It wasn't his shadow, however. Instead, it was a thin man, with a flat face and a slightly pointed head, like an onion.
'You again,' Ziani said.
The thin man smiled. 'Yes indeed,' he said.
'How the hell did you get in here?'
The thin man's smile didn't fade at all. 'I told the porter I had an appointment to see you, and it was secret government business. He didn't believe me to begin with,' the man added with a frown, 'but when I showed him this, he changed his tune pretty quickly.'
This was a plain wooden box, slightly larger than a man's head. 'Oh,' Ziani said. 'You made it, then.'
'Of course. And I knew you'd want to see it right away; hence my rather unorthodox approach to getting an appointment with you.'
Ziani smiled. 'It's a good approach,' he said. 'I use it myself.' He sat down on the bed, breathed in slowly and out again. 'All right,' he said, 'let's see it.'
The thin man rose and put the box down beside him, rather in the manner of a midwife introducing a mother to her newborn child. 'The box is lemonwood,' he said, 'with brass hinges and a six-lever lock.'
Ziani knew that tone of voice. 'All made by you, of course.'
'I'd finished the main job and I had some time on my hands,' the thin man replied, wearing his modesty as a knight wears full plate armor. 'Did I mention that cabinet-making-'
'Yes.' Ziani held out his hand for the key. He had to admit, it was a beautiful piece of work in itself; stoned and buffed to a deep gloss, and decorated with neatly filed curlicues. He opened the box, trying to remember what it was he'd set the thin man to make for him.
'A small portable winch,' the thin man said, right on cue. 'To be suspended from a hook in a rafter, capable of lifting heavy sections of material, operated by the pressure of two fingers on the reciprocating crank here.'
Ziani reached into the box and lifted it out. For a moment, he was confused; stunned, even. He'd spent his life making machines, designing them to do the jobs they were meant for as efficiently as possible. He understood function as well as a human being can understand anything. Beauty, however, tended to unsettle him. It was something he could recognize; he could even create it, if he had to. But he'd never understood it, maybe because he'd never been quite sure how it worked, and he'd never been able to bring himself to trust it, except once.
The machine he took out of the box was beautiful. That was an absolute fact, not a matter of opinion or taste. The struts that held together the top and bottom plates of the frame had been turned to the most graceful contours imaginable. Each component was immaculately finished and decorated with restrained, elegant file-carving or shallow-relief engraving. The whole thing had been fire-colored a deep sea blue, from which a few twists of perfectly chaste gold inlay shone like watch-fires in the dark. Almost afraid to touch it, Ziani rested a finger on the crank and pressed, until he heard the smooth, soft, crisp click of the sear engaging the ratchet.
'You made this?' he said.
'Yes.'
He closed his eyes and opened them again; it was still there. 'Does it work?'
'Yes.'
He didn't know what to do with it. The heads of the screws and pins, he noticed, were engraved with floral designs, alternating roses and cardoons, each pin-hole and slot surrounded by a border of acanthus-and-scroll work. He didn't want to let go of it, not until he'd examined every component, figured out how it had been made and what it did, but somehow touching it made his flesh crawl. 'You made this,' he repeated.
'Most certainly,' he heard the thin man's voice say. 'With respect, it's not the sort of thing I could simply have bought in the market; not even in Mezentia. And you specified the work yourself, so it can't be something I bought somewhere else a long time ago. I also took the precaution of having a notary watch me file the ratchet teeth; I have a duly signed and sworn deposition to that effect here, which of course you are most welcome to have authenticated.'
He couldn't resist it; he had to lift it up to the light, so he could see the detail of the spindle bushes. 'All right,' he said. 'So where did you find a lathe in this godforsaken place?'
'I didn't. So I made one.'
'You made one. And the milling?'
'No milling. All hand work.'
'All-' Ziani had to think how to breathe for a moment. 'What, the flats on the spindles and everything? The dividing of the teeth on the main gear?'
'Well…' The thin man sounded as though he was making a shameful confession. 'I had to build a jig for that; a simple pair of centers, with a handle. But the flat work was just done by eye, checked against a square. I hadn't got a square, so I-'
'Made one.' It was as though he'd turned a corner in a busy street in broad daylight and met a unicorn, or a basilisk or a chimera, some mythical animal that quite definitely didn't exist. He could just about believe that work like this-hand work, for crying out loud-was theoretically possible. But that this strange, bizarre clown could have made it…
'I don't know what you want from me, then,' he said. 'I couldn't do anything like this.'
'I know.' The thin man's voice cut him like a jagged edge. 'But,' he went on, his voice reverting to its usual tone, 'when all is said and done, it's just drilling and filing, primitive stuff. The Perpetual Republic knows better ways of doing things that make hand work irrelevant; better techniques, secrets.' He made the word sound obscene. 'That's what you can teach me; and in return, if my poor services…' He paused, obviously waiting for some expected reply. Ziani wasn't in the mood.
'All right,' he said; and as soon as he'd said it, he felt the little spurt of anger that comes with knowing you've walked into an obvious trap or fallen for the oldest trick in the book. But the machine in his hands was perfect.
'Thank you,' the thin man said. 'I promise you, you won't regret it. Anything I can do for you, anything at all.'
'Fine,' Ziani snapped. Talking to him was like stroking the fine hairs on the legs of a spider. 'As it happens, I can use someone like you. I still can't really see what you expect to get out of it, but if you really want a job, I can give you one.' He hesitated; the thin man either wasn't listening, or else he wasn't interested, to the extent that what he was saying was glancing off him, like arrows off fluted armor. 'Obviously we need to discuss money-'
'With respect.' The thin man cut him off. 'As I think I may have mentioned at our first meeting, I have my own resources, and my position is tolerably comfortable. What I want…' He'd raised his voice, and immediately regretted it. 'If and when you have the time to consider it,' he continued smoothly, 'I'd be most grateful for any advice you may care to give me about a small project of my own. However,' he added quickly, 'there is absolutely no hurry in that regard, it can wait for as long as necessary, until it's entirely convenient.'
'Really?' Ziani pulled a face. 'You may have a pretty long wait, in that case, because the job the Duke's given me is going to take up all my time; yours too, if you're serious about wanting to work for me. If you've got a project of your own and the money to develop it with, you'd be far better off just getting on with it yourself. Still, it's up to you. Don't say I didn't warn you.'
If that was supposed to get rid of the thin man, it had failed. He was still there, tense and eager as a dog watching its master, so that Ziani felt an overpowering urge to throw a stick for him to fetch. He made an effort and resolved not to worry about him anymore. If he wanted to work for nothing, that was his problem.
'Your first assignment,' Ziani said briskly, as he stood up and crossed to the door, where his coat hung from the coathook. He felt in the sleeve and pulled out a roll of paper. 'This is a list of everything I think we'll need to recruit and train fifty exiled Eremian craftsmen to do work to an acceptable standard. I want you to read it through, let me know if you think there's anything I've missed out, then copy it out neatly and give it to the Duke's secretary after dinner tonight.' He paused. 'Where do you live?'
'I have rooms in the ropewalk,' the thin man replied instantly. 'A workshop; I sleep and eat there as well. I can be ready to move in less than an hour, if-'
'No, that's fine, I just need to know where to find you.'
For some reason, the thin man frowned. 'The best way is to leave a message for me with the innkeeper at the Patient Virtue. I have an arrangement with him,' he added awkwardly. 'Any message you leave there will reach me within minutes.'
'All right.' Ziani shrugged. 'Meet me here in the morning, two hours after dawn.'
