can sort of pass on his sort of wizardness to a sort of successor, right?”
“I have never heard it put so succinctly, yes,” said the wizard.
“So you’re going to sort of die?”
“Oh yes.” The cat purred as the fingers tickled it behind the ear.
The smith looked embarrassed. “When?”
The wizard thought for a moment. “In about six minutes’ time.”
“Oh.”
“Don’t worry,” said the wizard. “I’m quite looking forward to it, to tell you the truth. I’ve heard it’s quite painless.”
The blacksmith considered this. “Who told you?” he said at last.
The wizard pretended not to hear him. He was watching the bridge, looking for telltale turbulence in the mist.
“Look,” said the smith. “You’d better tell me how we go about bringing up a wizard, you see, because there isn’t a wizard in these parts and—”
“It will all sort itself out,” said Billet pleasantly. “The magic has guided me to you and the magic will take care of everything. It usually does. Did I hear a cry?”
The blacksmith looked at the ceiling. Above the splash of the rain he could make out the sound of a pair of new lungs at full bore.
The wizard smiled. “Have him brought down here,” he said.
The cat sat up and looked interestedly at the forge’s wide doorway. As the smith called excitedly up the stairs it jumped down and padded slowly across the floor, purring like a bandsaw.
A tall white-haired woman appeared at the bottom of the stairs, clutching a bundle in a blanket. The smith hurried her over to where the wizard sat.
“But—” she began.
“This is very important,” said the smith importantly. “What do we do now, sir?”
The wizard held up his staff. It was man-high and nearly as thick as his wrist, and covered with carvings that seemed to change as the smith looked at them, exactly as if they didn’t want him to see what they were.
“The child must hold it,” said Drum Billet. The smith nodded, and fumbled in the blanket until he located a tiny pink hand. He guided it gently to the wood. It gripped it tightly.
“But—” said the midwife.
“It’s all right, Granny, I know what I’m about. She’s a witch, sir, don’t mind her. Right,” said the smith. “Now what?”
The wizard was silent.
“What do we do n—” the smith began, and stopped. He leaned down to look at the old wizard’s face. Billet was smiling, but it was anyone’s guess what the joke was.
The smith pushed the baby back into the arms of the frantic midwife. Then, as respectfully as possible, he unpried the thin, pale fingers from the staff.
It had a strange, greasy feel, like static electricity. The wood itself was almost black, but the carvings were slightly lighter, and hurt the eyes if you tried to make out precisely what they were supposed to be.
“Are you pleased with yourself?” said the midwife.
“Eh? Oh. Yes. As a matter of fact, yes. Why?”
She twitched aside a fold of the blanket. The smith looked down, and swallowed.
“No,” he whispered. “He said—”
“And what would
“But he said it would be a son!”
“Doesn’t look like a son to me, laddie.”
The smith flopped down on his stool, his head in his hands.
“What have I done?” he moaned.
“You’ve given the world its first female wizard,” said the midwife. “Whosa itsywitsy, den?”
“What?”
“I was talking to the
The white cat purred and arched its back as if it was rubbing up against the legs of an old friend. Which was odd, because there was no one there.
“I was foolish,” said a voice in tones no mortal could hear. “I assumed the magic would know what it was doing.”
PERHAPS IT DOES.
“If only I could do something…”
THERE IS NO GOING BACK. THERE IS NO GOING BACK, said the deep, heavy voice like the closing of crypt doors.
The wisp of nothingness that was Drum Billet thought for a while.
“But she’s going to have a lot of problems.”
THAT’S WHAT LIFE IS ALL ABOUT. SO I’M TOLD. I WOULDN’T KNOW, OF COURSE.
“What about reincarnation?”
Death hesitated.
YOU WOULDN’T LIKE IT, he said. TAKE IT FROM ME.
“I’ve heard that some people do it all the time.”
YOU’VE GOT TO BE TRAINED TO IT. YOU’VE GOT TO START OFF SMALL AND WORK UP. YOU’VE NO IDEA HOW HORRIBLE IT IS TO BE AN ANT.
“It’s bad?”
YOU WOULDN’T BELIEVE IT. AND WITH YOUR KARMA AN ANT IS TOO MUCH TO EXPECT.
The baby had been taken back to its mother and the smith sat disconsolately watching the rain.
Drum Billet scratched the cat behind its ears and thought about his life. It had been a long one, that was one of the advantages of being a wizard, and he’d done a lot of things he hadn’t always felt good about. It was about time that…
I HAVEN’T GOT ALL DAY, YOU KNOW, said Death, reproachfully.
The wizard looked down at the cat and realised for the first time how odd it looked now.
The living often don’t appreciate how complicated the world looks when you are dead, because while death frees the mind from the straitjacket of three dimensions it also cuts it away from Time, which is only another dimension. So while the cat that rubbed up against his invisible legs was undoubtedly the same cat that he had seen a few minutes before, it was also quite clearly a tiny kitten and a fat, half-blind old moggy and every stage in between. All at once. Since it had started off small it looked like a white, cat-shaped carrot, a description that will have to do until people invent proper four-dimensional adjectives.
Death’s skeletal hand tapped Billet gently on the shoulder.
COME AWAY, MY SON.
“There’s nothing I can do?”
LIFE IS FOR THE LIVING. ANYWAY, YOU’VE GIVEN HER YOUR STAFF.
“Yes. There is that.”
The midwife’s name was Granny Weatherwax. She was a witch. That was quite acceptable in the Ramtops, and no one had a bad word to say about witches. At least, not if he wanted to wake up in the morning the same shape as he went to bed.
The smith was still staring gloomily at the rain when she came back down the stairs and clapped a warty hand on his shoulder.
He looked up at her.
“What shall I do, Granny?” he said, unable to keep the pleading out of his voice.
“What have you done with the wizard?”
“I put him out in the fuel store. Was that right?”
“It’ll do for now,” she said briskly. “And now you must burn the staff.”
