“What for?”
“To wash off radioactive crap, from the exhaust.” She begins to brush water over her suit arms and legs.
Bado has never seen anything like such a volume of water in lunar conditions before. It falls slowly from the nozzles, gathering into big shimmering drops in the air. Grey-black lunar dust swirls towards the plug holes beneath his feet. But the dirt is ingrained into the fabric of his suit legs; they will be stained grey forever.
When the water dies they are ushered through into a third, larger chamber. The walls here are curved, and inset with round, tough-looking portholes; it looks as if this chamber reaches most of the way around the cylindrical craft.
There are people here, dozens of them, adults and children and old people, dressed in simple cotton coveralls. They sit in rows of crude metal-framed couches, facing outwards towards the portholes. They stare fearfully at the newcomers.
The astronaut, Taine, has opened up his faceplate; it hinges outward like a little door.
Bado pushes back his hood and reaches up to his fishbowl helmet. He undogs it at the neck, and his ears pop as the higher pressure of the cabin pushes air into his helmet.
He can smell the sharp, woodsmoke tang of lunar dust. And, overlaid on that, there is a smell of milky vomit: baby sick.
The Russian, his own helmet removed, makes a sound of disgust. “
Williams pulls off her Snoopy flight helmet. She is maybe forty, Bado guesses—around Bado’s own age—with a tough, competent face, and close-cropped blond hair.
Taine shoos the three of them along. “Welcome to
Bado, lugging his tool carrier, walks beside him. “What impact?”
“The meteorite, of course.” Taine sounds impatient. “That’s why we’re having to evacuate the colonies. And you alternates. The Massolite got most of them off, of course, but—”
Williams says, “Massolite?”
Taine waves a hand. “A mass transporter. Of course it was a rushed job. And it had some flaws. But we knew we couldn’t lift everybody home in time, not all those thousands in the big colonies, not before the strike; the Massolite was the best we can do, you see.” They come to three empty couches. “These should do, I think. If you’ll sit down I’ll show you how to fit the seat belts, and instruct you in the safety precautions—”
“But,” Williams says, “what has this Massolite got to do with—” She dries up, and looks at Bado.
He asks, “With moving between alternate worlds?”
Taine answers with irritation. “Why, nothing, of course. That’s just a design flaw. We’re working on it. Nonlinear quantum mechanical leakage, you see. I do wish you’d sit down; we have to depart…”
Bado shucks off his PLSS backpack, and he tucks his helmet and his carrier under his seat.
Taine helps them adjust their seat restraints until they fit around their pressure suits. It is more difficult for the Russian; his suit is so stiff it is more like armour. The Russian looks young, no more than thirty. His hair sticks up in the air, damp with sweat, and he looks at them forlornly from his shell of a suit. “
The portholes before them give them a good view of the lunar surface. It is still Moon Five, Bado sees, with its mountains and that sinuous black rille.
He looks around at their fellow passengers. The adults are unremarkable; some of them have run to fat, but they have incongruously skinny legs and arms. Long-term adaptation to lunar gravity, Bado thinks.
But there are also some children here, ranging from babies in their mothers’ arms up to young teenagers. The children are extraordinary: spindly, attenuated. Children who look facially as young as seven or eight tower over their parents.
The passengers clutch at their seatbelts, staring back at him.
Bado hears a clang of hatches, and a siren wails, echoing from the metal walls.
The ship shudders, smoothly, and there is a gentle surge.
In free fall, Taine gives them spare cotton coveralls to wear, which are comfortable but don’t quite fit; the name stitched to Bado’s is LEDUC, and on Williams’s, HASSELL.
Bado, with relief, peels off the three layers of his pressure suit: the outer micrometeorite garment, the pressure assembly and the inner cooling garment. The other passengers look on curiously at Bado’s cooling garment, with its network of tubes. Bado tucks his discarded suit layers into a big net bag and sticks it behind his couch.
They are served food: stodgy stew, lukewarm and glued to the plate with gravy, and then some kind of dessert, like bread with currants stuck inside it. Spotted dick, Taine calls it.
There is a persistent whine of fans and pumps, a subdued murmur of conversation, and the noise of children crying. Once a five-year-old, all of six feet tall, comes bouncing around the curving cabin in a spidery tangle of attenuated arms and legs, pursued by a fat, panting, queasy-looking parent.
Taine comes floating down to them, smiling. “Captain Richards would like to speak to you. He’s intrigued to have you on board. We’ve picked up quite a few alternate-colonists, but not many alternate-pioneers, like you. Would you come forward to the cockpit? Perhaps you’d like to watch the show from there.”
Williams and Bado exchange glances. “What show?”
“The impact, of course. Come. Your German friend is welcome too, of course,” Taine adds dubiously.
The cosmonaut has his head stuck inside a sick bag.
“I think he’s better off where he is,” Bado says.
“You go,” Williams says. “I want to try to sleep.” Her face looks worn to Bado, her expression brittle, as if she is struggling to keep control. Maybe the shock of the transitions is getting to her at last, he thinks.
The cockpit is cone-shaped, wadded right in the nose of the craft. Taine leads Bado in through a big oval door. Charts and mathematical tables have been stuck to the walls, alongside pictures and photographs. Some of these show powerful-looking aircraft, of designs unfamiliar to Bado, but others show what must be family members. Pet dogs. Tools and personal articles are secured to the walls with elastic straps.
Three spacesuits, flaccid and empty, are fixed to the wall with loose ties. They are of the type Taine wore in the airlock: thick and flexible, with inlaid metal hoops, and hinged helmets at the top.
Three seats are positioned before instrument consoles. Right now the seats face forward, towards the nose of the craft, but Bado can see they are hinged so they will tip up when the craft is landing vertically. Bado spots a