holes with some friends, leaving his wife alone in their apartment. Julia Stern, twenty-four years old and seven months pregnant, took a shower at nine-thirty, according to a neighbor who heard the whistling of water through the pipes. At the same time, the Gryphon easily defeated the simple latch bolt on the apartment’s front door. When Julia, wrapped in a towel, emerged from the bathroom, the killer was waiting. In midafternoon Robert Stern returned to find the front door ajar, the lights on. His wife’s decapitated body lay on the carpet near the bathroom doorway, a clay gryphon in her hand.
Delgado winced, recalling his own first look at the corpse. The hump of the belly. The ragged trunk of the neck.
At the time, no one could have been certain that the killer would strike again. Even after the tape arrived in the mail and Delgado heard the Gryphon’s mocking challenge, he’d found it possible to believe that the murder had been an isolated occurrence. As days passed, then weeks, some of the psychological consultants on the case began to speculate that the Gryphon had committed suicide and rid the city of his presence.
But that was before Friday, February 8. At six-fifteen that evening Rebecca Morris, thirty-one, arrived home from work while her roommate was fixing dinner. Rebecca was in a hurry. Less than a month earlier, she had been promoted to vice president of a computer software firm; that night she was scheduled to attend a reception thrown by the firm’s biggest client. Quickly she changed into a formal ice-blue gown that stressed her statuesque figure and set off her fiery hair and emerald eyes. Her roommate later reported that Rebecca had never looked so enthused, so healthy, so alive. At six-forty-five Rebecca, running late, rushed to the one-car garage stall at the side of the building where her Mazda RX-7 was parked; she lifted the garage door by hand and entered. Apparently she was unlocking the car when the Gryphon slipped into the garage through the open doorway and attacked from behind. At seven-thirty Rebecca’s boss called the apartment to ask where the hell she was. Her roommate, concerned, went down to the garage to see if the Mazda was gone. She discovered a woman’s naked, headless corpse stretched across the two front seats, one hand clutching a clay gryphon. At the morgue she could make a positive I.D. only from the ring on Rebecca’s finger, a ring Rebecca had bought for herself in celebration of her promotion and her exciting new life.
After the second murder, there could be no doubt that the Gryphon meant to go on killing till he was stopped. The task force had been formed, with Delgado in charge; the miscellany of unrelated cases he’d been investigating had been handed over to other detectives, most of whom groused about the additional caseload for days. The second tape had arrived within a week, the FBI had been contacted, and Delgado had begun working twenty-hour days and sleeping on the cot in the corner.
And then the week before last, on Wednesday, March 6, Elizabeth Osborn had lost her life.
Delgado shook his head slowly.
If the women had died in street muggings or bungled burglaries, their deaths might not have seemed so difficult to accept. There was a kind of logic to events like that, a motive and purpose that could be, if not defended, at least divined. Here there was no logic, no motive, no purpose. There was only the terrifying randomness of a restless evil that claimed lives as arbitrarily as an airborne virus or a cloud of poison gas.
All three victims had been young middle-class women; but other than that, no common denominator appeared to link them-not occupation, not background, not religious affiliation, not business associates or friends or doctors. Although all three had been attractive, their physical features had varied as well: Julia Stern, dark-haired and pale-skinned; Rebecca Morris, redheaded and freckle-faced; Elizabeth Osborn, blond and salon-tanned.
As far as Delgado could tell, the three women had had nothing in common except the fact that they were young and vital and alive. Presumably that had been enough.
He turned to a map of the city tacked to the far wall. Three red push pins marked the locations of the murders and suggested the parameters of the Gryphon’s field of operation. It was an area of roughly six square miles, extending west to Bundy Avenue, where Julia Stern had lived; east to Rebecca Morris’s apartment on Beverly Glen Boulevard; south to Elizabeth Osborn’s neighborhood near National Boulevard. Everyone on the task force assumed that the killer lived somewhere on the Westside and was operating reasonably close to home. He was not a drifter; he was settled, using a house or apartment as his base of operations. And he was mobile; he must own or have access to a vehicle.
The three victims had been Caucasian, a fact that virtually guaranteed that the Gryphon was white also; serial killers rarely crossed racial lines. Julia Stern’s murder had taken place on a Saturday morning; Rebecca Morris had been killed at about six-forty-five in the evening; Elizabeth Osborn had died in the middle of the night. Those time periods suggested the possibility that the Gryphon held down a daily nine-to-five job, which would restrict his activities to nights and weekends.
It seemed clear that the Gryphon watched each house or apartment building for at least a short while before acting. He must have seen Robert Stern depart with his golf clubs, just as he’d seen Rebecca Morris open the garage door and hurry inside. Presumably he’d observed Elizabeth Osborn’s house as well, lingering nearby until the lights were out and she was asleep. Only once he had determined that his victim was alone and vulnerable would he strike.
By all odds, somebody in one of the neighborhoods should have noticed a strange man, an unfamiliar vehicle-something, anything, out of the ordinary-during the period when the killer watched and waited. But the Gryphon’s luck had been excellent-the luck of the devil, Delgado thought. Nobody had seen a thing.
The murder weapon remained unknown. The victims’ heads were severed at the base of the neck, so if a knife or razor had been used to slash their throats, as Delgado suspected, there was no way to confirm it now.
The tool used to decapitate the bodies was a hacksaw. Thanks to the lab, Delgado even knew the specific brand. Microscopic analysis of the torn flesh had revealed minute particles of tungsten carbide, which had been matched to those found in a commercially available hacksaw blade. The blade, twelve inches long, was made of high-carbon steel to which tungsten carbide was metallurgically bonded to form a highly effective cutting edge. It could cut easily through cast iron, hardened steel, reinforced cement, and, of course, bone.
Delgado had ordered Eddie Torres and the officers working under him to trace every purchase of that hacksaw and its replacement blades that had been made in the Westside during the past six months. The number of customers was large, the records poor, the job nearly impossible.
At each of the crime scenes, evidence technicians had picked up short-nap rayon carpet fibers, industrial gray; the cheap material, ubiquitous in low-rent offices and homes, was impossible to trace. The Gryphon had left no fingerprints, but the techs had found a few dark brown head hairs. And they had found semen in the dead women’s vaginal vaults as well as, in one instance, the anus. Postmortem examinations indicated that penetration and ejaculation had occurred after the victims were dead. Like eighty percent of the male population, the Gryphon was a secretor, meaning that analysis of an antigen secreted with his bodily fluids could determine his blood type. His blood was AB positive.
Then, of course, there were the clay statues. Delgado had given Blaise and Robertson the assignment of making inquiries at art galleries and gift shops, looking for any local artist who could conceivably fit the Gryphon’s profile. They were still on the detail; so far no useful leads had developed.
Delgado had given himself a crash course in mythology to better understand the symbolism of the gryphon. The peculiar hybrid of eagle and lion, he had learned, had haunted the minds of human beings for four thousand years. Its point of origin was the Levant; from there it had been conveyed to Asia and eventually to Greece. The Athenian playwright Aeschylus had his Prometheus warn of the hounds of Zeus, the sharp-beaked gryphons; the animal, thought to be the guardian of treasure hoards, was ever-vigilant, cruelly predatory, capable of a swift, deadly attack in which its ruthless talons would slash its victim to bits.
It was a symbol of blood and death, of patient observation and sudden violence, of the lion’s cunning and the eagle’s swiftness. Regal and vicious, mythic and monstrous, a creature to be both feared and revered.
Now the city of Los Angeles was experiencing the same primitive terror Aeschylus’s audience had known: terror of the sharp-beaked, bloody-clawed Gryphon, the beast that struck without warning and killed without remorse.
Delgado shook his head. Having learned all that, perhaps he understood the killer’s psychology slightly better, but he was no closer to catching the man.
The other major phase of the investigation focused on earlier unsolved homicides that might roughly fit the Gryphon’s pattern. In a city as large and as violent as L.A., there was no shortage of brutal attacks on women; but two cases struck Delgado as particularly intriguing. Last June a Culver City woman had disappeared while on a shopping errand, then had turned up dead in a trash dumpster several days later, her neck deeply gashed and
