Cabin Four seemed to be deserted; Knox and Talesco were apparently still out on the lake. Cabin Five also appeared deserted, and I would have moved on if, in the stillness, I had not heard the soft sound of a woman's laughter. It came from behind the cabin, and it was followed by the murmur of a man's voice; then there was silence again. I hesitated, because if something was going on back there, I was not sure I wanted to walk in on it. Still, I did not like the idea of circling around through the trees to where I could spy down on the rear of the cabin. Maybe part of the reason I didn't like it was because it was stereotypical; the other part of the reason was that I might make enough noise for them to hear me.
So I went along the side of the cabin, quietly, and stopped before I reached the rear corner and listened again. Silence. A fat green fly drifted lazily through a beam of sunlight; a small brownish-yellow chipmunk stared down at me from a low bough on a lodgepole pine, forepaws tucked under its chin in a way that made it seem to be meditating. High up in one of the other trees, an unseen jay screeched like a whiskey-voiced harridan. Behind the cabin, still nothing. All right, I thought-and I backed off a couple of steps, made enough noise with my feet to send the chipmunk scurrying out of sight, and then walked out to where I could see them.
Only there was not much to see. It was about as innocent a scene as you could imagine. A lanky guy wearing chinos and sneakers and a blue polo shirt was sitting on a pine stump in close to where half a cord of firewood was stacked against the cabin wall; his left arm cradled a large sketchpad and his right hand held a piece of charcoal poised over it. Fifteen feet away from him, sitting tailor-fashion in a patch of bright green grass, was a busty redhead in white flared-bottom slacks and the kind of sleeveless pullover that looks as if half of it is missing and leaves the stomach bare. Both of them were looking toward me, the guy-Bascomb-without much of any expression and Angela Jerrold with guileless interest.
I felt both relief and disappointment and was not sure which of them was the stronger. I put on a smile and said, “Hi. I was just wandering around, getting acquainted with the camp, and I heard voices back here and thought I'd come introduce myself. I hope I'm not intruding.”
“No, that's all right,” Bascomb said, but he did not smile.
Mrs. Jerrold got to her feet, slowly, and whether consciously or unconsciously she made it seem like a showcase number. Nothing overt; it was all subtle suggestion. When she moved toward Bascomb-as I moved toward him from a different angle, like a pair of cops converging on a subject-there was no exaggerated hip-sway or breast-bouncing. Her movements were clean and economical; she knew what kind of body she had, and that it was so ripe already, artifice of any sort would only have spoiled its effect.
She had a smile for me, even if Bascomb didn't. She said, “Are you a new guest?”
I said I was, for a few days at least, and we exchanged names and shook hands all around. Bascomb's was hard and firm, Mrs. Jerrold's soft and firm. He was about forty, good-looking in a smooth, ascetic way, with silvering hair combed into a widow's peak and eyes that were gray, steady, unreadable. She was a couple of years on the fair side of thirty, and she wore her hair in long layered waves that made her look a little like Raquel Welch. Her breasts were very large, too, the type that some men found exciting; I thought they were a little too much of a good thing. Her skin was a rich light-brown color, silky in texture, and her mouth was sensual without being pouty. Up close this way she projected an aura of sexuality that was almost hypnotic; in spite of myself, I could feel the palms of my hands turn moist and I found my eyes settling on her twice as often as they did on Bascomb.
She said, “My husband and I are in Six, the next cabin down. He went out hunting, and so I came up here to bother Walt for a while.”
“Hardly a bother,” Bascomb said dryly.
“I've been trying to get him to sketch me ever since we met,” she said to me. “Walt's an artist, you know.”
“So I see.”
She took the sketchpad from him and held it up so that both of us could look at the charcoal drawing on the open page. It was pretty much finished-a very good likeness of her as she had looked sitting in the plot of grass. But in his portrayal he had taken some of the softness out of her, some of the veneer-if that's all it was-of innocence. Her beauty as he had interpreted it was almost that of a predator.
Mrs. Jerrold seemed not to notice this; or if she did, she did not change expression. She asked me, “What do you think?”
“Nice work,” I said.
“Oh yes. Walt, you must let me have it.”
“Won't your husband mind?”
“Why should he?”
“You can answer that better than I can.”
“He won't mind. He appreciates good artwork.”
“I'm sure he does.”
Bascomb said that last a little stiffly, looked at her for a long moment, and then took the sketchpad back. He tore out the drawing, handed it to her, said “Nice meeting you” to me, and went over and sat on the stump again. Dismissed, both of us. I watched Mrs. Jerrold frown slightly, as though with annoyance, and I thought that if they were putting on an act for my benefit, they were good at it. So far I was buying the whole thing.
Her frown smoothed away after six or seven seconds, and she said, “Well, I should be getting back, I guess. Thank you again for sketching me, Walt; it's been fun.”
“Hasn't it,” Bascomb said without inflection. He was sketching again and he did not look up.
She put her smile on for me. “Are you going down by the lake?”
“I'd planned on that, yes.”
“Good. You can walk me to my cabin, if you like.”
“Sure.”
I said something to Bascomb about seeing him later; he did not answer, but when Mrs. Jerrold and I started away, toward the side of the cabin, I sensed him watching us.
We went down through the trees on the narrow path. She walked close to me, and twice her body touched mine-breasts and hips; it may have been accidental, but then again, it may not have been. Eventually she said, “Why are artistic people always so moody?”
“I don't know,” I said.
“I'll bet you're not in the arts.”
“No.”
“You look like a teamster or longshoreman.”
“Do I?”
“Oh, I meant that favorably. I'm not a snob.”
Good for you, I thought. “Actually,” I said, “I've got a mundane white-collar job. What does your husband do, Mrs. Jerrold?”
“Call me Angela, won't you? Well, Ray is in advertising. He owns his own firm, you know; he's devoted his life to building it into what it is today, which is a very successful business, but of course he's not satisfied. He'll do anything to make it even more successful, to bring in more money and bigger clients.”
“He sounds like the American Dream in action.”
That got me a wry look. “If the American Dream is a nervous breakdown or a coronary before the age of fifty, then, yes, I guess he is. He's never learned how to relax; even up here, our one vacation of the year, he spends half of the time in The Pines telephoning Los Angeles on business matters. My God, do you know that the only times we go out at home is when he's wining and dining customers or potential customers?”
She delivered all of this innocuously enough, but if you wanted to do some reading between the lines, you did not have to try very hard to come up with an invitation, real or imagined. And which one was it? I wondered. At fifty, or coming in on fifty, I had a belly from too much beer and too much deli food, and a gray plodding shaggy look. Not much there for someone like Angela Jerrold. Unless she was a nympho, or at least had catholic tastes to go with the old roving eye. The other possibilities were that she was as innocent as she appeared, and frankly personal even with strangers, and too witless or careless to understand what sort of impact she had on men; or that she knew exactly what impact she had on me, and that she was, as Cody had described her earlier, “nothing but a prickteaser.”
Well, the only way I was not going to find out which of these fitted the real Angela Jerrold was by making a pass at her. I might have liked it-a part of my mind had already gone through the kind of fantasy sexual encounter
