finger magic to turn Prince Wing into a porcelain teapot, put two Earl Grey tea bags into the teapot, and poured in boiling water, toasted the Eternally Postponed and Overdue Reign of the Forbidden Books, drained their tea in one gulp, belched, hurled their souvenir pirate mugs to the ground, and then shattered the teapot, which had been Prince Wing, into hundreds of pieces. Then the wicked pirate-magicians swept the pieces of both Prince Wing and collectable mugs carelessly into a wooden cigar box, buried the box in the Angela Carter Memorial Park on the seventeenth floor of The World-Tree Library, and erected a statue of George Washington above it.
So then Fox had to go looking for Prince Wing. When she finally discovered the park on the seventeenth floor of The Library, the George Washington statue stepped down off his plinth and fought her tooth and nail. Literally tooth and nail, and they’d all agreed that there was something especially nightmarish about a biting, scratching, life-sized statue of George Washington with long, pointed metal fangs that threw off sparks when he gnashed them. The statue of George Washington bit Fox’s pinky finger right off, just like Gollum biting Frodo’s finger off on the top of Mount Doom. But of course, once the statue tasted Fox’s magical blood, it fell in love with Fox. It would be her ally from now on.
In the new episode, the actor playing Fox is a young Latina actress whom Jeremy Mars thinks he recognizes. She has been a snotty but well-intentioned fourth-floor librarian in an episode about an epidemic of food poisoning that triggered bouts of invisibility and/or levitation, and she was also a lovelorn, suicidal Bear Cult priestess in the episode where Prince Wing discovered his mother was one of the Forbidden Books.
This is one of the best things about
Fox and the dashing-but-treacherous pirate-magician Two Devils are never played by the same actor twice, although in the twenty-third episode of
You always know Fox by her costume (the too-small green T-shirt, the long, full skirts she wears to hide her tail), by her dramatic hand gestures and body language, by the soft, breathy-squeaky voice the actors use when they are Fox. Fox is funny, dangerous, bad-tempered, flirtatious, greedy, untidy, accident-prone, graceful, and has a mysterious past. In some episodes, Fox is played by male actors, but she always sounds like Fox. And she’s always beautiful. Every episode you think that this Fox, surely, is the most beautiful Fox there could ever be, and yet the Fox of the next episode will be even more heartbreakingly beautiful.
On television, it’s night in The Free People’s World-Tree Library. All the librarians are asleep, tucked into their coffins, their scabbards, priest-holes, buttonholes, pockets, hidden cupboards, between the pages of their enchanted novels. Moonlight pours through the high, arched windows of the Library and between the aisles of shelves, into the park. Fox is on her knees, clawing at the muddy ground with her bare hands. The statue of George Washington kneels beside her, helping.
“So that’s Fox, right?” Amy says. Nobody tells her to shut up. It would be pointless. Amy has a large heart and an even larger mouth. When it rains, Amy rescues worms off the sidewalk. When you get tired of having a secret, you tell Amy.
Understand: Amy isn’t that much stupider than anyone else in this story. It’s just that she thinks out loud.
Elizabeth’s mother comes into the living room. “Hey guys,” she says. “Hi, Jeremy. Did I hear something about your mother inheriting a wedding chapel?”
“Yes, ma’am,” Jeremy says. “In Las Vegas.”
“Las Vegas,” Elizabeth’s mom says. “I won three hundred bucks once in Las Vegas. Spent it on a helicopter ride over the Grand Canyon. So how many times can you guys watch the same episode in one day?” But she sits down to watch, too. “Do you think she’s really dead?”
“Who’s dead?” Amy says. Nobody says anything.
Jeremy isn’t sure he’s ready to see this episode again so soon, anyway, especially not with Amy. He goes upstairs and takes a shower. Elizabeth’s family have a large and distracting selection of shampoos. They don’t mind when Jeremy uses their bathroom.
Jeremy and Karl and Elizabeth have known each other since the first day of kindergarten. Amy and Talis are a year younger. The five have not always been friends, except for Jeremy and Karl, who have. Talis is, famously, a loner. She doesn’t listen to music as far as anyone knows, she doesn’t wear significant amounts of black, she isn’t particularly good (or bad) at math or English, and she doesn’t drink, debate, knit or refuse to eat meat. If she keeps a blog, she’s never admitted it to anyone.
Now the five are inseparable; invincible. They imagine that life will always be like this—like a television show in eternal syndication—that they will always have each other. They use the same vocabulary. They borrow each other’s books and music. They share lunches, and they never say anything when Jeremy comes over and takes a shower. They all know Jeremy’s father is eccentric. He’s supposed to be eccentric. He’s a novelist.
When Jeremy comes back downstairs, Amy is saying, “I’ve always thought there was something wicked about Prince Wing. He’s a dork and he looks like he has bad breath. I never really liked him.”
Karl says, “We don’t know the whole story yet. Maybe he found out something about Fox while he was a teapot.” Elizabeth’s mom says, “He’s under a spell. I bet you anything.” They’ll be talking about it all week.
Talis is in the kitchen, making a Velveeta-and-pickle sandwich.
“So what did you think?” Jeremy says. It’s like having a hobby, only more pointless, trying to get Talis to talk. “Is Fox really dead?”
“Don’t know,” Talis says. Then she says, “I had a dream.”
Jeremy waits. Talis seems to be waiting, too. She says, “About you.” Then she’s silent again. There is something dreamlike about the way that she makes a sandwich. As if she is really making something that isn’t a sandwich at all; as if she’s making something far more meaningful and mysterious. Or as if soon he will wake up and realize that there are no such things as sandwiches.
“You and Fox,” Talis says. “The dream was about the two of you. She told me. To tell you. To call her. She gave me a phone number. She was in trouble. She said you were in trouble. She said
“Weird,” Jeremy says, mulling this over. He’s never had a dream about
“It didn’t feel like a dream,” Talis says.
“So what was the phone number?” Jeremy says.
“I forgot,” Talis says. “When I woke up, I forgot.”
Kurt’s mother works in a bank. Talis’s father has a karaoke machine in his basement, and he knows all the lyrics to “Like a Virgin” and “Holiday” as well as the lyrics to all the songs from