seeds of flesh drawing the essence of him to her, nursing, nourishing their growth.
…
…
…
She stood then, and stretched, a lithe cat of a woman. Running her fingers across supple, muscular skin, she drank in herself inch by inch in a shard of mirror across the room. Her body was whole, tan, California style—no lines. Her lips were shiny pink, an erotic complement to the nipples of her perfectly brown breasts. She flipped a strand of sand-blonde hair away from her face, ice-blue eyes flashing with abating lust, sweat drying on her forehead, lips pursed in humorous consideration. Gazing back at the bed, she saw the eyeballs in Tony’s meatless cranium staring back at her, still with a longing, and, she felt, appreciation of her new form. She’d best finish the job.
She sighed and bent over him, tongue lasciviously ready. When she rose the skull was sightless, the bones no longer vibrated on the floor. A long transparent tube of skin trailed between his femurs. She pulled it off with a rip and swallowed it. “Every last drop,” she murmured and licked her lips.
She pulled on his jeans, cinching the belt to its furthest hole. It left her thighs baggy and ill-defined, but it would do for now. She fastened one button of the short-sleeved blue cotton shirt, and tied the rest across her belly, leaving her midriff and much of her chest exposed. She pulled at the uncomfortable weight on her behind and came up with his wallet. Thumbing through $20s and $10s, her white canines flashed hungrily. Good. She didn’t relish hanging around this dump any longer. As she went to flip the wallet closed, a snapshot of a woman caught her eye. She was raven-haired, dark-eyed, with high cheekbones and an intense look of vibrance in her mouth. The woman was
Kicking the sated bones under the moldering bed, she wondered, in the meantime, if Tony’s wife liked blondes. Opening the door to step with anticipation into daylight, she resolved to find out.
Blind in the House of the Headsman
Mehitobel Wilson
“Blind in the House of the Headsman” first appeared in
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Mehitobel Wilson has been publishing horror fiction since 1998. She is a Bram Stoker Award nominee, and many of her stories have been granted Honorable Mentions in the
May was inside the wall, and her eyes were open. Better on her back than on her knees; the shards of paneling would cut her throat, and her bruised knees couldn’t take her own weight anymore, much less his.
May felt the cool glass of his ashtray settle on her sternum and knew this would take a long time. Her headless body lay before him. He would smoke an extra few cigarettes, she knew, and savor this. Her body was outside the wall. It was his.
AST AST AST ticked against the backs of her teeth, matching the rhythm. She felt the soft and dusty press, withdraw, press of insulation on her crown.
Her head was her own.
He owned the rest. In surgery, a wall of blue fabric had blocked her view of her own opened flesh. Sacs of saline were tucked beneath her pectoral muscles. He had used her vagina so thoroughly that it was as stretched as that of a mother thrice over. Dildos, fists, implements inspired by those he’d seen used in black-market Japanese films. He paid for her cunt to be tightened. Skin cultured in sheets from the cells of discarded foreskins, skin meant to reconstruct the features of burn victims, was trimmed into a new hymen and sewn to bridge her bruised soft walls. Nipped and tucked to be ripped and fucked. Again. All that lay on the far side of the sheet, and May, conscious, examined the warp and weft of the fabric, memorized the blue, called it cornflower, and felt none of the things they were doing to
Two years later, he had undone all the work he’d bought between her legs, and had cultivated new tastes. Soon she would be on the table again, the saline sacs would be dragged from the muscles that had scarred around them, the natural tissue of her breasts would be scooped free and dropped into a Biohazard vat, and crescents of skin would be cut away, leaving her with the flat and aching chest of an adolescent. He’d tighten her again, of course, and he’d pay for electrolysis, leaving her mons bald as a child’s.
For now, nothing beyond the wood was hers. May read the cornflower letters branded on the pressboard. She didn’t feel it when he pulled his cock from her, didn’t hear the foil tear or the latex snap, didn’t hear the
She let him have the body and the head knew nothing of it. May, behind the wall, thought of guillotines, of revolt and freedom. She tasted fiberglass on her smile.
Then she felt hands on her jaw, hands wet with blood and pepper sauce and viscid semen, and they fell to her throat and slipped firm behind her neck, fanned fingers open to cradle her skull and draw her forth from the wall. She made a small sound, disappointed, as she came forth into the world again.