play; other musicians became family friends. From November 1884, in true bourgeois style, the Chekhovs assigned each Tuesday evening for guests and concerts. Somehow the old patriarch, or the tramontane as Aleksandr and Anton called him, was quelled into good behaviour. Masha was hostess to her brother and her parties assembled Dunia Efros and Lily and Nelli Markova for what she promised would be 'Crazy nights!' Palmin reported to the inquisitive Leikin, 'A few days ago I went to the Chekhovs' Tuesday. They have a soiree fixe.'

Leikin was proud of his own recent gentility which hard work and fame had bought: 'we don't blow our noses with our left leg,' he boasted and decided Anton was now fit to invite to Petersburg. Chekhov despatched Natalia Golden to see Leikin; she seemed to herald Anton's imminent move to Petersburg, as writer and doctor. Leikin was torn between a desire to make his protege famous and an instinct to protect his monopoly. Boasting overrode self- interest, and, although a year would pass before he summoned Anton to Petersburg, Leikin revealed to his own employer, Khudekov, editor of the prestigious daily Petersburg Newspaper, the identity of Antosha Chekhonte. Khudekov immediately commissioned from Chekhov a commentary on the Rykov fraud trial that was still dragging on in Moscow.

FIFTEEN O

Babkino January-July 1885 The Petersburg Gazette liked Chekhov's reportage on the Rykov fraud trial. The trial was spectacular not just for the eloquence of Plevako, Russia's most colourful defence lawyer.39 In the courtroom Anton had an ominous haemorrhage from the right lung. In May 1885 Khudekov commissioned from Chekhov a regular story for the Monday issue (the day when Leikin did not contribute) of The Petersburg Newspaper. Khudekov thought that Chekhov's prose had a salacious 'whiff', and offered only 7 kopecks a line, but The Petersburg Newspaper was a major newspaper, exempt from precensorship, and its fiction escaped the mutilations inflicted on 'lower-class' weeklies. With Leikin's 8 kopecks a line and Khudekov's 7, Petersburg gave Anton a living. He had, however, to appear in person if he was to establish himself in literary circles. He still had not given literature priority over medicine. Leikin insisted, in March 1885, that in any case Anton had to come to Petersburg if he sought a post as a doctor.

Anton played along with Palmin's gallows-humour attitude to his profession. He saw its grim side. Why concentrate on a cholera epidemic, when in Moscow alone 100 children died daily of cold and hunger? The sick were dangerous. In March 1887 Nikolai Korobov, also newly qualified, nearly died of typhus. Doctors risked cholera and diphtheria from those they tried to save.40 The worst hazard was exhaustion. Patients would drag Anton to the outskirts of Moscow on any pretext. Even those who knew him well did not think twice about calling him out. Mikhail Diukovsky wrote on a freezing December day: 'For God's sake, if you can, go and see my brother-in-law Evgraf this evening, I've just had news that he's very ill. Don't decline, I shall be eternally grateful. The address is Krasnoe village, by the Riazan gate.'41 Two days later, on New Year's Eve, Chekhov had a note from no in

DOCTOK NI I KIIOV

Palmin: 'I'm sitting drinking vodka by the window. A young man has a deep wound on his shoulder-blade. E carbuncle or something -deciding is the job of Mr Requiem or Mr Coffin or Mr Rest-in-peace or even Messrs Wormeaten, if not the famous (in the future) Doctor Chekhov.' Palmin might pay Chekhov with a poem, but useful recompense was rare. Banter with patients could turn to horror. In early 1885 the Ianova girls, the third set of three sisters in Anton's life, were flirtatious patients. Not for long were they three sisters: at the end of 1885, typhus struck. Their mother and one of the three sisters (clutching Anton's arm as she died) perished.42

Anton's own health worried him. On 7 December 1884, he told Leikin, he had bled again. He insisted that his lungs were sound, that only a vessel in his throat had burst. His denial to a schoolmate, the journalist Sergeenko, 'haemorrhage (not tubercular)' suggests that he knew the truth. To others he complained fulsomely of overwork. He told Lily Markova that he was in pain. In December 1884 at a spiritualist seance Turgenev's ghost apparently spoke to Anton: 'Your life is approaching its decline.' In a letter of 31 January 1885 to Uncle Mitrofan, congratulating him on election to the town council, Anton's anxiety is ill-disguised: 'In December I had a haemorrhage and decided to take money from the Literary Fund 43 and go abroad for treatment. I'm a bit better now, but I still think I shall have to make a trip.'

In early 1885 the Chekhov household became quieter, even though Saveliev, not yet qualified, lodged with the Chekhovs again and put up with Pavel's fits of temper. Pavel had expelled Aunt Fenichka from the house into her son's care, and had banished Kolia. Anton did not press Kolia to return and merely urged him to pay his debts. To Uncle Mitrofan, however, he painted a picture of domestic harmony: Even Mama, the eternal grumbler, has started to admit that in Moscow we live better than before. Nobody grudges her expenses, there is no illness in the house. It's not luxury, but nobody goes without. Vania is at the theatre at the moment. He has a job in Moscow and is pleased. He is one of the family's most decent, solid members… He's hard-working and honest. Kolia is thinking of marrying. Misha finishes school this year.

Aleksandr finally found a posting and, after squeezing payment out of Davydov, editor of the now defunct Spectator, left Moscow to

JANUARY-JULY 1885

become an Excise Officer in Petersburg. To his parents' outrage, on 26 August 1884 Anna had given birth to a boy, named after Kolia. Aleksandr despatched Anna to stay with relatives and friends in Tula. In Petersburg, Aleksandr had a pensionable job, free fuel and housing, a maid, a wet nurse, the much-travelled hound Gershka, and a baby. Leikin accepted his stories and he acted as Anton's agent, but happiness eluded Aleksandr, for he squandered his salary. After Easter 1885 Anna, eaten up with jealousy and OA, conceived again. The wet nurse went down with intermittent fever; her husband moved in; Katka, the maid, stole food. The amoeba-ridden waters of the Neva made Aleksandr ill. He told Anton: 'The flatulence is so great that I am writing you this letter by the light of a gas lamp stuck up my anus.'

Kolia faded out from the College of Art and Architecture. With no military exemption or valid identity papers, he went underground. Only through Anna Ipatieva-Golden could he be traced. He defaulted on all undertakings. Leikin was furious. When spring came Anton was forced to intervene. He decided to take Kolia to Babkino, away from Anna Golden: 'I'll take that fraud Kolia, remove his boots and put him under lock and key.'

At Babkino the Chekhov family could live next door to their hosts, the Kiseliovs. The Kiseliovs completely refurbished the dacha that Boleslav Markevich had occupied. (Anton admitted to Leikin that he expected Markevich's ghost at night.) On 6 May 1885 Anton, Masha and their mother - Kolia, Vania and Misha were to follow - set off. The railway had not yet reached Voskresensk: it was a hard day's cart journey from the railhead. They nearly drowned fording the Istra in the dark, Masha and Evgenia screeching with fear. They found the dacha ready, with ashtrays and cigarette boxes. Nightingales sang in the bushes. Leikin disapproved of Anton's flight to the country. On 9 May Anton tried to lure him: I feel in the seventh heaven and do idle silly things: I eat, drink, sleep, fish, went shooting once. Today we caught a burbot on a long pike hook, the day before yesterday my fellow- huntsman killed a doe hare. Levitan the artist (not your [Adolf Levitan, but [Isaak] the landscape painter) is living with me, he's a passionate shooter. It's he who killed the hare… If you come to Moscow this summer and make a pilgrimage to New Jerusalem I promise you something you've never seen anywhere… Luxuriant nature! You could pick it up and eat it.

112

'3  DOCTOII «III E MOV  

Although Anton's happiest stories come from summer 1885 at Bab-kino, he could not escape his new profession. As well as the irrational Kolia, Anton took charge of Isaak Lcvitan. Levitan lived across the river with a potter at the village of Maksimovka. He was a dangerous patient. When Misha and Anton called on Levitan at night, he leapt out at them with a revolver. Anton told Leikin (who told all Petersburg): 'Something ominous is happening to the poor man. Psychosis is beginning… I was told that he'd left for the Caucasus. At the end of April he returned, but not from the Caucasus. He tried to hang himself. I've taken him with me to the country and now I'm walking him.'

Kolia, now taking opium, also needed care, but he was elusive. Pavel wrote to Aleksandr in early June: I haven't seen Kolia for a long time since our people went to Babkino. They say he's in Moscow… A woman came on behalf of Anna [Ipatieva-Golden] from the cottage at Petrovsko-Razumovskoe to fetch his linen… This is what being carried away by women does, they drive a weak man mad. Thus he is given up to idleness, drunkenness and debauchery, so that our labours and cares over his upbringing are naught to him. Woe to his mother, she is worn out with grief over him. Kolia turned up in Babkino: all June Anton dared not leave the country for more than a few hours, lest Kolia vanish back to wine, morphine and Anna Golden's bed.

Misha, the antithesis of his eldest brothers, had matriculated; his father was appeased. On 10 May Misha

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