crypt, dislodged by today’s quake or any of the seismic events of the past century, or just the slow passage of time.
She swept away some of the dirt, exposing more of the metal surface. Her fingers brushed against something sharp. A corner.
Carefully she cleaned off the rest of it. The thing was a rectangle, ten inches square.
The lid of a tin box.
She probed the dirt until she found a handle, like the handle of a lunch bucket.
Casey had told her not to disturb the scene. But the tin intrigued her.
She tested its weight, lifting it by the handle. Not heavy. She could remove it without disrupting the remains.
She pulled a little harder, and the lid popped up. A rusted clasp on the front had opened.
She couldn’t resist the temptation to look inside. Probably a bad idea-Pandora’s box, and all that. She did it anyway, angling the flashlight to reveal the tin’s contents.
What she saw was a book. Frayed black covers. Faint smell of mold.
Paper deteriorated rapidly when stored in adverse conditions, but the tin had kept the book safe from vermin, sealed away from visible light and airborne pollutants. The crypt would be cool year round, and the space was dry enough to inhibit excessive mold formation. The box itself would have prevented too many mold spores from settling on the book and foxing its pages.
She looked more closely at the volume. Embossed in gilt Gothic on the front cover was the word
She knew then that she had to examine it.
Lowering the lid, she put both hands around the tin and lifted it free. It was crusted in earth, dragging clumps of loose soil and a single black beetle that fell off the bottom and scuttled away.
A diary, left with the dead. Hidden away for years, read by no one-except the ghosts interred with their bones.
eight
In her study, she placed the box on the examination table and lifted out the diary. Her hands trembled a little.
The book was ready to fall apart. The binding was badly cracked. The covers were calfskin, black, dry, stiff with age. Other than the gilt word
The leaves of the book had yellowed with age. Their edges were brittle, breaking off in powdery fragments. A few starbursts of gray mold mottled the edges of the pages, but the fungus did not appear to have made further inroads.
Carefully she opened the book. On the flyleaf pasted to the inside front cover was a heavy horizontal smear of ink. Something had been written there-an inscription or a signature, perhaps-and then blacked out. Once she got a replacement light fixture for her UV lamp, she might be able to fluoresce the hidden writing.
She turned past the flyleaf. Handwritten notes stretched neatly across the unlined paper. The entries, neither signed nor dated, were written in a neat, scholarly hand, with ornate Victorian flourishes. She estimated there were sixty pages in all. The early pages were missing, having fallen out or been torn loose, and the diary now began in the middle of a sentence.
—
Elaborate diction, rendered in meticulous copperplate, though with a paucity of punctuation. The writer seemed averse to commas, perhaps a sign of a racing mind.
He had nicknames for the children.
He was a schoolteacher, obviously. All his students seemed to be male. An all-boys school?
The headmaster was the man nicknamed Wisp. He flitted in and out of the entries, a perpetual nuisance to the diarist. But then, everyone was a nuisance to him, “a plague and a contention” as he wrote. The diarist hated everybody-students, employers, colleagues, people he passed on the streets.
His seething hostility perhaps found expression in his bloody dreams. If so, the imagery of violence was intimately bound up in his mind with the symbolism of sex. Possibly it was his struggle to avoid facing the full implications of the dreams that caused them to return night after night. He did not want to admit that he could have fantasies of violence. He did not want to unleash the killer inside.