Joe was quiet for a moment. “It could mean nothing,” she said finally.
“It means something.”
“You said you didn’t see any children’s things in the house.”
“Everything was boxed up,” Louis reminded her. “And I couldn’t unseal them, or they would know someone had been inside. I’m bending some rules here, Joe. You know that.”
She fell silent again, staring out at the road. Louis glanced at her. She had the same kind of look on her face now as when he had left her standing outside the gate back at the farm.
He steered the Bronco through the traffic, everything growing close and congested as they neared the city.
“Louis, there’s a cop behind us,” Joe said. “He’s been there since we crossed the river.”
Louis glanced at the rearview mirror. It was a white Ann Arbor PD cruiser, and it was definitely following them. In the slow sweep of the cruiser’s wipers, Louis couldn’t see the cop’s face. What did he want? It had been stop-and-go traffic since leaving the freeway, and he knew he hadn’t been speeding or run any stop signs.
The blue lights came on, and the siren yelped.
“Shit.”
Louis looked for somewhere to pull in, but the one-way streets and parked cars made it a tough task. He finally found a spot in front of a small store with a rack of books outside under its awning.
As he turned off the engine, his gut knotted. Here he was in this liberal hamlet of academia, but he still couldn’t shake the bizarre thought that he was being pulled over because he was a black man with a white woman in his car.
Louis put the Bronco into park and reached for his wallet, his eyes flicking to the mirror.
The cop got out of the car. Louis let out a breath. He was black.
Other things registered as the cop came closer. He was a hulking guy, with a weightlifter’s chest beneath the dark blue windbreaker. A body that complemented his don’t-fuck-with-me walk.
Louis rolled down the window, and the officer peered into the Bronco. The rain dripped from the brim of his plastic-covered garrison hat onto Louis’s arm, but the guy didn’t apologize or move back. His brown eyes went first to Joe, assessed her as being no threat, and dismissed her. He looked to Louis with a standard no-nonsense cop stare.
Louis held out his license and Florida PI identification card.
The officer took them, gave them a cursory glance, then stepped back. “Get out of the car, please.”
Louis blew out a sigh and shoved open the door. The cop had an inch on him and probably thirty pounds, all of it muscle. His name tag read: SGT. ERIC CHANNING.
“Turn around and put your hands on the car,” Channing said.
“What’d I do?” Louis asked.
“Officer,” Joe called, “I’m the undersheriff for Leelanau County. May I ask what this-”
“I know who you are,” Channing said, “and no, ma’am, you may not ask anything. Turn around, Mr. Kincaid.”
Louis faced the car and put his hands on the hood. Channing gently kicked his feet apart and began frisking him. The rain was cold on the back of Louis’s neck as it dripped inside the collar of his sweatshirt.
Louis bristled under the pat of the mittlike hands. He kept his focus on the weird white artwork in the bookstore’s window. A hunched old woman with the words aunt agatha over her head and underneath, in big letters, mysteries. It seemed strangely fitting.
“You’re licensed to carry a concealed weapon,” Channing said. “A Glock, if I remember right. Where is it?”
Louis wondered how Channing knew that, but he didn’t ask. “It’s in the glovebox.”
Channing told him to stay where he was and walked to the passenger side of the Bronco to get the Glock. Louis watched him, not understanding exactly what was happening. Channing knew Joe was a cop and had a weapon. He knew Louis had a permit for one, too. Yet he had not been concerned about either as he walked up to the Bronco. Which meant Channing felt he was never in any danger because he knew exactly whom he had pulled over.
“I could confiscate this until you leave the state,” Channing said as he came around the rear of the truck with the holstered Glock.
“You could,” Louis said. “But most law-enforcement officers are pretty decent about it. And I’m up here on police business. I’m working with Detective Shockey.”
“I know that.”
“And I’m a former cop.”
“I know that, too.”
“Then why are you out here busting my balls over nothing?”
“Is that what she is to you?” Channing asked. “Nothing?”
Louis glanced at Joe. What the hell kind of remark was that? This asshole didn’t know a damn thing about Joe.
“What are you talking about?” Louis asked.
“February 1980.”
“What?”
Channing shook his head in disgust. “You don’t even remember her name.”
“Who?”
“Kyla. Kyla Marie Brown. Ring a bell?”
The memory swept in like a punch. He’d thought about Kyla on and off for ten years, but it was never as powerful as it was right now. Maybe it was being back here in this city. Or maybe it was looking into the eyes of this stranger and knowing he knew.
Louis glanced across the street, searching for a response and trying to figure out just who Channing was, how he knew about Kyla, and why the hell he cared. Channing offered the answer.
“She’s my wife now,” he said.
Louis cleared his throat. “Look, if you’re here to tell me to stay away from her, don’t worry. I have no intention of seeing her,” he said.
Channing just stared at him. The man hadn’t moved a muscle. Louis looked at his holster in Channing’s hand. The leather was getting soaked.
“What do you want from me?” Louis asked.
“I just wanted to look a real asshole in the eye,” Channing said.
“What?”
“You heard me.”
Louis held the man’s eyes. He didn’t know what the hell was going on, so he wasn’t going to say anything. But he wasn’t going to look away, either. He slowly held out his hand. Channing made no move to give him back the holster and the IDs.
“Are we done here?” Louis asked.
“I’ll be watching you,” Channing said. “I’ll be watching you real close. Do you understand what I’m telling you?”
There was nothing he could say without elevating this to an argument or worse, so he nodded slowly.
Channing held out the Glock and Louis’s ID cards. Louis accepted them and watched Channing swagger back to his cruiser and drive away.
Louis tucked his wallet back in his jeans, but it took him a moment to find the will to get into the Bronco. When he did, he just sat there, hands on the wheel.
“Who’s Kyla Marie Brown?” Joe asked.
He picked the first place that he thought might be quiet and without students, a bar tucked into a red brick building on West Liberty called Old Town Tavern.
The place was almost empty, the Tiffany-style lamps casting the dark wood in shadows and the sound of the TV over the bar echoing off the tin ceiling. Louis steered Joe to a wood booth in the back. They both automatically started for the side facing the door. She looked up at him, and he let her slide in. He sat down across from her. The
