Other Worlds Than These

“Oh, Jeremy says, taking his hand back. “I’m not planning on stealing anything. I was just curious.”

His father looks at him. “Take care of yourself,” he says again, as if he really means it, and hugs Jeremy hard.

Then he goes and gets the sandwiches (so many sandwiches that Jeremy and his mother will eat sandwiches for the first three days, and still have to throw half of them away). Everyone waves. Jeremy and his mother climb in the van. Jeremy’s mother turns on the CD player. Bob Dylan is singing about monkeys. His mother loves Bob Dylan. They drive away.

Do you know how, sometimes, during a commercial break in your favorite television shows, your best friend calls and wants to talk about one of her boyfriends, and when you try to hang up, she starts crying and you try to cheer her up and end up missing about half of the episode? And so when you go to work the next day, you have to get the guy who sits next to you to explain what happened? That’s the good thing about a book. You can mark your place in a book. But this isn’t really a book. It’s a television show.

In one episode of The Library, an adolescent boy drives across the country with his mother. They have to change a tire. The boy practices taking things out of his mother’s purse and putting them back again. He steals a sixteen-ounce bottle of Coke from one convenience market and leaves it at another convenience market. The boy and his mother stop at a lot of libraries, and the boy keeps a blog, but he skips the bit about the library in Iowa. He writes in his blog about what he’s reading, but he doesn’t read the books he stole in Iowa, because Fox told him not to, and because he has to hide them from his mother. Well, he reads just a few pages. Skims, really. He hides them under the blue-fur sofa. They go camping in Utah, and the boy sets up his telescope. He sees three shooting stars and a coyote. He never sees anyone who looks like a Forbidden Book, although he sees a transvestite go into the woman’s rest room at a rest stop in Indiana. He calls a phone booth just outside Las Vegas twice, but no one ever answers. He has short conversations with his father. He wonders what his father is up to. He wishes he could tell his father about Fox and the books. Once the boy’s mother finds a giant spider the size of an Oreo in their tent. She starts laughing hysterically. She takes a picture of it with her digital camera, and the boy puts the picture on his blog. Sometimes the boy asks questions and his mother talks about her parents. Once she cries. The boy doesn’t know what to say. They talk about their favorite episodes of The Library and the episodes that they really hated, and the mother asks if the boy thinks Fox is really dead. He says he doesn’t think so.

Once a man tries to break into the van while they are sleeping in it. But then he goes away. Maybe the painting of the woman with the peeling knife is protecting them.

But you’ve seen this episode before.

It’s Cinco de Mayo. It’s almost seven o’clock at night, and the sun is beginning to go down. Jeremy and his mother are in the desert and Las Vegas is somewhere in front of them. Every time they pass a driver coming the other way, Jeremy tries to figure out if that person has just won or lost a lot of money. Everything is flat and sort of tilted here, except off in the distance, where the land goes up abruptly, as if someone has started to fold up a map. Somewhere around here is the Grand Canyon, which must have been a surprise when people first saw it.

Jeremy’s mother says, “Are you sure we have to do this first? Couldn’t we go find your phone booth later?”

“Can we do it now?” Jeremy says. “I said I was going to do it on my blog. It’s like a quest that I have to complete.”

“Okay,” his mother says. “It should be around here somewhere. It’s supposed to be four point five miles after the turnoff, and here’s the turnoff.”

It isn’t hard to find the phone booth. There isn’t much else around. Jeremy should feel excited when he sees it, but it’s a disappointment, really. He’s seen phone booths before. He was expecting something to be different. Mostly he just feels tired of road trips and tired of roads and just tired, tired, tired. He looks around to see if Fox is somewhere nearby, but there’s just a hiker off in the distance. Some kid.

“Okay, Germ,” his mother says. “Make this quick.”

“I need to get my backpack out of the back,” Jeremy says.

“Do you want me to come too?” his mother says.

“No,” Jeremy says. “This is kind of personal.”

His mother looks like she’s trying not to laugh. “Just hurry up. I have to pee.”

When Jeremy gets to the phone booth, he turns around. His mother has the light on in the van. It looks like she’s singing along to the radio. His mother has a terrible voice.

When he steps inside the phone booth, it isn’t magical. The phone booth smells rank, as if an animal has been living in it. The windows are smudgy. He takes the stolen books out of his backpack and puts them in the little shelf where someone has stolen a phone book. Then he waits. Maybe Fox is going to call him. Maybe he’s supposed to wait until she calls. But she doesn’t call. He feels lonely. There’s no one he can tell about this. He feels like an idiot and he also feels kind of proud. Because he did it. He drove cross-country with his mother and saved an imaginary person.

“So how’s your phone booth?” his mother says.

“Great!” he says, and they’re both silent again. Las Vegas is in front of them and then all around them and everything is lit up like they’re inside a pinball game. All of the trees look fake. Like someone read too much Dr. Seuss and got ideas. People are walking up and down the sidewalks. Some of them look normal. Others look like they just escaped from a fancy-dress ball at a lunatic asylum. Jeremy hopes they’ve just won lots of money and that’s why they look so startled, so strange. Or maybe they’re all vampires.

“Left,” he tells his mother. “Go left here. Look out for the vampires on the crosswalk. And then it’s an immediate right.” Four times his mother let him drive the van: once in Utah, twice in South Dakota, once in Pennsylvania. The van smells like old burger wrappers and fake fur, and it doesn’t help that Jeremy’s gotten used to the smell. The woman in the painting has had a pained expression on her face for the last few nights, and the disco ball has lost some of its pieces of mirror because Jeremy kept knocking his head on it in the morning. Jeremy and his mother haven’t showered in three days.

Here is the wedding chapel, in front of them, at the end of a long driveway. Electric purple light shines on a sign that spells out HELL’S BELLS. There’s a wrought-iron fence and a yard full of trees dripping Spanish moss. Under the trees, tombstones and miniature mausoleums.

“Do you think those are real?” his mother says. She sounds slightly worried.

“‘Harry East, Recently Deceased,’” Jeremy says. “No, I don’t.”

There’s a hearse in the driveway with a little plaque on the back. RECENTLY BURIED MARRIED. The chapel is a Victorian house with a bell tower. Perhaps it’s full of bats. Or giant spiders. Jeremy’s father would love this place. His mother is going to hate it.

Someone stands at the threshold of the chapel, door open, looking out at them. But as Jeremy and his mother get out of the van, he turns and goes inside and shuts the door. “Look out,” his mother says. “They’ve probably gone to put the boiling oil in the microwave.”

She rings the doorbell determinedly. Instead of ringing, there’s a recording of a crow. Caw, caw, caw. All the lights in the Victorian house go out. Then they turn on again. The door swings open and Jeremy tightens his grip on his backpack, just in case. “Good evening, Madam. Young man,” a man says and Jeremy looks up and up and up. The man at the door has to lower his head to look out. His hands are large as toaster ovens. He looks like he’s wearing Chihuahua coffins on his feet. Two realistic-looking bolts stick out on either side of his head. He wears green pancake makeup, glittery green eye shadow, and his lashes are as long and thick and green as AstroTurf. “We weren’t expecting you so soon.”

“We should have called ahead,” Jeremy’s mother says. “I’m real sorry.”

“Great costume,” Jeremy says.

The Frankenstein curls his lip in a somber way. “Thank you,” he says.

“Call me Miss Thing, please.”

“I’m Jeremy,” Jeremy says. “This is my mother.”

“Oh please,” Miss Thing says. Even his wink is somber. “You tease me. She isn’t old enough to be your