stool, onto the brass rail, and to get my right hand pressed tight against the beveled edge of the bar. If I had to make any sudden moves, I would need the leverage.
Candiotti finished loading the sack, turned from the register. There was a grayish cast to his face now-the wet gray color of fear. The kid said to him, 'Pick up their money, put it in the sack with the rest. Come on come on come on!'
Candiotti went to the far end of the plank, scooped up the wallets belonging to Anchor Steam and the woman; then he came back my way, added my wallet to the contents of the paper sack, put the sack down carefully in front of the kid.
'Okay,' the kid said, 'okay all right.' He glanced over his shoulder at the street door, as if he'd heard something there; but it stayed closed. He jerked his head around again. In his sweaty agitation the Saturday night special almost slipped free of his fingers; he fumbled a tighter grip on it, and when it didn't go off I let the breath I had been holding come out thin and slow between my teeth. The muscles in my shoulders and back were drawn so tight I was afraid they might cramp.
The kid reached out for the sack, dragged it in against his body. But he made no move to leave with it. Instead he said, 'Now we go get the big pile, man.'
Candiotti opened his mouth, closed it again. His eyes were almost as big and starey as the kid's.
'Come on Mr. Cyclone Man, the safe, the safe in your office. We goin' back there now.'
'No money in that safe,' Candiotti said in a thin, scratchy voice. 'Nothing valuable.'
'Oh man I'll kill you man I'll blow your fuckin' head off! I ain't playin' no games I want that money!'
He took two steps forward, jabbing with the gun up close to Candiotti's gray face. Candiotti backed off a step, brought his hands up, took a tremulous breath.
'All right,' he said, 'but I got to get the key to the office. It's in the register.'
'Hurry up hurry up!'
Candiotti turned back to the register, rang it open, rummaged inside with his left hand. But with his right hand, shielded from the kid by his body, he eased up the top on a large wooden cigar box adjacent. The hand disappeared inside; came out again with metal in it, glinting in the back bar lights. I saw it and I wanted to yell at him, but it wouldn't have done any good, would only have warned the kid… and he was already turning with it, bringing it up with both hands now-the damn gun of his own he'd had hidden inside the cigar box. There was no time for me to do anything but shove away from the bar and sideways off the stool just as Candiotti opened fire.
The state he was in, the kid didn't realize what was happening until it was too late for him to react; he never even got a shot off. Candiotti's first slug knocked him halfway around, and one of the three others that followed it opened up his face like a piece of ripe fruit smacked by a hammer. He was dead before his body, driven backward, slammed into the cigarette machine near the door, slid down it to the floor.
The half-drunk woman was yelling in broken shrieks, as if she couldn't get enough air for a sustained scream. When I came up out of my crouch I saw that Anchor Steam had hold of her, clinging to her as much for support as in an effort to calm her down. Candiotti stood flat-footed, his arms down at his sides, the gun out of sight below the bar, staring at the bloody remains of the kid as if he couldn't believe what he was seeing, couldn't believe what he'd done.
Some of the tension in me eased as I went to the door, found the lock on its security gate, fastened it before anybody could come in off the street. The Saturday night special was still clutched in the kid's hand; I bent, pulled it free with my thumb and forefinger, and broke the cylinder. It was loaded, all right-five cartridges. I dropped it into my jacket pocket, thought about checking the kid's clothing for identification, didn't do it. It wasn't any of my business, now, who he'd been. And I did not want to touch him or any part of him. There was a queasiness in my stomach, a fluttery weakness behind my knees-the same delayed reaction I always had to violence and death-and touching him would only make it worse.
To keep from looking at the red ruin of the kid's face, I pivoted back to the bar. Candiotti hadn't moved. Anchor Steam had gotten the woman to stop screeching and had coaxed her over to one of the handful of tables near the jukebox; now she was sobbing, 'I've got to go home, I'm gonna be sick if I don't go home.' But she didn't make any move to get up and neither did Anchor Steam.
I walked over near Candiotti and pushed hard words at him in an undertone. 'That was a damn fool thing to do. You could have got us all killed.'
'I know,' he said. 'I know.'
'Why'd you do it?'
'I thought… hell, you saw the way he was waving that piece of his…'
'Yeah,' I said. 'Call the police. Nine-one-one.'
'Nine-one-one. Okay.'
'Put that gun of yours down first. On the bar.'
He did that. There was a phone on the back bar; he went away to it in shaky strides. While he was talking to the Emergency operator I picked up his weapon, saw that it was a. 32 Charter Arms revolver. I held it in my hand until Candiotti finished with the call, then set it down again as he came back to where I stood.
'They'll have somebody here in five minutes,' he said.
I said, 'You know that kid?'
'Christ, no.'
'Ever see him before? Here or anywhere else?'
'No.'
'So how did he know about your safe?'
Candiotti blinked at me. 'What?'
'The safe in your office. Street kid like that… how'd he know about it?'
'How should I know? What difference does it make?'
'He seemed to think you keep big money in that safe.'
'Well, I don't. There's nothing in it.'
'That's right, you told me you don't keep more than fifty bucks on the premises overnight. In the till.'
'Yeah.'
'Then why have you got a safe, if it's empty?'
Candiotti's eyes narrowed. 'I used to keep my receipts in it, all right? Before all these burglaries started. Then I figured I'd be smarter to take the money to the bank every night.'
'Sure, that explains it,' I said. 'Still, a kid like that, looking for a big score to feed his habit, he wasn't just after what was in the till and our wallets. No, it was as if he'd gotten wind of a heavy stash-a few grand or more.'
Nothing from Candiotti.
I watched him for a time. Then I said, 'Big risk you took, using that thirty-two of yours. How come you didn't make your play the first time you went to the register? How come you waited until the kid mentioned your office safe?'
'I didn't like the way he was acting, like he might start shooting any second. I figured it was our only chance. Listen, what're you getting at, huh?'
'Another funny thing,' I said, 'is the way he called you 'Mr. Cyclone Man.' Now why would a hopped-up kid use a term like that to a bar owner he didn't know?'
'How the hell should I know?'
'Cyclone,' I said. 'What's a cyclone but a big destructive wind? Only one other thing I can think of.'
'Yeah? What's that?'
'A fence. A cyclone fence.'
Candiotti made a fidgety movement. Some of the wet gray pallor was beginning to spread across his cheeks again, like a fungus.
I said, 'And a fence is somebody who receives and distributes stolen goods. A Mr. Fence Man. But then you know that, don't you, Candiotti? We were talking about that kind offence before the kid came in… how Pitman, down in San Jose, bought some hot stereo equipment off of one. That fence could just as easily be operating here in San Francisco, though. Right here in this neighborhood, in fact. Hell, suppose the stuff taken in all those burglaries never left the neighborhood. Suppose it was brought to a place nearby and stored until it could be trucked out to
