Many years have passed since that night. I might almost say—many lifetimes.
I have cried a great deal, though never with anger or passion: for such emotion (one soon learns, outside the rose wall) is quite pointless.
My childhood is now distant. And cannot hurt. I see that child, that wretched little girl, as if through a distorting glass or the wrong end of a telescope. Please can you help me, please can you take me home, she begs of passersby, please, I’m lost, I can’t find my house….
They draw away, annoyed.
There are so many beggars in the square, in the streets near the cathedral and the great hotels. Even children, very small children. Unaccompanied by adults.
Please can you help me, can you take me home?
Sometimes a man or a woman, or a strolling couple, would stop to listen: but for some reason they could not understand me. They stooped to hear, they peered frowning into my face, but they could not understand what I was saying.
I’m sorry, I’m sorry for being bad, I cried, I won’t do it again, I want my supper and my bath, I want my Momma, I won’t do it again….
They queried me, they shook their heads impatiently, what on earth was I saying? Their own dialects were strange: harsh and guttural, or high, sharp, and sibilant. I could recognize only a few words, tumbling over one another like pebbles in a stream.
In the end they shook their heads impatiently or pityingly. Sometimes with an amused smile, glancing behind me to see if—in a doorway or around a corner—an older beggar was hiding.
I walked on, jostled by the crowd. I had lost track of all time. Hours might have passed; or an entire day; or several days. I ate by snatching bread away from the mourning doves and pigeons (who were fed quite generously in the cathedral square)… I drank from the magnificent Roman fountain in the Royal Park… ladies took pity on me and tossed tinsel-wrapped chocolates in my direction, soldiers in uniform, some of them hardly older than my brother, tossed pennies at me and chuckled as I scrambled after them across the cobblestones. What a quick, frisky little thing! Is it a little girl? Eh? A little girl, so bold?
I wandered along the canals at the heart of the city. Where the costly shops are located beneath stone arcades, to protect shoppers from the rain. Clothing shops, gold shops, shops selling jewelry, antiques, china, linen, stationery, ladies’ hats, ladies’ shoes, the very best pastries and chocolates and fruit. The season must have changed overnight for now everyone wore coats and carried umbrellas against the chill slanting rain.
A gentleman resembling my father was walking some distance ahead of me, carrying his ebony-topped cane. He was with one of my uncles, a white-haired uncle with a sly teasing wink whom all the children loved. Both strode along the damp pavement and did not hesitate for a moment when I called after them.
Pappa! Pappa! Wait, Pappa—
I ran close behind them but they did not slacken their pace.
I was certain they heard me: but they gave no sign.
Pappa, please wait—Pappa—I’m sorry—
My tall broad-shouldered impatient father in a dark topcoat, soft gray gloves, gleaming leather boots. His imperial profile, his sandy full moustache and beard. My uncle who adored whipped cream in his coffee, and teased us in the playroom by poking his head through the doorway and clapping his hands loudly….
Pappa! Uncle! Wait—
At last my father turned toward me and I saw that it was indeed my father: but he showed no recognition. His eyebrows arched quizzically, his thin-lipped mouth stretched in a grimace. Yes? What? Who is it—?
I pulled at the sleeve of his topcoat, tried to take hold of his cane.
I want to go home now, Pappa, I said, whining, I’m sorry for what I did, it wasn’t my fault, the gate locked behind me—I want Momma—
My father drew back, staring. His nostrils were pinched as if he were in the presence of an abominable odor. Pappa please! I screamed, clutching at his knees.
He pushed me aside, stepped adroitly away, and with a brisk gesture tossed a coin in my direction. It struck my chest lightly and rolled across the cobblestones. Instinctively I scrambled after it. If the coin should drop into a drain, or be snatched up by another beggar—!
But I got it. My fingers closed greedily over it. And when I looked up my father and uncle were just getting into a horse-drawn cab.
Pappa, I cried angrily, on my hands and knees, Pappa, I screamed, don’t you know who I am?—don’t you love me anymore? Wait—
But they did not hear. They climbed into the cab, closed the door behind themselves, and the cab rolled smartly away.
Don’t you love me anymore?—don’t you love me?
But I got the coin, the gold coin: for it
I was faint with hunger, saliva flooded my mouth. My heart still beat painfully with the anger of my father’s betrayal. But when the waitress brought my order I was not even ashamed of my filthy trembling hands; nor did I blush when she stared in unsmiling astonishment at me.
Isn’t it a sight, that poor little thing!—ladies at a nearby table whispered. A child my own age in a pink woolen coat stared rudely at me.
I ignored them. I ate greedily, for I was hungry. I was
THE THIRTEEN TEXTS OF ARTHYRIA
JOHN R. FULTZ
John R. Fultz lives in Napa, California. His epic fantasy novel
The first book called to him from a row of shelves smothered in gray dust.
Alone and friendless, he stumbled upon the little bookstore among a row of claustrophobic back-alley shops. It had been a month since his move, and he was still discovering the city’s secrets, the obscure treasures it could offer. Quaint restaurants serving local fare; tiny theatres showing brilliant old films; and cluttered shops like this one, filled with antiques and baroque artifacts.
A whiff of dust made him cough a bit as he entered. An old lady sat behind the counter, Chinese or Filipino. She wore horn-rimmed glasses and slept with her head reclined against the wall. A stick of incense burned across the back of a tiny stone dragon near the cash register, emitting the sweet aroma of jasmine to mix with the perfume of ancient books.
He walked the cluttered aisles, staring at the spines of wrinkled paperbacks, vertical lines of text in his