brought and open the coffin door. It is not sealed with gevulot, simply with a mechanical lock: it is amazing how traditionalist the Resurrection Men are. The door slides aside, and I crawl out.
I almost fall down: I am high up on the wall of a huge cylindrical chamber with metal walls, covered by a grid of little hatches. It makes me think of a filing cabinet. Vertical cables run through it. Below, a Quiet – an octopus- like cluster of machinery and arms – hangs from them. It is placing fresh bodies into storage. I close the hatch, leaving a small opening to see through, and wait for it to leave. It zooms up past me, climbing up the cables like a spider. Then I venture out again. Gel dripping from my skin, I look for handholds.
I reconfigure the q-dot layer under my skin to grab the material on the wall and climb down the coffins of the sleeping dead.
There is a constant background noise, a mix of distant and nearby hisses, rumbles and thumps. This is where the organs of the city are, pistons and engines and tubes where the synthbio repair organisms circulate, and the vast artificial muscles that move the city’s legs.
A splay of transparent tubes snakes down a series of shafts along the edges of the chamber, with rungs along them clearly designed for smaller Quiet. They are just big enough for me to squeeze in.
I climb downward for more than fifty metres, skin scraping against the tubes and the walls of the shaft, stopping whenever I hear the scuttling of a Quiet. Once, a swarm of beetlesized Quiet swarms past me, ignoring me, climbing all over me, tiny eyes aglow in the dark, and it is hard to keep from screaming.
Finally, there is another horizontal tunnel, this one made from some ceramic material, slick with bitter- smelling slippery fluids that drip from the porous walls. It is completely dark, and I switch to infrared, trying to ignore the ghost world of giants moving at the edge of my vision, focusing on the destination.
After a dark eternity of crawling, the tunnel widens and slopes down: I have to struggle to keep from sliding. Finally, there is some light, an orange dusk in the distance, and I can feel a freezing cold wind. In the light, I can see that the tunnel widens into a sloping shaft, ending in a fine mesh that lets the light from the outside through.
Getting to this point involved a lot of planning. The gevulot around the base of the city is incredibly thick: the Oubliette does not want to make the lives of gogol pirates any easier. So the only way to get in was from the inside.
I take out the q-tool again and cut a hole in the mesh. It eats through the material smoothly. I feel a moment of vertigo, looking down. Then there is a gust of hot wind, and Mieli is there, hovering beneath the opening, wings extended.
‘What took you so long?’ I ask.
She looks at me disapprovingly.
‘I know, I know,’ I say. ‘I should put some clothes on when I come back from the dead.’
Mieli leads us through the tunnels towards the q-spider’s beacon that tells us where Unruh’s body is kept. I’m glad she is here: the tunnels and corridors are a blur. A few times she surrounds us with stealth fog as bigger Quiet pass us, wheezing and rumbling, carrying a stench of the sea.
Then there are the crypt chambers, cylindrical rooms a hundred metres in diameter, surgically clean and chromed in contrast to the dark tunnels, coffin hatches engraved with names and codes. We find Unruh in the third one.
As I enter, there is a hissing sound above: the mortician octopod Quiet has spotted us. It plummets down the cables towards me.
Mieli shoves me aside and fires her ghostgun at it. There is a grinding sound as it brings itself to a stop, metres above me, hanging from the cables like a puppet, swaying back and forth. I look at its mandibled non-face and swallow.
‘Don’t worry,’ Mieli says. ‘My gogol just took over its motor functions. The mind inside is going to be fine. We wouldn’t want to violate your professional ethics.’
‘I’m not so worried about that,’ I say. Mieli brought smart-fabric overalls for me, but I still feel cold. She gestures, and obediently the Quiet climbs up to fetch Unruh’s body. In a few moments, the coffin is on the floor in front of us. I open it with the q-tool.
‘Like I told Raymonde,’ I say, ‘we take from the rich and give to the poor.’
The former millenniaire is pale, white and naked apart from the black disc of his Watch.
Unruh’s body shudders. He draws a deep, wet, ragged breath. He coughs, and his eyes fly open.
‘What – where—’
‘I’m sorry, M. Unruh, this will only take a moment.’ Mieli hands me the upload helmet, a featureless black cap. I place it onto his head, and it sticks to his skull eagerly.
Unruh laughs, only to be broken by a cough. ‘You again?’ He shakes his head. ‘I am disappointed. I did not expect you to be some common gogol pirate.’
I smile. ‘I assure you that I don’t have a sliver of your gevulot, and I have returned all I stole from you. This is about something else. Hold still.’
It was the obvious thing to do. How do you find out if there are shadowy forces manipulating people’s minds? You find a clean template, and make a before-and-after comparison. Unruh was young, with no previous resurrections or Quiet time: his mind as a whole had never passed through the resurrection system. Now it has, and if someone has done something to it, we will find out. If not – well, I have been to worse parties.
‘If I must.’ Unruh sighs. ‘I see. You stole a minute of my Time, and gave it back? To get access to my mind here? Interesting. I can’t imagine why. This is a very strange crime, M. le Flambeur. I wish I could stay and watch young M. Beautrelet catch you.’
‘I will pass him your regards,’ I say. ‘And by the way, I apologise for the surroundings. I wish we could have at least arranged a drink.’
‘It’s fine. I have recently experienced much more discomfort.’
‘While we wait,’ I say, ‘I wonder if you mind me asking how you knew we were going to be at your party?’
‘The letter.’ He waves a hand.
‘A letter?’
He looks at me curiously. ‘It wasn’t from you? Oh, this is even richer than I imagined. Such a shame that I have to miss all this. A letter in my library, from you. We could not figure out how it got there. M. Beautrelet thought there was something wrong with the exomemory—’
Unruh’s features twist into a snarl. He goes for my throat, white fingers digging into my flesh. He screams, a terrible, tearing sound, slamming his forehead against my face. My vision goes red in a haze of pain.
Mieli pulls him off me, twisting his arms behind his back. ‘Le Flambeur!’ he shouts, in a different voice. ‘He will come for you. Le Roi will come for you!’
Then he goes limp in Mieli’s grip as his Time runs out again.
I massage my throat. ‘Well,’ I say. ‘I’d say that if further proof of manipulation of Oubliette minds is required, we’ve got it.’
Mieli cocks her head, listening. ‘Someone is coming,’ she says. And then I hear it too, distant footsteps and approaching Quiet.
‘Oh my,’ I say. ‘I think the teen sleuth actually worked out what we were going to do.’