A Venus temple, graves and greenery;

He pens a lyre . . . and then a dove,

Adds colour lightly and with love;

And on the leaves of recollection,

Beneath the lines from other hands,

He plants a tender verse that stands

Mute monument to fond reflection:

A moment's thought whose trace shall last

Unchanged when even years have passed.

28

I'm sure you've known provincial misses;

Their albums too you must have seen,

Where girlfriends scribble hopes and blisses

From frontside, backside, in between.

With spellings awesome in abusage,

Unmetred lines of hallowed usage

Are entered by each would-be friend

Diminished, lengthened, turned on end.

Upon the first page you'll discover:

Qu 'crirez-vous sur ces tablettes?

And 'neath it: toute vous Annette;

While on the last one you'll uncover:

'Who loves you more than I must sign

And fill the page that follows mine.'

29

You're sure to find there decorations:

Rosettes, a torch, a pair of hearts;

You'll read, no doubt, fond protestations:

With all my love, till death us parts;

Some army scribbler will have written

A roguish rhyme to tease the smitten.

In just such albums, friends, I too

Am quite as glad to write as you,

For there, at heart, I feel persuaded

That any zealous vulgar phrase

Will earn me an indulgent gaze,

And won't then be evaluated

With wicked grin or solemn eye

To judge the wit with which I lie.

30

But you, odd tomes of haughty ladies,

You gorgeous albums stamped with gilt,

You libraries of darkest Hades

And racks where modish rhymesters wilt,

You volumes nimbly ornamented

By Tolstoy's* magic brush, and scented

By Baratynsky's penI vow:

Let God's own lightning strike you now!

Whenever dazzling ladies proffer

Вы читаете Eugene Onegin
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