out.
Jeza woke up in the night, paranoid. Diggsy lay asleep beside her, his arm sticking out of the bed; she pulled the sheet over him to keep him warm, climbed out of bed and walked to the window that overlooked the streets behind Factory 54.
Hidden somewhere behind the clouds or over the horizon, none of the moons was present, and the place was in darkness. She stood there, naked and cold, suddenly afraid of what she was getting herself into.
She remembered the screams from the war. These streets were, not too long ago, littered with carts that carried dead bodies from the centre of the city. She remembered people crying and the carts becoming more frequent. Some of the bodies had limbs missing, and even though she spent her time working with the animation of flesh, her experiences had not desensitized her — she knew that they had been real people.
At the time they had all felt survivor guilt. They felt they should be doing something to help — but, as she said at the time, their contribution would come through what they were good at, not lining up to die with so many others.
She was only eighteen. Part of her wanted to spend time studying and drinking and sleeping with Diggsy. If she was to represent those who worked at Factory 54, would she be some kind of commander herself? When money began to flow in and out, would she be in charge of its distribution? Would she be assuring the commander that they would hit deadlines?
What seemed a wonderful idea in the bistro began to cause her concern and she realized, then, that she would not be able to sleep well.
Instead she reached into the drawer beside the bed and pulled out a small sketchbook and pencil, and immediately began to plan out what their next monster might look like and how it would function in a war like the one that had just passed.
‘What’re you still up for?’ Diggsy asked groggily.
‘I’m. .’ She paused. ‘I’m just thinking about projects, that’s all.’
‘You’re crazy,’ he said, smiling. ‘Knew you’d be excited about being in charge. Let’s worry about that in the morning, yeah?’
‘Yeah,’ she said. Sighing, she tossed her sketchbook to one side and climbed back into bed, allowing Diggsy’s warm body to consume her.
In the morning Jeza headed down the metal staircase with the sketchbook under her arm. Seeing the mess, she put it on the table and began clearing up the plates and beakers, the crusty bread and the warm cheese, from the night before. No one else was up yet; she was often the first down each day and liked the silence of the morning routine. It gave her time to think before things became hectic and Coren began wittering his usual nonsense at anyone within earshot.
The factory was cold so she began lighting the firegrain stove they’d hooked up to a larger system, which in turned channelled the heat around the entire building in one fairly efficient system. It coughed and spluttered like someone taking their first few drags, as the rich grain sparked and fired up.
That was usually the alarm call and, true to habit, moments later some of the others began stirring, banging drawers or doors upstairs.
‘Fucksake, Jeza. Don’t you ever sleep?’ It was Coren, lumbering down the metal stairwell, his heavy steps clanging as he came down.
Shortly after, Pilli strolled gracefully downstairs, wearing some fashionable jumper and boots with her laces undone. She sauntered into the kitchen area, said good morning, turned on the firegrain stove and placed the kettle on it.
The three of them sat down at the crude, stained table while the sun reached a point above the rooftops that shone a beam of light across them. The kettle began to boil; in the distance the firegrain system coughed.
‘Whose turn is it to make breakfast?’ Coren asked, his gaze flickering between the two girls. He yawned.
‘Yours,’ Jeza replied, glaring at him.
Pilli smiled, pulled back her hair to tie it. ‘Are you going to let him near the stove after last time? He tried to cook with a relic!’
‘Hey, those fish were edible,’ Coren protested. ‘They tasted fine.’
‘Sure — once Diggsy scraped them off the ceiling for you,’ Jeza said, standing. ‘OK, I’ll cook some oats. Happy now?’
After breakfast, Jeza gathered them all around the table, Pilli, Diggsy, Coren and Gorri, so that they could get on with business. At first she wanted to make some formal announcement, something to clear the way forward. She had rehearsed a few lines in her head but they all sounded ridiculous. In the end, she opted not to acknowledge her new position at all — it seemed to be largely a label she wore outside this room.
‘So,’ she said, ‘getting on board with the military-’
‘I’m excited,’ Gorri burst out. The young lad with red hair smiled at her. ‘We’re going to make a fortune.’
‘It’s only money,’ Pilli said. ‘I just love the fact that we’re finally going to be
‘You wouldn’t care about the money, rich girl,’ Coren said, leaning back on his chair and gripping the rim of the table, ‘but for us dregs, this’ll sort us out for
‘Hey, guys,’ Jeza interrupted, ‘we’ve not got any money or prestige yet. Don’t you want to see what the plan is before you start spending the money you don’t have?’
‘Go for it,’ Coren said.
‘OK,’ Jeza said. ‘If our plan works — and even if it doesn’t we can still sell these on — I suspect they’re going to want some beasts for use in warfare, something more akin to a weapon. For that I think we can mass-produce the Mourning Wasps. But for a start, how about selling the soldiers something that’s not too distant from what they already have, something we can maybe clone and produce quite a few of?’
‘Mass-produced specimens?’ Diggsy suggested. ‘Some kind of monster?’
‘Not even monsters in this case. I’m thinking we give them a soldier that’s bigger, stronger — purely weaponry enhancements at first. Something that doesn’t even require anything but themselves.’
‘Hmm,’ Coren stared. ‘Sure, sounds OK, but it’s a little dull.’
‘It’s an investment,’ she replied. ‘It’s something they’ll feel comfortable with at first. They might not feel good fighting alongside something as weird as we can create, so it’s best to break them in easily to what we can provide.’
‘We don’t exactly churn things out at 54,’ Diggsy pointed out. ‘It could take weeks just to get a few enhancements. How long have we got?’
‘Working on Lim’s time theory, I think that we can produce what I’ve got in mind pretty quickly.’
‘Time theory. .’ Coren repeated, nodding his head. ‘Like it.’
‘So with that in mind. .’ She placed her large sketchbook in the centre of the table and began to describe what she’d drawn. ‘Look, I like the idea of Knights — they’re pretty noble things throughout history. They’re also warriors that will kick the shit out of things. This is how a knight used to look, but with
‘How can you ensure this will be able to fight normally?’ Pilli asked. ‘This will, presumably, need to have some finesse on the battlefield?’
‘You’re missing the point here. We’re not making anything sentient at first. If we make just the armour, we can just sell that straight to the military. Using time theory in the replication process, we really can churn these out. They’re big enough to fit a human and, because it’s the shell material, as light as cloth. Afterwards we can start thinking about filling in the armour with something cloned and fleshy.’
There was a moment’s silence as everyone contemplated her drawings.
‘What’s it called?’ Coren asked.
‘I’m not sure. Black Knight Armour?’ Jeza suggested. ‘That’s something the army would fall for.’