone who contributed to Nefertiti’s success at Crown, I am deeply appreciative.

Last, I would like to put on record how lucky I have been in having friends and family who’ve always believed in my writing career: Robert William Moran, Tracy Carpenter, the Armstrong-Carters, my Markstein family, my Moran family, Cathy Carpenter, Judy Indig, Bobbie Kenyon, and Barbara Ballinger…just to name a few. Fellow author M. J. Rose, your advice on all things publishing-related has been simply invaluable. And to my wonderful cast of teaching assistants without whom I would never have had the time to write: Monica Castaneda, Cynthia Castellanos, Jesica Castillo, Dilery Lovillo, and Catherine Perez. Thank you all so much.

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously.

Copyright © 2007 by Michelle Moran

All rights reserved. Published in the United States by Crown Publishers, an imprint of the Crown Publishing Group, a division of Random House, Inc., New York.

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