she probably didn't know a thing about what was going on, if she hadn't connected the walking-corpse-guys to what had happened to the jeep. And he saw no reason to disillusion her. She was trying to look tough, but he could see that he intimidated her. He could use it to get out of this.

“Uh-huh, I see,” he said. “You're with S.T.A.R.S.... Well, no offense, honey, but your kind doesn't seem to want me around. So I'm afraid our little chat time is over.”

He lowered his gun, then turned and walked away, his gait easy and unhurried—as though he wasn't the slightest bit concerned by her presence. He was counting on her obvious inexperience and fear of him to keep her from acting. It was a calculated risk, but he thought it would pay off.

He tucked his weapon into his belt at the small of his back and was halfway back down the corridor when he heard her jogging to catch up. Shit shit.

“Wait! You're under arrest!” she said firmly.

He turned to face her, and saw that she hadn't even unholstered her weapon. She was doing her damnedest to look fierce, but she couldn't pull it off. If the situation had been less serious, any less bizarre, he would have smiled.

“No thanks, dollface. I've already worn the handcuffs,” he said, holding up his left hand and jangling the hanging cuff. He turned and started away again.

“I could shoot, you know!” she called after him, but now there was an edge of desperation to her voice; he kept walking. She didn't follow, and a few seconds later, he was back through the first connecting door.

He opened the door to the car of dead passengers wearing a shaky grin, relieved. It was better this way, every man for himself, and all that—

—and he saw that the dead man who'd been slumped in his seat at the back was now standing, swaying, his one remaining eye fixed on Billy's position. With a moan of hunger, the creature shambled forward, reaching out with shredded lingers as though to feel his way to where Billy stood.

Three

Rebecca watched as Billy stalked out of the train car, feeling impotent and very young. He didn't even look back, as though she wasn't worth worrying about.

And apparently I'm not, she thought, her shoulders sagging. She hadn't expected him to be so— well, scary. Big, muscular, with dark steely eyes and an intricate tribal tattoo covering his entire right arm, both arms bared by a thin cotton undershirt. He looked tough, and after her terrifying run-in with the walking near-dead, she hadn't been up to the task of taking him into custody.

Not to mention, he got the drop on you. She'd found a lone corpse at the front of the car, one of the train workers, and had seen what looked like a key grasped in one cold hand. Since the only other door out of the car was locked, she'd had to try for it—it was that, or go back through the passenger car. She'd been so involved in trying to retrieve the key without snapping the stiff fingers that she hadn't heard the convict approach, not until it was too late. Now, as she walked back to the front of the car, she saw that the locked door used a card reader, anyway. Great. So far, she was doing just great.

She turned and reached for her radio, ready to admit defeat. If she could get the team in fast enough, they'd handle Billy. More important, she wouldn't be alone with the knowledge that some kind of plague had hit Raccoon. It was funny, that nabbing a convicted killer was suddenly lower on the list of priorities...

Bam! Bam!

Before she'd even touched the transmitter button, she heard two rounds fired in the next car, the direction Billy had gone. She hesitated, not sure what to do—and in that instant, a window exploded behind her.

She spun, shards of glass flying, and saw a human figure falling to the floor.

“Edward!”

The mechanic didn't respond. Rebecca rushed to her teammate's side, quickly assessing his condition.

Besides a massive, open wound on his right shoulder, his face was gray with shock, his gaze bleary and unfocused. Every exposed part of his body was covered with contusions and abrasions.

“Are you all right?” she asked, ripping her med-kit open, grabbing a thick gauze patch. She tore the package apart, applied it to his shoulder, realizing with a sinking sensation that it might not do much good; from the massive amount of blood drenching his shirt, his subclavian had likely been severed. She was astounded that he was still alive, let alone that he'd had the strength to jump through a window. “What

happened?”

Edward rolled his head towards her, blinking slowly. His voice was taut with pain. “Worse than ... We can't...“

She held the bandage firmly, but it was already soaked through. He needed a hospital, ASAP, or he wasn't going to make it.

Edward's voice was getting weaker. “You must be careful, Rebecca,” he slurred. “... forest is full of zombies ... and monsters ...“

She started to tell him not to talk any more, to conserve his energy—when more glass exploded, slivers of it raining over them, the window just to their left shattering. One, two giant dark shapes leaped through the broken pane, one disappearing around a jag in the corridor, the other turning in their direction. Zombies and monsters.

A dog, it was a big dog, but like no dog she'd ever seen before. It might have been a Doberman, once—but as it bared dripping teeth at her, flaps of skin and muscle hanging from its haunches, she realized that it, too, had been infected by whatever disease had struck the train's passengers. It didn't just look dead, it looked destroyed, its eyes filmed with red, its body like some mad patchwork quilt of wet fur and bloody tissue.

Edward wouldn't be able to protect himself. Rebecca slowly rose and took a step back from the dying mechanic, gun in hand, though she couldn't remember drawing it. She could hear the second dog panting farther along the corridor, out of sight.

She aimed for the animal's left eye, really understanding the true horror of the disease, whatever it was, for the first time. Her conflict with the near-dead passengers had been terrible, but so shocking she'd hardly had time to consider what it all meant. Now, looking at the stiff-legged, monstrous beast in front of her, its growl rising into a hellish whine of hunger, she remembered her childhood pet, a shaggy black lab mix named Donner, remembered how much she'd loved him—and understood that this had probably been someone's pet, once, too. Just as those people she'd shot had once been human, had laughed and cried and come from families that would miss them, that would be destroyed by their loss. Disease, chemical spill, or attack, whatever had caused all this, it was an abomination.

The understanding flashed through her mind in an instant, and was gone. The dog tensed its shredded flanks, preparing to leap at her, and Rebecca squeezed the trigger, the nine-millimeter rocking in her hands, the blast of sound deafening in the small space. The dog collapsed.

Rebecca pivoted, aiming at the bit of corridor she could see, waiting for the second to appear. She didn't have to wait long.

With a snarl, the animal leaped around the corner, its jaws wide. Rebecca fired, the shot hitting its chest, staggering the dog back with a high whine of pain—but it was still on its feet. It shook itself as though shaking off water, growling, readying to come at her again even as dark, ichorous blood poured from its wound.

Should have killed it, that should have knocked it flat!

Just like the people in the passenger car, it seemed that only a head shot would take it down. She raised her aim and fired again, this time hitting the center of its bullet-shaped skull. The dog fell, spasmed once, and went still.

There could be more of them. She lowered the gun slightly, turning toward the broken windows and trying to see through the darkness and rain, straining to hear anything besides the storm. After a few beats she gave up, kneeling next to Edward again, reaching into her pack for a fresh bandage—

—and stopped, staring at her teammate. The steady pump of blood from his shoulder wound was no more. She quickly felt for a pulse below his left ear, felt nothing at all. Edward gazed at the floor with half open eyes,

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