Chapter Six
Flavia arrived at the office at ten in the morning, feeling very much the worse for wear. She had, after all, been up until the early hours chasing phantom art dealers, and had spent what little remained of the night in bed, strangely disturbed about Argyll's likely condition. An expensive phone call to the hospital yielded only platitudes and a point-blank refusal to let her talk to him. He was as fine as could be expected and asleep; and anyway, who was she?
A friend, she said. If there was any change in his condition would they call immediately. They said they were not authorised to make overseas calls. So call Detective Morelli, then. This they agreed to do.
It was mere habit that brought her into the office, combined with the simple realisation that there was not much else to do. She was summoned immediately to Bottando's office when she arrived.
'Good God, you look awful,' he said as she staggered in. 'Anyone would think you'd been up all night.'
She tried, but failed, to stifle a yawn and did her best to focus on him properly. 'I suppose you want to hear about di Souza,' she said. 'He wasn't on the plane.'
'I know,' he replied. 'I've been having another long chat with that Morelli. He's launched a request - official this time - for our help.'
'If his murderer's not here, I don't see what we can do. What sort of help?'
'This bust. May have come from here, probably smuggled, certainly stolen from a packing case next to the body. Perhaps a connection. They want to know what it is. So do I. As you've looked into this already, I thought you'd better continue with it. If you're up to it.'
She was halfway to protesting that she'd wasted enough time on this already, but Bottando's implied reference to female frailty swung her decision the other way. Of course she was up to it. Just a little woozy, that was all.
Bottando, of course, who'd known her for several years now, had seen certain that the comment was just the deft little touch that was required. For himself, he was largely of the opinion that the matter could wait, certainly until the Americans actually recovered the thing, and they could find out whether it was worth trying to get back.
But international co-operation was always prestigious, and he was quite pleased that his department was getting involved rather than tie carabinieri. It looked good on the annual report, that sort of thing, and his fiefdom was small enough and vulnerable enough not d be able to turn its nose up at high-profile activities, no matter how utile they were likely to prove.
On top of that, of course, Morelli had mentioned that Argyll had suggested the contact, so he owed him one. Putting Flavia on to it, Le reckoned, paid the debt promptly and generously. Judging by what Morelli had said - the Englishman with a broken leg and liable to be sued for enough money to restock an entire shop full of French lingerie, quite apart from hospital bills - he needed all the help he could get at the moment.
'So,' she said, yawning again and overcoming a reluctance to get involved in anything concerning Argyll, sorry for him though she felt, 'what do you want me to do?'
'First,' he said, listing the points on the fingers of a pudgy little hand, 'Go out, and buy yourself several of the strongest coffees you an lay your hands on. Second, drink them. Third, get the paper -
'He bought Argyll's Titian,' she said absentmindedly.
'Hmm. Find out where he got the Bernini from, how much he aid for it, how it left the country, what di Souza's gripe was. You'd better dig out di Souza's file as well. There must be one somewhere round here. I really must get our filing system sorted out. Go and see his friends, search his apartment. Usual stuff.'
'And then?'
'Then,' he said, smiling slightly as he noticed that she was beginning to revive a little. Got her, he thought. Stage one complete,
'Then you can stop for lunch.'
Of course, it took longer than that; drinking coffee and reading newspapers can't be hurried. A couple of hours later, Flavia had learnt what there was to know about the case from the fulsome reports in the papers, drunk the better part of a litre of coffee and then decided to go straight into lunch to consider matters.
She was feeling very much better. For all her reluctance, the case had tickled her fancy a little, and Argyll's mishap had done something to soften her hostile thoughts. He was still an idiot, of course, but he was manifestly a bigger danger to himself than he was to anyone else.
As for the case itself, she could not see any clear explanation for what had happened. This was not surprising - if it had been obvious to her then undoubtedly the Los Angeles police would have leapt to the same conclusion. However, it seemed that Moresby and di Souza had gone to the office to discuss the Spaniard's gripe about this bust; and that it must have been fairly important for a man like Moresby to interrupt his evening to talk to a mere art dealer.
Now, if you are going to talk about something, it helps to see it. So, it was reasonable to suppose that the first thing they did was peer inside the case containing the bust. Moresby then summoned his lawyer or aide or whatever he was, and moments later he was shot and di Souza legged it.
As far as she was concerned, this indicated that the bust was pretty central to proceedings.
She finally located the office record on Hector di Souza - filed under 'H' for some reason - and read it carefully. A bit of a lad, our Hector, she thought. Even though the file was thin - the department had only existed for a few years and early material had been begged, borrowed or stolen from somewhat inadequate carabinieri archives -it was clear that di Souza was one of that breed who couldn't help pulling a fast one on gullible clients. He'd been in operation since about 1948, when he'd been washed up in Rome after the war. A lot of people got into the art business then, in a period when tens of thousands of works of art were drifting around the continent, their owners dead, or lost or forgotten. A lot of money to be made if you knew what you were doing and didn't mind cutting a few corners.
Di Souza was a master corner-cutter. For some reason he had never been prosecuted for anything, but he had sold some dodgy stuff, and almost certainly fobbed newly made fakes on to the unsuspecting for high prices. There was, in fact, the name of a sculptor in Gubbio who had worked for him occasionally. Many years ago, certainly, but old habits . . .
She noted that down thoughtfully. Pity the information was so scanty. Of course, if you open a box and find you have paid four million dollars for a fake, you might get annoyed. Demand your money back.
James Langton, the Moresby agent in Rome who had assiduously plundered the galleries and collections of the country for the past few years to stock the museum, was clearly the place to start. Flavia checked her watch, and reckoned that he should have got back by now. Then she picked up a phone book, found the address and summoned a taxi.
Langton, however, was hard to get hold of; he had gone straight to bed and was evidently reluctant to get out of it again. She had to lean on his doorbell before he appeared, frowsy, ill-humoured and very much the worse for wear. That was his problem; she had a job to do. So she pestered him with officialese until he agreed to get dressed, and then took pity on him and steered him off to get some coffee in him. The fresh air seemed to do something to wake him up.
'Terrible thing, terrible,' he said as they walked across to a small piazza that contained a dingy bar. 'I'd known old Moresby for years. Imagine, being killed like that. Have you heard anything new? Have they arrested di Souza yet?'
Flavia said they hadn't, and asked why he thought they would. Couldn't see who else might have done it, he said.
Langton broke off to order a coffee. Decaffeinated, he insisted. Caffeine made his heart race. 'Bit outside your area of operations, isn't it?' he said. 'I thought you dealt with art thefts?'
'We do. There's been one. Your Bernini,' she went on. 'Quite apart from the fact that it was material to the murder, we have reason to believe it may have left this country illegally. If so, we'll want it back. You know the laws about exporting works of art as well as I do, I'm sure.'
'So what do you want to know?'
'First routine details, if you don't mind. I'll read, stop me if I go wrong. James Robert Langton, nationality
